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viewing 1 To 25 of 61 items
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LP
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SQM 039G-LKP
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$35.50
PREORDER
RELEASE DATE: 6/12/2026
Damian Dalla Torre returns with People Pleaser, a record shaped by movement, collaboration and an ever-deepening relationship with sound as environment. The Leipzig-based multi-instrumentalist, composer and producer first found wide attention with his 2022 debut Happy Floating, and his subsequent album I Can Feel My Dreams was named the #1 Contemporary Album of 2024 by The Guardian, an accolade that broadened his audience and deepened confidence in his evolving voice. That second album, written between Europe and South America, opened unexpected doors and took Dalla Torre to stages across New York, Japan and Italy. "When you release music, it's very intimate," he reflects. "You show your emotions pretty raw. I was kind of scared. But getting so much positive feedback gave me a lot of self-confidence to try out more." People Pleaser begins in that quiet shift of confidence. The title stayed with him for months before he committed to it. "It was a working title for a long time," he says. "I didn't actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development process. Some aspects are related to pressure, others are positive." The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. At the center of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.
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SQM 045LP
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$34.00
PREORDER
RELEASE DATE: 5/22/2026
Berlin-based duo Mug present their debut album The Well. With a range of influences from no-wave, shoe-gaze, rock, and ambient, Mug's emotional rawness refracts through a lens of spectral soundscapes and austere textures. Intimate and sincere, The Well is about licking your wounds after a breakup, finding light within the cracks and letting it grow. Ludwig Wandinger and Yves B Golden began their musical collaborations based on mutual respect and interest in each artist's vastly different backgrounds. Golden grew up singing in her grandmother's Pentecostal church, but is known widely for published essays and poetry. Wandinger, is an internationally acclaimed drummer, music producer and visual artist, interacting in various fringe music scenes. What began as long distance collaborations released under various outlets such as Caterina Barbieri´s light years, Wandinger and Golden, now living in the same city, morphed into a protracted exploration of songwriting and improvisation, a process defined by immediacy and unfiltered expression: "first thought, best thought." Though The Well marks the first release from this impulse driven duo, this album promises an ongoing evolution, or discovery, wherein genre specificity is inconsequential.
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2X7"
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SQMX 004EP
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$41.00
PREORDER
RELEASE DATE: 5/22/2026
Ella Fitzgerald meets Gangsta Rap and the Beach Boys encounter their despotic father. American Psyche by Raymond Pettibon and Oliver Augst is an ABC of jazz standards and nostalgia on speed, "that the world will never forget." Limited trans red vinyl, folded riso-printed cover.
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SQM 041LP
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$33.00
PREORDER
RELEASE DATE: 5/8/2026
Munich's machine enthusiasts 9ms return to Squama with their third album Lunch. More heterogenic than its predecessors, the album incorporates Dub-infused IDM, cinematic slow jams and off-kilter drum workouts giving the daring DJ plenty of material to treat dancefloors and listening rooms alike. On their previous albums Pleats (2021) and II (2023) Florian König and Simon Popp mapped out the musical symbiosis between man and machine, using motion sensors to translate their bodies' movement while playing drums into sound. On Lunch the conceptual centerpiece is the pendulum. Neither man, nor machine, its steady movement is converted into analog voltage with what's called a gyroscope, allowing it to trigger and control any parameter in the duo's setup. The album was conceived over the course of a year in weekly morning sessions that had to be wrapped up by lunch due to family obligations. The temporal limits, as paradoxically is often the case, turned out to be quite liberating and resulted in a more playful and fearless process. "We worked pretty efficiently, but since there was no deadline for the album to be finished, the whole process felt very light." The duo also freed themselves from the limitations of having a recording setup that's reproducible for touring. "We didn't think about the live aspect at all this time." So for every session they would choose from a wide array of instruments and machines, an abundance that has inspired the record's artwork, overflowing with words from the list of gear used on the record. Sonically, 9ms keep on forging their own niche with thick, compressed drums set against wide stereo-processed soundscapes and a genuine curiosity that's pleasantly contagious.
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SQM 033C-LP
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Transparent vinyl version. For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.
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SQM 035LP
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On her debut LP Memoria, songwriter/producer Lilian Mikorey aka Pillbert contemplates themes of identity and belonging, hardships and heartbreak in her signature blend of bendy folk guitars, field recordings and intimate vocals. Moving to London from Munich, not yet 20 years old, Mikorey realized she was leaving her home behind for good. The subsequent state of being lost and alone in a place too temporary to start building the foundation for a new one led her to question the concept of home itself. Is it friends? Family? A house? "I started collecting objects, bones, sticks, stones and kept them close," she says, as to create a cosmos traveling with her. "I was tracing the actual feeling of being home to the point where I built a dreamhouse in my head, as an idea, just to evoke that feeling." Soon enough she would learn that yielding to the yearning of actually going to that house, must be an inevitably sad experience. A photo she took on a family visit to East-Munich became a reference and starting point for Memoria. It was a small house in her neighborhood, the windows lit as dusk sets in. To Mikorey, it looked haunting, radiating warmth but somehow looking abandoned at the same time. "I wanted to make music that sounds like this photo." She started recording the sounds of the objects she had gathered and of her surroundings, building an archive and sonic material to work with. From her mid-teens she had learned to produce with Ableton and now she picked up the guitar, too, learning it autodidactically by playing around, creating sounds. At some point in the process, she realized it's okay to be lost for a while and by enduring the feeling, there's room for something new to grow, far off from any general idea of what home should mean. The album, over the course of ten tracks, traces these three phases of building a home in your head, realizing it's not a remedy, nor forever and coming to terms with it. You've grown in the process and the album is a guiding light for everyone who strives to do so, too.
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SQM 040LP
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Sanguis is the alias of Berlin-based producer Ludwig Wandinger, a fixture in the city's experimental scene. On his debut album Wounding, dark ambient textures and solo piano improvisations let the listener's attention slip in and out of focus creating a liminal state of dreaming, feeling and drifting through inner worlds and thoughts. Wandinger tries to capture fleeting moments -- all tracks are unedited first takes, some recorded only with his phone in various places, from a friend's flat in Neukölln to his family home in rural Bavaria. Background noises become a part of the music and create a tangible sense of place, urging the listener to keep an ear out for one's own surroundings. Though firmly rooted in the ambient genre, the album is not just about finding comfort. It's an acknowledgement of the ambiguity of our world where menace and beauty coexist, a dichotomy most apparent in nature itself -- a constant source of inspiration for Wandinger. Wounding is about walking alone on damp foliage at night and being handed a blanket by a loved one at the earliest daylight.
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SQM 036CD
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Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
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SQM 028RE-LP
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180g vinyl LP. Includes a 24-page risograph printed publication and a print with works by Tokyo-based photographer Daisuke Tomizawa. Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with Nozomi, the follow-up to their 2022 debut MMMMH (SQM 018CD). The Japanese title, which translates to "hope," felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope. The music on Nozomi unfolds gently, with Lindermayr's airy tone and lyrical playing being wrapped in Ohta's chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto's "Hibari," the arrangements are largely improvised, letting the duo's intuition guide the course and build the form. Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.
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SQM 036LP
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LP version. Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
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SQM 036G-LP
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LP version. Color vinyl. Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
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SQM 034LP
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Swiss percussionist Julian Sartorius and UK electronic artist Dan Nicholls team up as Clay Kin, presenting their debut record on Squama. They had never planned to make an album, yet through pure improvisation and spontaneity, Clay Kin have crafted Vevey. An album of seven tracks, distilled from over seven hours of improvised percussion and electronics. Recorded mostly outdoors -- on pedalo boats, up mountains and deep in forests near the namesake Swiss town of Vevey, it is imbued with the soft fascination of birdsong, rushing water and chattering children. Vevey resists genre. As musicians, Sartorius and Nicholls bridge the divide between acoustic and electronic soundscapes. Sartorius' raw, organic percussion interweaves with Nicholls' keyboard-triggered samples and harmonic landscapes, creating a dialogue where the lines between rhythm, melody and noise dissolve. Clay Kin identify their outfit as an audio-visual collective, with visual artist Lou Zon (Louise Boer) rounding out the group, creating videos to accompany both the recorded music and the live experience.
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SQM 033LP
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LP version. For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.
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SQM 033B-LP
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LP version. Color vinyl. For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.
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SQM 033CD
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For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.
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SQM 032LP
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With Leaving It All to Chance, Roomer don't quite leave everything up to fate. The Berlin outfit's debut album hums with guitar-driven heartbreak, pairing mind-splitting noise with seductive melodies. Capturing the gritty yet emotive energy of their live performances, the album welcomes in the occasional ear-candy, staying true to the raw physicality of a hazy club show all while sharpening its edges -- crafted in true DIY spirit and released by Munich's Squama Recordings. Roomer is the meeting point of four distinct creative forces in the European music scene, united through long-standing friendships and years of collaboration across projects ranging from avant-garde free improv to ethereal folk and ambient electronica. Inevitably -- if surprisingly late -- the question arose: why not start a band? In their hands, the rock band format became a canvas for their many musical worlds to collide.
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SQM 029LP
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As the leader of new outfit Sarter Kit, saxophonist Tara Sarter is creating a unique form of minimal, experimental jazz drawing on humanist principles and shared experiences. Her uncluttered and emotionally heavy debut album What I am and What I'm Not creates an open, instrumental soundworld, where breaks and silences command equal gravitas as the notes and beats. The masterful drumming of Lukas Akintaya dances between oblique patterns in odd meters, into rolling grooves and afrobeat inspired rhythms. On keys and synth, Elias Stemeseder creates tension and releases, with lingering chords and fragile melodies. Stemeseder's synthesizer work throughout the album is subtle yet masterful. Stalking the silence between the sax, drums and piano, creating a haze of digital textures within the margins of the music. Much of the album was recorded live, preserving the raw, unedited energy of their performances. Beyond its musical qualities, What I am and What I'm Not is a reflection of Sarter's belief in the power of music as a form of human connection. For Sarter, music is not about proving technical prowess but about creating something meaningful, something that transcends barriers and speaks to the shared experience of being human.
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SQM 028CD
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Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with Nozomi, the follow-up to their 2022 debut MMMMH. The Japanese title, which translates to "hope," felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope. The music on Nozomi unfolds gently, with Lindermayr's airy tone and lyrical playing being wrapped in Ohta's chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto's "Hibari," the arrangements are largely improvised, letting the duo's intuition guide the course and build the form. Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.
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SQM 028LP
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LP version. Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with Nozomi, the follow-up to their 2022 debut MMMMH. The Japanese title, which translates to "hope," felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope. The music on Nozomi unfolds gently, with Lindermayr's airy tone and lyrical playing being wrapped in Ohta's chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto's "Hibari," the arrangements are largely improvised, letting the duo's intuition guide the course and build the form. Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.
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SQM 031LP
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Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album Childish Mind (SQM 020CD). His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto's lesser-known works like the "Suite for Krug" as well as iconic pieces like "Bibo No Aozora."
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SQM 027LP
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Berlin-based duo Training team up with bassist Ruth Goller for their new album Threads to Knot. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres. The record was written in a truly collaborative effort, adapting the concept of "cadavre exquis," the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues. Training is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album Three Seconds saw them collaborate with Deerhoof guitarist John Dieterich. Ruth Goller, who has been hailed by the Guardian for her "thunderous bass-guitar hooks" has made waves with the release of her second album Skyllumina. She's also known as a live performer with Kit Downes, Alabaster de Plume, and Melt Yourself Down, among others.
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SQM 030LP
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Munich-based quintet Fazer return to Squama with their fourth studio album, Yamaha, a record that melds indie jazz and psychedelic rock with humor and depth. The band recorded the album in their own studio for the first time, taking time to experiment with sound and overdubs, while retaining the vigor of a live performance. Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer's music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
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SQM 026LP
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After his debut album Happy Floating in 2022 (SQM 013LP), Leipzig-based producer Damian Dalla Torre returns to Squama with I Can Feel My Dreams. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris, and Christian Balvig. A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
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SQM 024LP
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Squama regulars Enji and Popp join forces on Nant, the debut LP by their newly minted duo Poeji, exploring the confines of post-dub and downtempo. 2022's three-track EP 031921 5.24 5.53, released as a limited run of dubplates, was the first testament to their open approach to writing, which takes only very basic ideas and relies on non-verbal communication to define form and pace. Enji's vocals are less center-stage than on her solo endeavors, piercing through reverb plates and guitar pedals while Simon inked his signature set of wooden and metal percussions with chains of tape echoes and analog delay. Listening to Nant as a snapshot of Poeji's artistry at a certain time and place can instill a sense of gratitude within the listener that something so fleeting can be captured.
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SQM 025CD
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Contemporary classical composer Sophia Jani and violinist Teresa Allgaier present their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.
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