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viewing 1 To 25 of 42 items
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12"
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SUS 071EP
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Falko Brocksieper presents two hot remixes of tracks off of his Heavy Day full-length, remixed by Jay Haze and Mike Monday. Within 12 minutes, Haze screws up your brain with spooky sequencer techno and chubby bass power. Whiz-kid Monday takes it a bit more swinging and funky, and with prankish footnotes and a bouncing substructure, he transforms the oppressive, trippy "Lament" into a firework of cheerfulness.
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2LP
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SUS 072LP
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Double LP version. Berlin-based Sub Static co-owner Falko Brocksieper presents his second full-length release on his label. After a remarkable number of EPs and remixes, Heavy Day is chock-full of tough and tasty techno. Brocksieper is always king of the hill on his tracks, sovereignly dominating beats and melodies, again and again transferring it all into his trademark airy, funky groove. In addition to floor-pushers like "Lament" and "The Whole Story," Heavy Day also features a great portion of organic organ-house, plucked violin-techno and pleasant dub-tronica. Also featured on this release are stellar guest vocal performances from Richard Davis and Big Bully. On Heavy Day, Brocksieper spins out true techno heaviness while still retaining an austere minimalist gesture.
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CD
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SUS 072CD
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Berlin-based Sub Static co-owner Falko Brocksieper presents his second full-length release on his label. After a remarkable number of EPs and remixes, Heavy Day is chock-full of tough and tasty techno. Brocksieper is always king of the hill on his tracks, sovereignly dominating beats and melodies, again and again transferring it all into his trademark airy, funky groove. In addition to floor-pushers like "Lament" and "The Whole Story," Heavy Day also features a great portion of organic organ-house, plucked violin-techno and pleasant dub-tronica. Also featured on this release are stellar guest vocal performances from Richard Davis, Big Bully and MIA. On Heavy Day, Brocksieper spins out true techno heaviness while still retaining an austere minimalist gesture.
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12"
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SUS 067EP
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"..and because it was so beautiful and so hotly favored, Sub Static ramps up for the second part of remixes for Mia's album, certainly not available on CD. Some real tasty cuts are gathered here, starting with the epic remix of BPitch's Kiki who draws a giant bow from the dancefloor. Detroit-flavored monotony including fine organ garnishes as a provision on the way to the late, but well-earned break. Then the delightfully rattling interpretation by Fumakilla's 'Autotune,' who enriches the spooky 'Wild Ponys' by the significant synth stabs and doesn't have a handbreadth of space for needless ballast. And finally, the lost track 'Cold City' -- owing to the great demand, and after all..."
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12"
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SUS 069EP
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"He's back: the inimitable René Breitbarth, master of a thousand and one grooves, the expert at drilling out the funkster-norm and agent provocateur within the smog of contemporary dullness. That was a great happening at the label headquarters, to finally welcome back one of ours, on top of that with three tracks so fresh to take our breath away. This is blissful like deep house, driving like empathic techno, timeless and current, with always one fork in the others' meal. While elsewhere the rice bags serially keep falling over, this record focuses on the core competence -- music for the dancefloor of trust, music to party on, sure, but also something to love in the hours in between the excesses -- your companion for any kind of party life. The good conscience of the DJ, a friend for a lifetime -- simply what René is himself!"
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12"
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SUS 066EP
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"After his several hit EPs and last year's debut album Superman Days on Sub Static, John Spring is back with his next strike Ready To Broadcast. And yet again there are masterly produced dancefloor tracks, which might connect more than ever to his 2003 bomb 'Dispo Dancer,' in terms of that special nonchalance and lightfootedness. 'Lava Lava' is a tiddly house track with material, lace-making beats, cartoonish DJ Sneak reminiscences and a swinging kind of bassline we all badly needed again. On the B-side, John Spring takes it to the darker side on 'Ready To Broadcast,' brewing a trust-giving late night techno track of rough highs, weird bell sounds and vocals shrouded in mystery. On the bonus piece 'A Tribute,' John finally works up the strong influence of Thomas Bangalter on his most beautiful times in youth -- definitely a relentless, wild track for special moments. Ready To Broadcast -- three timeless feats with boompty boom!"
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12"
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SUS 064EP
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"Cologne's Canadian Pan/Tone could already bless Sub Static with two true hit EPs in 2004, which are still found in the well-assorted DJ bags, of course covered with the obligatory patina of whiskey and Jaegermeister. After several side-projects as 'Sid LeRock' and 'Gringo Grinder,' Pan/Tone is now back with Dr. Pyckle and Mr. Pryde -- a title that already anticipates the duality of this EP! 'The Tear Jerker' is one of these elegiac anthems, building up more and more despite all aloofness, in a way you never want to end. Great break, great feelings -- all inclusive! On the flipside 'Indian Giver' resurrects the memories of the good old School Of Cologne -- back then, when minimal was still pristine, and the groove as the fundamental element was still worth something. As a bonus there's a remix by Kimberly & Clark, accentuating the track with some bleepy bliss, and loads of 808."
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2LP
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SUS 065LP
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CD
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SUS 065CD
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"The mistress of melancholic driving club techno returns: Mia has gone to exam and has extended her knowledge of alchemy fundamentally. After the first big throw 'Schwarzweiss' -- which has reamed out lots of clueless DJs with its sharp edges -- now follows a far more mature album which compiles tracks just as thrilling, to an extremely danceable trip through the abysses of human sensitivities. Like a water lilly, the music of Bittersüß ('bittersweet') glides along at the water surface, maybe virgin in its impression, but the roots reach down deeply into the darkness. Where the water ghosts live, ready to pull every curious observer into their empire, who bends over the wet mirror too carelessly. They're nymphs, once died of a broken heart, now wandering through the nightly realm forever. Their element is the silent high -- warm, lasting, dangerous. Never fully definite, but always vibrating of tension, this is how the journey through the woods is framed, when Sub Static's label boss lets rain voices of sulfur onto heart melting melodies, pushed by the marching beats of a deus ex machina, who can turn rocks into humans, just by his sheer view. It's the soundtrack of the last steps just before the fog clears up, and opens the view on waving bodies, captured in the calm before the storm, before the eruption, before the bass drum. It's the soundtrack of the space between the extremes, fave music from the second half of this strangely amorph decade. It is music, smouldering like the smoke from a fog machine, slowly wrapping you into a finely woven silk cloth to take you on a safe journey. It is music for the crowd in your heart."
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12"
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SUS 061EP
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"Actually, a tragic fact that the two label owners of Sub Static never enriched their own catalog with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn't come yet. Now we found them, the ideal components, and thus this split EP succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. A real Brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it's making you look well on the floors which signify the world. Then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. However, the mood changes -- functionality mutates to emotiveness, the music floats differently. This can only be M.I.A., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk."
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12"
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SUS 060EP
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"A long-term runner of the honest techno and the real Berlin Underground on a new routing at Sub Static: DJ Emerson, the formerly everlasting 'district talent,' has matured into a serious player of the international minimal league and presents himself as a subtle thinker with strong sprinter's calves: there one can send his sounds also on the long distance without slacking on their event impact rate. 'Ring My Bell' enthusiasts with a dynamic-functional arrangement, keenly turns the innovation screw and knows his dancer's crowd exactly. Also 'The Touch' tap-dances wholehearted and freshly over the parquet -- like already the A-side -- attaches the blade, indeed two feet deeper: Deepness as a measure of excessive partying is more than only a nice habit, but a sign of the correct heart education. More drive than Daddel is the motto of the spicy bopping 12", which is still rounded off, by one, how should we say it, brilliant remix by Sweet'N'Candy. The way he rocks it down percussively seems as created for a fertile conversation to the basic material whose quality can be not excelled indeed, but intelligently commented on. Before now the bespectacled 'around stayers' pull out their notepads, we rather give further to the party. Hello rave, do they hear us? Oh yes, the connection stands."
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2LP
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SUS 058LP
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CD
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SUS 058CD
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"The tentacles are stretched out, the poison fangs are sharpened, bank- and web-accounts are blocked, but the yuppie is still there, and makes himself more comfortable than ever. Luckily we are well prepared, luckily we have one like him: John Spring, the Don Quichotte from the German east coast, the bassdrum in flesh and blood, the man of greatest humor between two bars since Ringelnatz. And being a true techno troublemaker, he knows his enemies and the spirit of the times, and he knows about people still thinking to be Clark Kent, trying to combine moral doctrine with an ugly tie. But all of this is now null and void -- let's tap-dance on the ruins of the pale majority! John's countless dances on the dispo parquet predestine him for this job, cause nobody else knows better how to extract the dark vibes of electrified feelings as much. Demoniac, bizarre, funky, his music rumbles through the terror of everyday life, washes techno inside-out, and hangs it out to dry in front of the community center. The immediate effect on brain and bone is guaranteed, the body may sweat again, somewhere in between joyful bawling and evil hissing, rumbling and shunkling in 4/4."
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12"
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SUS 057EP
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"After two years of release-abstinence, Sub Static boss M.I.A. is finally back with a 12" foretaste of her 2nd album. Considering the many reactions and feedbacks to these completely new live pieces, the A-side track 'Safe Night,' and the B2-goodie 'Leaving Behind' were picked as two of the very special moments of the current set, being obligatory to be brought to the studio and to vinyl at last. 'Safe Night' is one of those epic M.I.A.-masterpieces, enchanting you right from the word go, and in this sense linking to the style that made M.I.A. popular, basically since she first released records on labels like Traum, Trapez, and of course, Sub Static. Big emotions, riddled with subtle vocal dabs within a straightforward drive, while still keeping the vibe down-to-earth and drawing on moderate means -- a unique quality that has adhered to her since day one."
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12"
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SUS 056EP
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"Mike & Dot, already well-known for their luscious debut on Sub Static #52, now burrow themselves even deeper into technoid funk and succeed to uncover the tight floor pleasers once more. Each bar of the Lego EP is causing content headbanging at the Sub Static headquarters, underlining the idea of boosting new and undiscovered talent -- and they've got loads of that, those two junior techno heads from Jerusalem: In their extensive fundus, deep dripping tribalisms and DBX-like bleeps & clonks stand next to postminimal 12-tone-madness and rapid glitch anthems, for the invincible optimists of a wild tap-dancing crowd. Almost boldly sophisticated, they distort their references and dash around the beats, however always leaving enough space to read between the lines. An unpretentious firework of good taste in four acts."
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12"
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SUS 055EP
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"So beautiful, so relaxed, so groovy. Never before a jazzy guitar like the one on 'Gravity Master' has been heard on a Sub Static record. But beware of the first impressions, because there are strange things happening underneath the surface, just as it was to be expected from someone like Shyza Minelli. Slanted vocals lose themselves in a deep and menacing forest like a babe in the woods, made up of psychotic beats and scabrous basslines, and also here someone's finally gonna be burning in the oven for sure. Also 'Shyza All Night Long' and 'Rippin Pop' live of their enigmatic consensus, however becoming a blueprint for all who love their dancefloor sweeping in some parallel universe and don't give a damn about standard dancing lessons -- as the weekend is simply too short to get bored."
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12"
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SUS 054EP
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"It's always nice to see two old buddies throw their hardly earned techno competences into one pan, to resurrect that archaic production form of collective music making. Techno virtuoso Falko Brocksieper and newcomer Marc Lansley, better known as one of Cologne's leading party animals behind the decks, backtracked in Sub Static's Berlin studio, and mostly surrounded by third class neo-gothic-combos and scruffy death metal chansonniers. The great team spirit helped to transform these energies into a pawky assortment of old school beats, inciting organic sequences, and bizarre sound effects. Along with the next joint and the outer-space screen saver, done is the hit for the day after tomorrow. And after all, also great for the dancefloor."
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12"
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SUS 053EP
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"After the glorious comeback of The Kooky Scientist about a year ago, Troy Geary aka DJ Slip is now Sub Static's second reincarnation of a classic US-techno-producer. In the mid-90's DJ Slip from Minneapolis was one of the most important advocates of the Mid-West-Sound, releasing tons of records on labels like Parotic, Analog Records, Drop Bass Network, Missile, Music Man, Kanzleramt and his own imprint Creation Rebel. In 1997 DJ Slip's The Fall Of Jupiter was the first release on Parotic Music from Madison. The contained 'Every Time It Takes Awhile' was an instant underground hit and became a faithful mate in many DJs' record cases for years, as the track was dark, analog and experimental, but at the same time extremely funky and oddly functional -- a typical DJ Slip track! Sub Static thought it's about time to refurbish 'Every Time It Takes Awhile,' including a hot brand new remix by Falko Brocksieper, who slows it down a little bit, but only to raise the punch and catchiness for what the track is still about 9 years after its first release -- the great fun of techno!"
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12"
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SUS 052EP
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"The next generation of minimal-infected technoheads is starting off and two of those hyper-talented newcomers are already signed up by Sub Static: Aged 19 and 20, Mike & Dot hail from Jerusalem, Israel and they deliver the proof that sonic bits and bytes are also shifted and chopped up offside the main capitals of the techno community. Emotionally driven synth figurines and precisely dissected vocal snippets are stuck onto a nicely rumbling beat-framework, making the mob go mad, and the PA happy. These three tracks of short-circuited sound design and timeless funkiness cherish the promise that it's more than an illusion: world peace is just a heartbeat away."
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12"
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SUS 051EP
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"The king is dead, long live the king: after several reincarnations as the deeper star of house, René Breitbarth now takes the final step towards more offensive trackbashing, but never forgets the melodic brilliance he is so well known for. This time, he really kicks ass and manipulates the cerebral cortex of anyone listening, arpeggiating a classic-sounding euphoric masterpiece, flanked by a uniquely beautiful B-side, which raises the question for the real hit on this record. But size doesn't matter, just play both sides. That's why we propose you buy two copies to enjoy the full panorama of Breitbarth's trademark-sound. You can't find more subtle heavy-metal in the clubs. And do not forget the vodka on ice, for the time being."
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12"
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SUS 050EP
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"Sub Static turns 50 -- and Cologne's Golden Red delivers the right soundtrack for the anniversary in a decorative gold label sleeve: Two tracks of cautious efficiency which represent the essence of the Sub Static sound in a surprisingly simple but accurate way. He's a man of many faces: Golden Red, always nice and suave, but never to be underestimated. He knows every trick of the trade and while he's talking to you with the most civilized of manners he will already have another one of those tracks up his sleeve, flattering in the beginning, but always showing off in the end. This music invades you and never lets you go until you dance. The hi-hats drive the sounds like a bunch of drunken cowboys their herd, but there's always a stampede lurking around the corner, which won't be easy to control. By the way the title of the record leads back to the fact that these tracks were made while living in a hotel room for months, after a very bad pipe burst in the apartment. So let's hope for the next pipe to be rotten soon."
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12"
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SUS 049EP
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"Free entrance at Frankenstein's laboratory, but not for everyone. The sensitive ones better stay away: Bolcher are two newcomers from Hamburg and they dare to rattle'n'roll like no one else. They laugh at all those fainthearted sissies standing around and waiting for some consonance to shine through, while this primetime-stomper filters its way to breakbeat-blackout, backed up by two hell-of-a-B-side-masterpieces, creating noisy mayhem and funky disaster. Everywhere they speak up. Bolcher don't give a damn about anaemic genrefication or lifeless nerdism, cause they wanna show off for real. This is music like some nasty car accident you always wanted to gaze at on TV, but never had the chance to."
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12"
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SUS 048EP
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"He's got the need for speed, but never flew out of the bend: John Spring, our virtuoso of sloping positions, is taking his game to new heights of funky digital distortion and consequently presents a real highlight on Sub Static, whose bass-heavy stunner will blow away kids and heads alike. Those, who like their anaemic chartbreakers well done, will be warned, because this obsessively processed monster of a track causes bloody mayhem on every floor imaginable. Always living in the fast lane and never looking back, that's why we love John, our true star in the ring. So watch out for the real thing coming soon to a club near you."
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LP
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SUS 099LP
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12"
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SUS 047EP
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"Shyza Minelli is a newfound female producer from Thailand, today living in Milano, who just recently fried this totally burnt electro roast in the tuningspork stove, that still no dancefloor has fully recovered from. Now on 'Nasty,' the oldschool flavour and tenderly stumbling failure diagnostics are once again making an extremely effective couple in a tailor-made minimal corset, while the perfectly curved vocals of borrowed Senor-Coconut-vocalist Argenis Brito provide a joyful reunion with the paranoia of a busy party night. As a sweet icing on the perky screwed beat we offer two ergonomically shaped remixes by Donnacha Costello and M.I.A., which should finally boil all attendant synapses to a happily flouncing mash."
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