|
|
viewing 1 To 25 of 143 items
Next >>
|
|
|
|
|
|
|
|
|
|
LP
|
|
TDP 54142LP
|
$24.00
PREORDER
RELEASE DATE: 10/25/2024
Licensed from Cherry Red. Experimental fusion project Jade Warrior began in the early '70s when percussionist/flutist Jon Field and guitarist Tony Duhig joined forces with bassist Glyn Havard; Field and Duhig had been in Second Thoughts which later became July. By the time of Last Autumn's Dream the group was a quintet with drummer Alan Price and Tony's younger brother David on lead guitar, allowing for denser explorations of the contrast between world music fusion and acid rock: Dave's searing guitar leads jostle with eastern flute melodies, African rhythms and meditative folk motifs. Another fine piece of Jade Warrior's evolution, ripe for rediscovery!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54141LP
|
$24.00
PREORDER
RELEASE DATE: 10/25/2024
Licensed from Cherry Red. After playing in local acts Second Thoughts, the Tomcats, and July, Ealing schoolfriends Jon Field (flute/percussion) and Tony Duhig (guitar) formed experimental prog act Jade Warrior with bassist Glyn Havard. Their self-titled debut (TDP 54101LP) drew from traditional African and Indian styles, but follow-up Released was totally different: now with drummer Allan Price, rock tracks like "Three-Horned Dragon King" and "Eyes On You" contrast the jazz of "Water Curtain Cave" and folky ballads like "Yellow Eyes" and "Bride Of Summer" with a percussive horn-heavy freakout called "Barazinbar." Another fine piece of the Jade Warrior story -- a great listen! Presented on clear vinyl LP. Includes poster.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54144LP
|
$24.00
PREORDER
RELEASE DATE: 10/25/2024
Licensed from Cherry Red. New York-born jazz pianist Mal Waldron's incredible career saw him backing Mingus, Coltrane, and Billie Holiday, and after surviving a heroin overdose and mental breakdown, he decamped to Europe to compose film scores; then, in 1970, he made his maiden voyage to Japan, where One For Lady was recorded with rising star Kimiko Kasai, drummer Hiroshi Murakami, and bassist Yoshio Suzuki from Sadao Watanabe's band. Waldron's expressive pianos and Kasai's sultry vocal delivery are the outstanding draws, the sensitive renditions of "Willow Weep For Me" and "Lover Man" summing up the album's enduring appeal.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54146LP
|
$24.00
PREORDER
RELEASE DATE: 10/25/2024
Licensed from Cherry Red. One of the best albums by UK psychedelic rock band The Deviants. The band's debut album Ptooff! was originally released in 1967 on the label Underground Impresarios and only available through a few selected head shops before being re-printed by Decca Records in 1969. Founded by legendary counter-culture figure Mick Farren and Russell Hunter and inspired by The Fugs, the band was the first of the anarchic groups to emerge from the Ladbroke Grove area of London. Two years before Hawkwind burst on to the underground scene, the Deviants were preaching revolution and creating their own form of musical anarchy. Presented on splatter color vinyl. Includes poster.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54145LP
|
$24.00
PREORDER
RELEASE DATE: 10/25/2024
Licensed from Cherry Red. Future music publishing magnate and film financier Tim Hollier signed to United Artists as a singer-songwriter in 1968 and after debut Message To A Harlequin, Hollier signed to Fontana for this excellent and unjustly neglected self-titled sophomore set. The beautiful folk rock showcases his collaborations with American guitarist/vocalist Amory Kane and supporting percussionist Ned Balen, the understated lead of Chilean guitarist Hector Sepulveda adding shades of psychedelic rock. Somehow, Tim Hollier failed to achieve the success it deserved, the obscure gem a rarity that all prog and intelligent folk-rock fans will adore. Get yours now!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TDP 54134LP
|
A veritable institution of British folk, Fairport Convention has been going strong since the mid-1960s. Double album Live At Rock City is chock full of winners: along with strong adaptations of "John Barleycorn" and "Reynard The Fox" there are top tracks from "Expletive Delighted," including "Three Left Feet," "Sigh Beg Sigh Mor", "Portmeirion" and "Sack The Juggler". There's beautiful symmetry between Dave Pegg's mandolin and Martin Allcock's bouzouki; Ric Sanders raises the roof on electric violin, Dave Mattacks' drums are quietly steady and Simon Nicol's guitar and voice completes the picture. A must for all Fairport fans!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54138LP
|
Reissue, originally released in 1969. Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe "Beat" group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psyche leanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavor, and this edition includes two three bonus tracks. This slice of obscure psyche must be heard to be believed!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54136LP
|
Weather Report's long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of "Corner Pocket" as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victor Bailey, less showy than Jaco yet just as engaging. Initially cut for radio broadcast, fans of late-era Weather Report will love every moment.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54139LP
|
Reissue, originally released in 1967. Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognized their potential, their debut single "Get On Up" a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group's vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious beginning, full of shining joy. A top-notch release!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54140LP
|
Sky's 1979 self-titled album blends technical prowess with catchy melodies, creating an eclectic prog experience. This album showcases virtuoso musicianship and flamboyant arrangements, rivaling classic prog epics. Sky's debut is a hidden treasure waiting to be discovered.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54143LP
|
After playing with Mingus, Coltrane, Lady Day, and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idaho-born double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans, and free-jazz giant Albert Ayler before moving to Japan to study Zen Buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron's "She Walks In Beauty" contrasted by the up-tempo groove of Peacock's "What's That"; future Native Son founder Hiroshi Murakami makes important contribution on drums.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TDP 54127LP
|
Formed in suburban Maidenhead by singer Tony Pook, guitarist/pianist Roy Apps, and guitarist Robert Collins, Heron solidified when Collins was replaced by guitarist/mandolin player GT Moore. After a debut album recorded at the Pook family farm, specially priced double LP Twice As Nice And Half The Price achieved a fuller sound with guitarist Mike Cooper, bassist Mike Finesilver, drummer Terry Gittins, and guitarist Willie Boazman. The epic set sounds absolutely brilliant from start to finish, with strong vocal harmonies, intricate guitar interplay and excellent musical communication. Arguably Heron at their absolute best!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54126LP
|
After briefly replacing Eric Clapton in John Mayall's Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K's Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt, and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as "I Can't Lose," "Key To The Highway," and "Pet Cream Man," as well as spirited originals such as "Strobe Lemming's Lament" and the piano stomp "Crippled Clarence," but the album failed to break through. Grab a copy of this rarity to be blown away!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54125LP
|
The American psych pop quintet Paper Garden had established a solid reputation performing to university students in their native New York and in surrounding states in 1967-68 before being commissioned to cut a debut LP with British producer Geoff Turner for Musicor, the resultant sessions yielding a self-contained concept album of totally new work. With sitars and tabla on some songs trading places with baroque elements and orchestrated interludes, the breezy psych pop gets pulled in all manner of directions and often sounds closer to the British psychedelic sound than anything Stateside. A rare and rich listening experience!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54124LP
|
Of Filipino descent, the expressive keyboardist, vocalist, and composer Flip Nuñez enjoyed a varied career in jazz. After backing Bev Kelly, Jon Hendricks, and others in the 1960s, Nuñez impacted in the Latin jazz-rock act Azteca. The marvelous My Own Time And Space, his only solo album, showcases his versatility; the Latin cadences of Willie Colon and former Santana bassist Tom Rutley and the keen jazz phrasings of guitarist Michael Howell and drummer Vince Lateano make superb backing for Nuñez's piano and synthesizer flourishes, bolstered by his emotive voice. A lost classic, and one that sounds better with every spin.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54128LP
|
The pianist and bandleader Frank Strazzeri enjoyed a distinguished jazz career. After backing Billie Holliday and Woody Herman, Strazzeri became a mainstay of the west coast jazz scene. His excellent album After The Rain, released by Catalyst in 1976, straddled different styles and moods, Strazzeri's piano and synth melodies abetted by top accompaniment from Herman's horn alumni Sam Most and Bobby Shew, playing alongside Cal Tjader's bassist Harvey Newmark and percussionist Don Alias of Blood Sweat and Tears, with Strazzeri's son Steve behind the drumkit. Another fine fusion LP from Strazzeri that's ripe for rediscovery.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54122LP
|
Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin, and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon's "You Need Love." This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page. Licensed from Cherry Red.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54120LP
|
Obscure British prog-rock band Mighty Baby evolved from a mod group called The Action, but moved heavily into experimental psychedelia in 1969, when they cut an incredible debut for the Head label. Glastonbury Fayre Festival 1971 captures the legendary group in live action, "A Blanket In My Muesli" being a free-form jam that remains their best-loved effort; "India" is a similarly hefty instrumental mega-jam with lilting flute amidst the bluesy guitar work, and there are awesome renditions of "Virgin Spring," "Devil's Whisper," and "Lazy Days." If you like your prog thoughtful, complex, and multi-layered, this one's for you! Licensed from Cherry Red.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54132LP
|
For the coveted sophomore album by British fusion band Zzebra, the group underwent some lineup changes, the arrival of the former Joe Cocker keyboardist Tommy Eyre and guitarist Steve Byrd enabling further excursions into unknow territory, morphing the Righteous Brothers' "You've Lost That Lovin' Feeling" into a space-rock synth epic and "Panic" somewhere between metal, be-bop and Latin rock; "Tree" is driven by the vocals of former One frontman Alan Marshall and "Liamo" heightens the African element from former Osibisa percussionist Loughty Amao. A total killer from start to finish -- arguably Zzebra's best!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54131LP
|
Established by members of the British brass-rock outfit IF with the former Osibisa percussionist Loughty Amao, Zzebra was a forward-thinking hybrid mixing jazz, rock, and world music. Chief songwriter/saxophonist Dave Quincy keeps the arrangements complex and Loughty injects the African element, with former Elastic Band keyboardist Gus Yeadon and guitarist John Terry adding layers of melodic inventiveness. Yielding a progressive jazz style that roped in funk, blues, and west African rhythms, this enthralling LP speaks to Zzebra's forceful reputation as a powerhouse live act of the British jazz fusion scene.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54121LP
|
Esteemed pianist Masabumi Kikuchi enjoyed a long and illustrious career in jazz that encompassed many forms. After playing in Lionel Hampton's Japanese touring band, he played on five Sadao Watanabe albums in mid-1960s and backed Sonny Rollins before studying at the Berklee College of Music. Matrix was the first of five albums recorded with his Sextet and is rightly rated one of the greatest of his entire career, the album mixing well-executed covers of songs by Chick Corea, Miles Davis, Watanabe, and the Black Orpheus theme with the enthralling originals "Little Aby" and "In Fourth Way." An excellent listen! Licensed from Good Time Inc.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54114LP
|
Reissue. Mixing the theatrical, the operatic and the ghoulish, Screamin' Jay Hawkins was a one-off whose shocking stage tactics helped him find initially fame in the mid-1950s. Recorded in Nashville in 1973 and his sole offering for local label Hot Line, A Portrait Of A Man And His Woman is Hawkins at his most accessible; the title track's haunting delivery and a remake of calling card "I've Put A Spell On You" balanced by bright takes of "Itty Bitty Pretty One" and Conway Twitty's "It's Only Make Believe," with plenty of grunts, shouts and animalistic interjections beneath Hawkins' operatic and gospel-tinged vibrato. Hawkins fans, take note! Licensed from Good Time Inc.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54111LP
|
Sandy Bull's unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric "Memphis, Tennessee" and "Instrumental Blues," plus the abstract "Untitled Instrumental" and "Solo Experimental," all classic morsels of Bull wizardry. Licensed from Good Time Inc.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54109LP
|
Reissue, originally released in 1970. Psychedelic pop act Jawbone had ample talent and keen industry connections yet remained unjustly obscure. Core members had been active in The Mirage, who signed with CBS and later recorded for Phillips; drummer David Hynes and bassist/future Elton John Band mainstay Dee Murray briefly joined the Spencer Davis Group, but regrouped as Portobello Explosion, which became Jawbone. Their rare self-titled debut, released by Carnaby in 1970, had an undercurrent of Americana, and there's a one-off cover of The Beatles' "Across The Universe"; this edition features bonus track "Way, Way Down", a non-LP Carnaby 45. Licensed from Cherry Red.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54106LP
|
Reissue, originally released in 1969. While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts's spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song "Judy's Smile." Licensed from BMG.
|
viewing 1 To 25 of 143 items
Next >>
|
|