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viewing 1 To 6 of 6 items
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LP
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SEISMOG 006LP
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$46.50
PREORDER
RELEASE DATE: 6/19/2026
Anthony Hüseyin presents their new album O Geliyor (Making O), in which they return to the rediscovery of their gender, their childhood, and their attachment to Zeki Müren. Müren is widely regarded as the most important queer exponent in the history of Turkish Art Music (Türk Sanat Müzigi). This genre of music was open to musical hybridism, and Müren himself also included elements of jazz and pop music. Stylistically, O Geliyor (Making O) is a combination of contemporary discoid electro-pop music, based on Turkish Art Music by Zeki Müren. After successful current re-interpretations of Turkish music styles like neo-Anatolian pop and neo-Arabesk, this album provides a first take on neo-Turkish Art Music. The album title is referring to the third genderless person pronoun in Turkish called "O," which encompasses all gender possibilities in one word. The album reflects on the memories that haunt people and the indescribable wounds of displacement. Set against the backdrop of Berlin, home to many immigrants and political and queer refugees, it exposes the profound emptiness in a metropolis wishing to imagine itself as a safe haven for the free-spirited, yet always reminding the Other that they don't belong. At the same time, it delivers anthems for the displaced, for the queer migrants who traverse internal and external landscapes in search of a place called home. Anthony Hüseyin is a non-binary musician and performance artist of Kurdish-Turkish and Arabic descent who works with voice, text, film, dance, and installation. Raised in Urfa in Southeastern Turkey, where they learned traditional local music, they went on to study both classical and jazz singing in Istanbul and Rotterdam. Their works combine the personal and political to explore memory, identity, community, collective consciousness, and the body.
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SEISMOG 005LP
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As on their first EP Mokili Na Poche on Seismographic Records, Atelier Kamikazi's collaborative lyrics are dedicated to their spectrum of life as street kids. They struggle with the exhausting and dangerous beauty of life in Kinshasa by encouraging themselves and promising never to give up. Neither in the face of lying politics, nor in the face of a religion whose representative they call "Priest Cat's Heart," nor in the face of that great power to which they dedicate several songs, the drug called "Bomb," made from car catalyst deposits mixed with a wild cocktail of ingredients. They warn against using this drug to see "the nakedness of the turtle," because the only thing that could really be seen would be the ridiculousness of those consuming the drug. They counter that they are on a mission to conquer the future with their weapons: the weapons of speech, their knowledge and Loketo, the hip swing of dance.
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SEISMOG 004LP
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Rap music in French, English and Lingala from Kinshasa (Democratic Republic of the Congo) on a double A-side record with double A-side flip art work. Lunatic Beudo features the young rappers Zébédé, Bouba, and G BOY from Kinshasa. These kids are surviving life on the streets. Yet, they all make fun of U.S. American gangsta shit hip-hop because they know when it comes to real street life nobody will tell them nothing. How can anger, clarity of social analysis, the experience of pressure and pain as well as mystery be reconciled? In the flow of Congolese rapper Orakle Ngoy. Which she uses for a feminist critique of the (capitalist) system, being one of the very few female rap stars from Kinshasa. Decolonized beats based on exotica samples were provided for Orakle by German producer Martin Georgi, a son of English-Sinhalese immigrants.
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2LP
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SEISMOG 003LP
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There are mysterious records. Records hiding and showing something at the same time. This is one of them. It is made from two records that were most probably released in the mid-1970s, most probably primarily by Turkish Roma. It brings together what Anadolu pop music lovers always dream of: Anatolian geleneksel (traditional folk tunes), disco and funk, jazz and hard rock, psychedelic sounds, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks. Put together in a careful, smooth production with a warm, relaxed and dance-friendly vibe. Here you get it: Roma-nized instrumental Turkish pop music in all its facets of the 1970s.
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SEISMOG 002LP
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Official re-release, retrieved from original cassette tape (1988). First time on vinyl. Includes Turkish musicians like jazz and percussion star Okay Temiz. Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series. A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Şenel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a "melting pot", as a "synthesis". Yet, he can be also seen as someone who is able to step out for new paths. This is the case for Türk Lokumu - Turkish Delite. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: synth-pop, new wave, reggae, hip-hop/break, Latin, disco boogie... He shows you how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass -- all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-synth.
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LP
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SEISMOG 001LP
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Kinshasa, Democratic Republic of Congo -- a group of street children gathered around the artist Lova Lova to form the Atelier Kamikazi and record the album Mokili Na Poche in cooperation with Oyo Projects. They are "shégués", sons of soldiers, orphans or accused of being "child sorcerers". They talk in a funny and provocative tone about the difficulties encountered in their daily lives, about rivalry, politics, sexuality, and survival. These kids know they are fucked -- and they fuck back.
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