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viewing 1 To 7 of 7 items
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2x10"
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VWM 059LP
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Double 10" version. Colin Newman and Malka Spigel's Immersion project sees the third volume of their Nanocluster collaboration series. The third album in the Nanocluster series is a mid-Atlantic melting pot of ideas that have created a brand-new third way. The album sees a collaboration between the European post-punk electronic discipline of Immersion meeting the American ambient country band SUSS and their big sky, new world, Americana cinematic soundscapes to create a perfect Nanocluster! It's a perfect combination that fits the Nanocluster vision. Immersion's open-minded approach sees their music spark new textures with the American band who were once described by UNCUT magazine as "Eno's Apollo Atmospheres crash-landed in America's Sonoran Desert," and by Pitchfork as "Neither rawboned nor ramshackle -- their elegantly composed brand of ambient country stands as tall and clean as a brand-new pair of cowboy boots." Suss are composed of veteran musicians Pat Irwin (the B-52s, Raybeats, 8 Eyed Spy), Bob Holmes (numun, Rubber Rodeo), and Jonathan Gregg (the Combine, the Linemen). SUSS combine pedal steel, national steel guitar, mandolin, harmonica, baritone guitar, and the harmonium, which they weave with synthesizers and loops to create their big, lonesome sound.
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CD
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WM 059CD
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Colin Newman and Malka Spigel's Immersion project sees the third volume of their Nanocluster collaboration series. The third album in the Nanocluster series is a mid-Atlantic melting pot of ideas that have created a brand-new third way. The album sees a collaboration between the European post-punk electronic discipline of Immersion meeting the American ambient country band SUSS and their big sky, new world, Americana cinematic soundscapes to create a perfect Nanocluster! It's a perfect combination that fits the Nanocluster vision. Immersion's open-minded approach sees their music spark new textures with the American band who were once described by UNCUT magazine as "Eno's Apollo Atmospheres crash-landed in America's Sonoran Desert," and by Pitchfork as "Neither rawboned nor ramshackle -- their elegantly composed brand of ambient country stands as tall and clean as a brand-new pair of cowboy boots." Suss are composed of veteran musicians Pat Irwin (the B-52s, Raybeats, 8 Eyed Spy), Bob Holmes (numun, Rubber Rodeo), and Jonathan Gregg (the Combine, the Linemen). SUSS combine pedal steel, national steel guitar, mandolin, harmonica, baritone guitar, and the harmonium, which they weave with synthesizers and loops to create their big, lonesome sound.
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2x10"
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VWM 058LP
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2 x 10" version. Nanocluster started as a bespoke one-off popup gig that turned into an album series. Built around Colin Newman from acclaimed UK post-punk band Wire and his partner in life and sound Malka Spigel from Minimal Compact with various guests, they define collaboration. They became a couple and created their own projects like the instrumental electronic duo Immersion in 1994. Growing out of Immersion, Nanocluster was birthed as a series of one-off gigs at the Rosehill in their new hometown of Brighton in 2017 with an added cast of influential and cutting-edge musicians. The songs had been written and rehearsed prior to each performance. This adventure led to a debut album, Nanocluster Vol 1 (WM 056CD), released in 2021 with Stereolab singer/guitarist Laetitia Sadier, German post-rock duo Tarwater, electronic musician Ulrich Schnauss and experimental artist Robin Rimbaud (Scanner). Now, the new album Nanocluster Vol. 2 has further developed this idea with a stark beauty that sounds like a future pop with sleek lines and unexpected great melodies. First comes Thor Harris, the charismatic percussion player from Swans and many other projects, who they met and performed with at South By South West in Austin, Texas in 2023. Thor adds ideas, his tuned percussion instruments, clarinet and trumpet to the sessions. Then comes Cubzoa (Jack Wolter from the band Penelope Isles) who brings his musical craft, beguiling voice, guitar and much more. Meanwhile, Matt Schulz from Holy Fuck plays drums across both combinations helping the resulting music become a third entity. What results is a true collaboration that, enhanced via Immersion's production, merges its elements to develop a new harmony. Nanocluster Vol. 2 is a 21st century collusion of shared ideas, creating a momentary extended musical family. It's about musical and personal relationships and the meeting place in the middle. A temporary band of house guests. The place where Immersion happens.
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CD
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WM 058CD
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Nanocluster started as a bespoke one-off popup gig that turned into an album series. Built around Colin Newman from acclaimed UK post-punk band Wire and his partner in life and sound Malka Spigel from Minimal Compact with various guests, they define collaboration. They became a couple and created their own projects like the instrumental electronic duo Immersion in 1994. Growing out of Immersion, Nanocluster was birthed as a series of one-off gigs at the Rosehill in their new hometown of Brighton in 2017 with an added cast of influential and cutting-edge musicians. The songs had been written and rehearsed prior to each performance. This adventure led to a debut album, Nanocluster Vol 1 (WM 056CD), released in 2021 with Stereolab singer/guitarist Laetitia Sadier, German post-rock duo Tarwater, electronic musician Ulrich Schnauss and experimental artist Robin Rimbaud (Scanner). Now, the new album Nanocluster Vol. 2 has further developed this idea with a stark beauty that sounds like a future pop with sleek lines and unexpected great melodies. First comes Thor Harris, the charismatic percussion player from Swans and many other projects, who they met and performed with at South By South West in Austin, Texas in 2023. Thor adds ideas, his tuned percussion instruments, clarinet and trumpet to the sessions. Then comes Cubzoa (Jack Wolter from the band Penelope Isles) who brings his musical craft, beguiling voice, guitar and much more. Meanwhile, Matt Schulz from Holy Fuck plays drums across both combinations helping the resulting music become a third entity. What results is a true collaboration that, enhanced via Immersion's production, merges its elements to develop a new harmony. Nanocluster Vol. 2 is a 21st century collusion of shared ideas, creating a momentary extended musical family. It's about musical and personal relationships and the meeting place in the middle. A temporary band of house guests. The place where Immersion happens.
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2x10"
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VWM 056LP
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Nanocluster Vol 1 is an album with some serious pedigree. It sees Immersion (aka Malka Spigel and Colin Newman of influential groups Minimal Compact and Wire, respectively) collaborating with some of the finest left field artists of our era: Tarwater, Laetitia Sadier, Ulrich Schnauss, and Scanner. The project was born out of a Brighton based club night, also called Nanocluster, run by Spigel and Newman alongside writer, broadcaster and DJ Graham Duff, and promoter Andy Rossiter. The club features a range of influential and cutting-edge music acts. But the unique aspect of the evenings is that each show climaxes with a one-off collaboration between Immersion and the headliners.
Immersion and Tarwater: The German duo of Ronald Lippok and Bernd Jestram have created an impressive body of work. The opening instrumental "Ripples" is a gentle breathe of optimism, all purring tones and sun dazzled synths. Meanwhile, "Mrs. Wood" is a dubby psychedelic shuffle, Lippok's vocal cool and assured over a fat bass line and sky bound eastern melodics.
Immersion and Laetitia Sadier: An original and distinctive presence in contemporary music, Sadier made her name with the inimitable Stereolab, but she's also created several impressive solo works. The instrumental "Unclustered" sees Sadier's spidery guitar weaving through Immersion's lush web of synths drones. The following "Uncensored" has a subtle melodic tug with a classic Spigel guitar line underpinning Sadier's sweet yet worldly wise vocal. "Riding the Wave" is another feel good song, swapping between Newman's plaintive vocal, and Spigel's vocal and Sadier's backing vocals.
Immersion & Ulrich Schnauss: A highly respected solo artist, as well as being a member of Tangerine Dream, Schnauss' skill with electronics is legendary. The opening "Remember Those Days On The Road" skips along on a rimshot rhythm with Spigel's honeyed vocal telling a tale of life on tour. "Skylarks" opens with a lattice of arpeggios before a gently nagging guitar enters and everything takes a turn for the sublime. "So Much Green" is constantly spiraling urban-kosmisch, with Spigel's plangent bass anchoring the celestial sounds.
Immersion & Scanner: Scanner -- aka Robin Rimbaud -- is one of the most prolific and diverse artists currently working in contemporary music. "Cataliz" is the album's moodiest moment. With its serpentine synth drones it sounds like the soundtrack to a mysterious thriller. The rich pulsing "Metrosphere" recalls Immersion's early work whilst adding another layer of grainy uncertainty. The closing "The Mundane and the Profound" is a gentle and touching end to a unique collection of songs.
Nanocluster Vol 1 is a testament to a remarkable synergy between a diverse assembly of strongly individual talents.
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Artist |
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Format |
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Catalog # |
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CD
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WM 056CD
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Nanocluster Vol 1 is an album with some serious pedigree. It sees Immersion (aka Malka Spigel and Colin Newman of influential groups Minimal Compact and Wire, respectively) collaborating with some of the finest left field artists of our era: Tarwater, Laetitia Sadier, Ulrich Schnauss, and Scanner. The project was born out of a Brighton based club night, also called Nanocluster, run by Spigel and Newman alongside writer, broadcaster and DJ Graham Duff, and promoter Andy Rossiter. The club features a range of influential and cutting-edge music acts. But the unique aspect of the evenings is that each show climaxes with a one-off collaboration between Immersion and the headliners.
Immersion and Tarwater: The German duo of Ronald Lippok and Bernd Jestram have created an impressive body of work. The opening instrumental "Ripples" is a gentle breathe of optimism, all purring tones and sun dazzled synths. Meanwhile, "Mrs. Wood" is a dubby psychedelic shuffle, Lippok's vocal cool and assured over a fat bass line and sky bound eastern melodics.
Immersion and Laetitia Sadier: An original and distinctive presence in contemporary music, Sadier made her name with the inimitable Stereolab, but she's also created several impressive solo works. The instrumental "Unclustered" sees Sadier's spidery guitar weaving through Immersion's lush web of synths drones. The following "Uncensored" has a subtle melodic tug with a classic Spigel guitar line underpinning Sadier's sweet yet worldly wise vocal. "Riding the Wave" is another feel good song, swapping between Newman's plaintive vocal, and Spigel's vocal and Sadier's backing vocals.
Immersion & Ulrich Schnauss: A highly respected solo artist, as well as being a member of Tangerine Dream, Schnauss' skill with electronics is legendary. The opening "Remember Those Days On The Road" skips along on a rimshot rhythm with Spigel's honeyed vocal telling a tale of life on tour. "Skylarks" opens with a lattice of arpeggios before a gently nagging guitar enters and everything takes a turn for the sublime. "So Much Green" is constantly spiraling urban-kosmisch, with Spigel's plangent bass anchoring the celestial sounds.
Immersion & Scanner: Scanner -- aka Robin Rimbaud -- is one of the most prolific and diverse artists currently working in contemporary music. "Cataliz" is the album's moodiest moment. With its serpentine synth drones it sounds like the soundtrack to a mysterious thriller. The rich pulsing "Metrosphere" recalls Immersion's early work whilst adding another layer of grainy uncertainty. The closing "The Mundane and the Profound" is a gentle and touching end to a unique collection of songs.
Nanocluster Vol 1 is a testament to a remarkable synergy between a diverse assembly of strongly individual talents.
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CD
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WM 070CD
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"Every Day Is Like the First Day may be Malka Spigel's third solo album, but it opens a whole new vista for her work, and has all the freshness and promise of an exciting debut. The genesis of this material was an exploratory four-day stint with Newman with 'zero preparation' at a studio run by Stereolab's Andy Ramsay, which offered a treasure trove of musical playthings with which to interact intuitively -- from bouzouki and vibraphone to decommissioned Stereolab organs and synths." Includes a 28-page booklet.
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