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viewing 1 To 25 of 48 items
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12"
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SUOL 082EP
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There is no stopping Meggy at the moment. With Times and Welcome To The V, the Berlin-born DJ, producer and vocalist has already delivered two top notch EPs on Suol in 2018 and here she is back again already with a third, Flowers EP. Sporting four tracks, it once again showcases not only Meggy's production prowess but also the unmistakable vocal style and songwriting abilities which have earned her so many high level feature appearances throughout her career. The title track revolves around a hypnotically modulating analogue synth riff and drum patterns that point urgently towards the dance floor.
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12"
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SUOL 079EP
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Leipzig-based producer M.ono has not only released tracks on labels like Dirt Crew and Defected, he also already made an extremely tasty appearance on Suol with his wonderfully sunny groover "Waffelhaus" on the Hallo Montag compilation. So now it's high time for his very own EP with Suol, Mountain Game.
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12"
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SUOL 075EP
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German producer Kolja Gerstenberg from Leipzig and Schiggeria, the project of Kolja and Atbin Milani, split the Saver Flex EP. "Blue Shoe" features funked-up percussion -- looping organ lick, little shouts, big stabs, and a massive kick drum. "Lax Wax" eases up a little with a lighter beat on top, filtered piano chords, a live bass, and just a touch of guitar. "Buggel Runter Rutschen" keeps the mood sunny while adding more punch with snappy percussion. "Kagghaufen" is a tasty track with a straight beat, which is counterpointed by bouncy congas, funky vocal cuts, and a dose of squelchy acid.
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12"
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SUOL 076EP
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Berlin girl Meggy is back with another EP, Welcome To The V. "Wake" is classic Meggy. The song unfolds over a stomping kick, crisp hi-hats, and crunchy claps. Atmospheric pads and Detroit techno strings carry you through a metropolis of sound. "The V" is a raunchy track with an irresistibly shuffling beat, driving bass stabs, some crazy detuned synth action and lyrics. On "Liquid Bliss", classic drum machine and analog synth workout get the party started. On vocals, Meggy turns up the R&B style in this celebration of getting really drunk.
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12"
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SUOL 074EP
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Mainstay of the Berlin scene, Meggy presents Times Up. "Stay 2Nite" opens with a lush pad over crisp 808 drums and spaced-out echoes, along with Meggy's trademark R&B style vocal. "Times" turns up the house vibes with big open hi-hats and a heavy bass relentlessly driving the groove forwards. Meggy's talent to combine club functionality with emotional song-writing is just as present in "Tyler", with groovy analog goodness and tight drum machines. Meggy's huge hit "Everything" (with Rampa) finds a worthy successor in "Everything Pt. 2". A club track at its core, it's full of feeling and goose-bump-inducing chords.
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12"
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SUOL 073EP
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Originally from Malaga, Spain, Carlo brings summer vibes with his Tres EP. "Tres" drops straight into a swift, lightly shuffling drum machine groove, already building its atmosphere with carefully crafted reverbs before the smooth but powerful sub rounds off the low-end. The groove is beefed up more on "B-162", with warm saturation melting the melodic bassline into the low-end of some seriously housed-up beats. Carlo turns up the disco for the final track of the EP, at least as far as the bouncing bass of "Biznaga" goes. The rest is pure house music delight with a pitched-up, goosebump-inducing vocal.
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12"
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SUOL 072EP
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Chicago artist Snad, aka Shyam Anand, presents his debut EP for Suol. The title track, "Home Away From House", drops a softly stabby, hypnotic sequence on top of an elegantly subtle drum machine groove and synth bass. Things build up patiently with luscious delayed chords and rising strings. "Cut!!!" involves clever drum programming and cool reverbs in perfect harmony with a melodic bass riff and a silky, modulating analog lead. "Deep Looking" has a solid groove -- syncopated toms and claps join forces with a fast hi-hat pattern to provide plenty of momentum for this dreamily floating acid house number.
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12"
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SUOL 071EP
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SUOL head honchos Chopstick & Johnjon have gone back to basics with this offering. The four original tracks on their Momentum EP are the result of some extensive studio jam sessions. Featured vocalist CeCe Rogers asks "What Is House Music" on the EP's opening track with shuffling snares, crisp claps, and relentless kicks. Warm analog pads take the listener into "Salvation". "O-Negative" is centered around a big analog lead sound that morphs and modulates. "Catalisa" adds a layer of disco funk to the synth jam with its bass guitar sample and organ stabs that dance around a filtered vocal sample.
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12"
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SUOL 068EP
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Suol label heads Chi-Thien Nguyen and John Muder, aka Chopstick & Johnjon, present Versions 2 after their work on Fritz Kalkbrenner's gold record single, "Back Home" (2014). "Keep It Real Son" features organ stabs, deep subs, whipping hi-hats, a Moog bassline and an instantly recognizable lead synth. "I Need Your Love" sees funky percussion lines skip along to rolling basslines. "Strings For Fools" is a journey full of bouncy percussions from around the world. "Wait A Minute" builds around a two bar guitar loop and a live electronic bass. Two vocal bits echo their way across a snappy beat.
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12"
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SUOL 064EP
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Suol present Larse's first EP, On Canvas Pt.1. Larse's trademark style is eclectic, smooth and soulful yet very danceable and this EP is no exception. "Wanna Be Like You" features Lisa Shaw on vocals. The touching lyrics combined with Lisa's beautiful voice perfectly complement the track with its lush harmonic synths and dreamy delays. The instrumental track "Connection" goes deeper, driven by a fast, modulated synth stabs and an irresistible shaker groove, it builds and builds. "Kind Of Culture" pairs up a hooky cut with the funkiest of house grooves, a hypnotically straight melody, cheeky claves and tons intricate details.
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LP+CD
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SUOL 006LP
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How did the myth surrounding the proverbial "difficult second album" come about? And who first started the rumor that you have a lifetime to finish the first album, but two years at most for the second? It's likely that all these platitudes simply got churned out of the cliché machine at some stage, but the fact remains: they are out there and they sometimes make life tough for musicians. But not for Till von Sein. The German DJ and producer simply approached the dictatorship of the schedule with a shoulder shrug; stress rolled off him like water off a duck's back, and he follows up his 2011 full-length debut, #LTD (SUOL 003CD), with Precious. But isn't Tilly the guy whose tour schedules barely leaves any corner of the earth untouched? That's right. In reality, the years between #LTD and Precious were compressed into a time frame during which other artists on the scene manage to put out a few EPs and remixes at most. More importantly, von Sein's Precious is not merely a follow-up: von Sein has re-calibrated himself and re-assessed his approach to creating an album. He sums up his approach to recording this release with unambiguous brevity: "I wanted the album to get to the point." While its predecessor could be described as performing a loyal service to the functional aspects of house, the tracks on this album dance to the ever-changing tune of their author. Precious effortlessly does its name justice, forming a collection of interpretations of all the musical treasures that have left the deepest impression on von Sein as an artist. The album shifts between house, R'n'B, and soul-inflected pop, stylishly connecting the most remote bpms and succeeding where many others have failed in combining dancefloor compatibility with a touch of songwriter inspiration and even airplayability. Features appearances from Kid Enigma, Russoul, The Black 80s, Diamond Setter & Maria Leonard, Mr. V, and Meggy. Only available in LP+CD format.
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12"
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SUOL 059EP
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First single from Till von Sein's second album, Precious. Sir Mix-a-Lot, Destiny's Child, Eminem, LL Cool J, Big Sean, J-Lo -- the list of artists who have sung the praises of the big booty is very long indeed. Tilly joins the party with "Booty Angel (feat. Kid Enigma)." Johnjon approaches the track from the deep-chilled tech-house genre, inviting latex-clad listeners to dish out a few saucy spanks. The lead organ in the Tender Games arrangement conjures up a quickie in a stadium bathroom. Jimpster's re-working goes all satin sheets on us with its sustained notes, rustling percussion, and tweaked vocals.
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12"
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SUOL 058EP
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Berlin DJ, producer, and vocalist Meggy launches a series of collaborative 12"s."Doin' Your Thing" with Soulade features booming claps and hits, a prying bassline, and shimmering synths -- a kinetic and engaging track. Ardalan appears on "Space Pishi," a bumping, groovy, mid-tempo house cut with tight drums and alluring vocal ad libs from the hostess. "Baby Love" features Paskal & Urban Absolutes with somber yet uplifting chords and delicate drum-work brilliantly showcasing Meggy's sensitive and rueful vocals. The spacious arrangement, crawling drums, and swathes of reverb on Erdbeerschnitzel's "Pressure" create a huge chamber in which Meggy's voice drifts and floats.
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12"
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SUOL 055EP
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Suol label-bosses Chopstick & Johnjon return with the second single from their LP Twelve (SUOL 005LP/SUOL 009CD). The album's opener, "Run Slowly" is an intensely soulful track which bridges the gap between electronic and acoustic instrumentation. Densely-layered guitar and string harmonics dovetail alongside Chris James' mournful vocals to create a rich listening experience. André Lodemann's interpretation retains the melodic elements but injects it with space. Few Nolder's slightly harder interpretation has a tougher bass line and brittle synth stabs, but melts away into a delicately beautiful breakdown. Quarion's remix leaves the vocals intact and is a late-night excursion comprised of an ominous arpeggiated synth and muffled chords.
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CD
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SUOL 010CD
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Tender Games is the brand-new project between BBC Radio 1 future star Marlon Hoffstadt and HRRSN, head of the Berlin-based Well Done! imprint. Both established producers in their own right, they've shifted their sonic palette away from house-based sounds to create an LP that has all the makings of a future soul classic. Oozing with rich harmonies and warm grooves, the Tender Games sound is much more indebted to the UK club scene than to the darker, heavier timbres their hometown Berlin is associated with. By deliberately going against the city's status-quo of technoid bleeps-and-squeaks, this album represents not just an artistic expression but a mission statement of sorts. The duo's disparate influences have come together to create a distinctive new sound; Hoffstadt's house leanings are prominent, while HRRSN has drawn from garage, blues and even folk. The album came together over the space of a year or so in the enviably decked-out studio of fellow Suolmates Chopstick & Johnjon, and features a wealth of guest vocalists and live instrumentation courtesy of HRRSN. The finished result sounds lush, organic, and most of all, fresh. "Your Perception" makes the album's cultural alignments quite clear, kicking things off with a classic British 2-step garage beat, vocal chops and a searing synth lead which sets the tone for the rest of the LP. On "Lost," the listener is eased in with a delicate Rhodes motif, before breaking into HRRSN's soulful croon in its majestic glory for the first time. "Make Believe" ups the tempo with inspiring vocal performances from Yvy Coe and Stee Downes, the latter of which is better known as the voice behind Lovebirds' now-seminal underground classic "Want You in My Soul." "Want It All"'s bumping house beat takes things out of the lounge and firmly into dancefloor territory, with New Jersey chord stabs and swung garage drums. After reaching a steadily controlled crescendo, "In Her Bed" slams on the brakes for an unexpected, all-out blues ballad, complete with a delicately smoky vocal performance from Miss Natnat. The stripped-back bedtime lull of the album's opening single "In a Mess" again features HRRSN's haunting vocal performance, along with twinkling, lustrous Rhodes piano chords and a warm bass line. "City Lights" carries itself with a spacious lope and hot-blooded sensual swagger, with impassioned lyrical content which makes for heady listening. The album is rounded off by the whomping bass of "Freak in the Sheets," underpinned by the vocal talents of Forrest. All in all, while comparisons to the likes of Disclosure and their ilk may be expected, the myriad of different styles demonstrates a versatility that gives Tender Games a sound all of their own.
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SUOL 054EP
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Secretive Berlin duo Tender Games return to Suol for their second outing -- a taste of their forthcoming debut LP. "In a Mess" progresses with a subtle, warm bass line and Rhodes piano, while halfstep drum patterns give the tune a pleasant, spacious lope, allowing plenty of room to let the harmonies shine through. Kasper Björke's propulsive rework wisely leaves the song structure largely untouched, opting instead to knead it out to twice its original length and underpin it with a buoyant 4x4 drum pattern. Dale Howard strips the track of any melodic glossiness, and replaces it with one of his trademark thunderous bass lines.
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2LP
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SUOL 005LP
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Double LP version. Housed in a gatefold jacket. Presenting a debut full-length album from Berlin's house institution and Suol founder, Chopstick & Johnjon. This is an album in the classical songwriting sense. Fortified by house predilections taken from the musicians' obsessively detailed and intoxicating dancefloor beats, the album presents its own clearly compacted and self-contained realm of sound. It's an album which, besides the collaboration with Boston's E-Funk wizard Tanner Ross on two songs, mainly arose with the cooperation with the English singer and musician Chris James. James, who has released tracks with his band Stateless on Ninja Tune and !K7, among other ventures, greatly contributes to the strength of the album. His warm voice and intuitive vocal arrangements blossomed immediately under the concepts of both Berlin producers, resulting in 11 tracks on Twelve which were developed by the trio. A decade has passed since the masterminds behind the Suol label, Chi-Thien Nguyen and John B. Muder, set out as Chopstick & Johnjon with a clear mission: to blaze a trail through the international house and techno scene. Those 10 years seem to have passed in the twinkling of an eye. Both as joint label managers and as a production team, they've come a long, long way. Techno, electro, house, hip-hop -- during their early years in particular, the duo set about exploring electronic music like kids in a candy store. Fearless and bold, they surrendered themselves to the moment, but with the Suol label they seem to have found their spiritual home for the time being. Suol's forerunners, Criminal Records and Baalsaal, were important stages in allowing them to hone their profile and gradually acquire the necessary know-how to develop an internationally successful label. We learn from our mistakes, as the saying goes, and all those diverse influences crystallized aesthetically, too, as they gradually created a collective sound concept, which is based on their shared experiences. Over time, their collaborative tracks started to become slower and more organic. What is today commonly known as slow house was for Chopstick & Johnjon a natural outgrowth of their passion for hip-hop and groove in particular. The creative pair compliment each other perfectly -- both in the studio and behind the decks. Thien, the classically-trained "muso" and John, the former hip-hop DJ with an ear for tight, compact arrangements. The chemistry is just right: tracks like "Clear Eyes" from their Friday Night Lights EP, "Keep on Keepin' On" with label mate Fritz Kalkbrenner on the microphone, or their biggest hit to date "Listen" are all proof of that. And as DJs, Chopstick and Johnjon are consummate experts at bringing the party to a boil at 116 bpm.
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CD
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SUOL 009CD
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Presenting a debut full-length album from Berlin's house institution and Suol founder, Chopstick & Johnjon. This is an album in the classical songwriting sense. Fortified by house predilections taken from the musicians' obsessively detailed and intoxicating dancefloor beats, the album presents its own clearly compacted and self-contained realm of sound. It's an album which, besides the collaboration with Boston's E-Funk wizard Tanner Ross on two songs, mainly arose with the cooperation with the English singer and musician Chris James. James, who has released tracks with his band Stateless on Ninja Tune and !K7, among other ventures, greatly contributes to the strength of the album. His warm voice and intuitive vocal arrangements blossomed immediately under the concepts of both Berlin producers, resulting in 11 tracks on Twelve which were developed by the trio. A decade has passed since the masterminds behind the Suol label, Chi-Thien Nguyen and John B. Muder, set out as Chopstick & Johnjon with a clear mission: to blaze a trail through the international house and techno scene. Those 10 years seem to have passed in the twinkling of an eye. Both as joint label managers and as a production team, they've come a long, long way. Techno, electro, house, hip-hop -- during their early years in particular, the duo set about exploring electronic music like kids in a candy store. Fearless and bold, they surrendered themselves to the moment, but with the Suol label they seem to have found their spiritual home for the time being. Suol's forerunners, Criminal Records and Baalsaal, were important stages in allowing them to hone their profile and gradually acquire the necessary know-how to develop an internationally successful label. We learn from our mistakes, as the saying goes, and all those diverse influences crystallized aesthetically, too, as they gradually created a collective sound concept, which is based on their shared experiences. Over time, their collaborative tracks started to become slower and more organic. What is today commonly known as slow house was for Chopstick & Johnjon a natural outgrowth of their passion for hip-hop and groove in particular. The creative pair compliment each other perfectly -- both in the studio and behind the decks. Thien, the classically-trained "muso" and John, the former hip-hop DJ with an ear for tight, compact arrangements. The chemistry is just right: tracks like "Clear Eyes" from their Friday Night Lights EP, "Keep on Keepin' On" with label mate Fritz Kalkbrenner on the microphone, or their biggest hit to date "Listen" are all proof of that. And as DJs, Chopstick and Johnjon are consummate experts at bringing the party to a boil at 116 bpm.
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12"
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SUOL 050EP
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Suol presents the first single from Chopstick & Johnjon's upcoming album Twelve. "Pining Moon" is arguably their most intently focused pop song to date. Recorded in collaboration with Chris James, whose projects include the band Stateless, the song features vocals from James and deeply emotional arrangements driven by a punchy kick drum and cleverly interwoven with dreamy acoustic guitar and cello cameos. Jay Shepheard delivers two different interpretations -- one airier, and one full of dancefloor groove. The Death On The Balcony remix is capped with a pulsating bass groove, which takes the song decisively in the direction of the dancefloor.
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12"
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SUOL 047EP
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Chasing Kurt's From the Inside presents the Giessen-based troupe at the apex of their game, that being warm, velveteen house music awash with soulful pop sentiment. It is a formula that has already caught the attention of contemporary dancefloor purveyors like Maya Jane Cole, who snapped up the trio's sophomore release "Money" for her DJ-Kicks mix in 2012. The EP comes with remixes from Till von Sein collaborating with Tigerskin on the punchy, B-side, with a more languid, sensual rework from Daniel Bortz.
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CD
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SUOL 008CD
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It was the mid-'90s, the heyday of techno in Munich-Riem, home to the Optimal and other legendary clubs, when Daniel Bortz stepped into the never-ending, untiring loop of the stoically pumping bass drum. He was born in Berlin in 1981, but for the last 13 years has been forging his deep beats, grooves and tracks for the club world from his base of operations in Augsburg. And it's precisely that club world that Bortz has been gracing with his releases, aiming right for its hype-craving g-spot. His sounds include crate-digging, house-nostalgia, dancefloor-transfer, sample insanity and a healthy dose of eclecticism. But Daniel Bortz is no friend of excess. Anyone familiar with his previous work is aware of the clear contours that permeate and define his tracks. Overkill, in any case, is not in his repertoire. What Daniel Bortz does instead is pack compatible sounds together from all the drawers in the "beat" cabinet and arrange them into a system bearing his own inimitable signature. And that's how this album works. Following diverse 12" singles, here's the debut album for Fritz Kalkbrenner's label, Suol. Bortz is unmatched in how he crafts his sounds, how he modulates reverb depths, how he opens spaces and inserts details between the tracks with the precision of a Swiss watchmaker. His nonchalance in turning apparently cool vibes into a fiery inferno is the definition of informed understatement. Patchwork Memories becomes tangible as an experience through the depth of these moods, through the immediacy he applies in portraying his memories. These are memories Daniel has scribbled down in sketches and arrangements over time. For the album he returned to them, carefully picking those to resuscitate. He's somehow managed to accomplish this audio self-revelation without stumbling into self-immolation and, most importantly, without losing sight of the laws of the dancefloor. Those suspicious that LP productions are for the head (phones) and not for the feet will be astonished at how Patchwork Memories brings both to life.
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12"
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SUOL 049EP
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Suol presents the Maxi Cosy EP from Daniel Bortz. All three tracks have Bortz trademarks all over them. First, there's the detailed, synth-melody ridden, somewhat spaced-out and significantly-titled opener, "Cosy." Then, there's the dry and pumping "Low," introducing Nils Coren, who makes a feature appearance on Bortz's album Patchwork Memories, and finally there's the filtered and loopy affair "Half Edit," not doing things by halves at all. Three equally-strong tracks to let this thing run under triple A-side.
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CD
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GLOBAL 001CD
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Paul and Fritz Kalbrenner and Florian Appl play music with the Babelsberg Film Orchestra to living pictures by Hannes Stöhr. Fritz Kalkbrenner sings the title-track for the movie once again with "Willing" (just like he did on the track "Sky & Sand" for Berlin Calling). Global Player is already the fourth collaboration between Florian Appl and screenwriter/director Hannes Stöhr (Berlin Is in Germany [2001], Tatort-Odins Rache [2003] and One Day in Europe [2005]). For his contribution to the movie Berlin Is in Germany Florian Appl even won the Rolf-Hans-Müller Award for the best movie score. Paul Kalkbrenner and Hannes Stöhr aren't strangers to each other, either. In 2008 Kalkbrenner starred in Stöhr's movie Berlin Calling and wrote the soundtrack of the same name, which won platinum status in 2012. For Global Player, Hannes Stöhr took the opportunity of a collaboration between Florian Appl and the Kalkbrenner brothers Paul and Fritz, and out came a soundtrack which impressively and elegantly compounds classical music, melancholia and dancefloor inclinations. On this soundtrack you will find already well-known compositions by Fritz and Paul -- newly interpreted with assistance from the Babelsberg Film Orchestra -- as well as parts of the movie score remixed by the two brothers.
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CD
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SUOL 007CD
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Since the release of the Suol Mates debut edition with Fritz Kalkbrenner (SUOL 004CD) at the controls, Suol has known for certain that this series has more to say than your plain vanilla DJ mix. So who better to man the helm for the Suol Mates method than Till von Sein? You know the guy, the one who treats genre parameters like poorly-guarded borders and laughs at the "speed police" sheep keeping a watchful eye out underneath the 115 BPM zone. He's the same guy whose DJ sets virtually embody what's happening on this CD. Till is that rare breed that can build things up by committing the cardinal sin of ignoring matching tempos and stylistic conformity, instead focusing on the emotion (read: "Soul") and color of a track over its alleged functionality. Till von Sein, who always celebrates the fringes of house music in his productions and sets anyway, has almost completely abolished the accustomed four-to-the floor dictate on this compilation. In its place, he has created a kind of fascinating song-stream limbo from which intoxicating dancefloor moments emerge from time to time, but where he ultimately has the bigger picture in view. We're into ethereal heights of mixing expertise when a compilation of tracks predominately from other artists bears an inimitable signature. And that's precisely what we have here. First, start with the field recording-based meditative waves from Noyce and throw in ingredients like Ayala's smooth D'n'B, Ripperton's feel-good after-hours vibrations and jazzed-up Latin space disco from Ackin'. Add the slow melancholy of El_Txef_A and the chillwave "grandeza" of Toro Y Moi and Blood Orange, then exhale slowly in an easy-going Sebastien Tellier jam. Finish up by mixing it all into a sunset synth-flooded, instantaneously relaxing and altogether cohesive vibe. All that's left is to sign your name: Suolmate Till von Sein. Other artists include: Different Marks, Ben Westbeech, Belleruche, Ross, Klaves, Christina Wheeler, Prins Thomas, Tigerskin, DJ Nature, Twit One, and Missing Soul.
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12"
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SUOL 048EP
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Chopstick & Johnjon present the first vanguard of their upcoming debut album. For Roots they team up with Signaljacker aka Chris James of the infamous UK band Stateless (Ninja Tune, !K7). The title-track comes in two different moods - the dreamy, almost melancholic "Original Mix" plus the rather bright "Alternative Mix." "Still Breathing" eventually takes the beat even further down, bringing forth a never-heard side of Chopstick & Johnjon.
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