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Search Result for Artist Patti Smith
viewing 1 To 10 of 10 items
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ZAP 7581LP
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"There is no doubt that Teenage Perversity & Ships in the Night, although a bootleg, is Patti Smith's best live album. Patti Smith released some good albums, but any serious fan of hers will tell you that she performed most of her material better live. There are a number of fine Patti Smith bootlegs, but this one -- taken from a January 1976 show at the Roxy in Los Angeles, with near-perfect fidelity -- is both her best and her best-known. Besides incendiary versions of several songs from her first few LPs, it features covers of 'Louie Louie,' 'My Generation' (with John Cale guesting), and The Velvet Underground's 'We're Gonna Have a Good Time Together' and 'Pale Blue Eyes,' as well as entertaining between-song raps and even a brief cameo by Iggy Pop. It's no exaggeration to claim that this may be her best album, and one of the best '70s punk/new wave albums of all."
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JACK 077CV-LP
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Color vinyl version. Patti Smith, live at CBGB's August 11, 1979.
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JACK 077LP
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Patti Smith, live at CBGB's August 11, 1979.
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UBK 001LP
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LP version. While they've been active for more than two decades, it's only been in recent years that the Berlin and New York based contemporary sonic arts platform, Soundwalk Collective, has begun to gather the accolades and attention that they rightfully deserve. Firmly rooted within a multi-disciplinary practice that engages the narrative potential of sound within the contexts of visual art, dance, music and film, as well as tapping anthropological, ethnographic, and psycho-geographic research, they've gained great note for collaborations with Jean-Luc Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others. Building on the back of 2023's brilliant All the Beauty and the Bloodshed (AF 002LP), Soundwalk Collective now returns with Khandroma, one of their most fascinating and singular endeavors to date, which re-engages their enduring creative partnerships with Patti Smith. Issued by Ubi Kū, a brand-new imprint founded by the Italian Buddhist Union dedicated to the relationships between Buddhist cultures, music, and sound, across the album's stunning two sides this incredible ensemble draws inspiration from and conjures Tibetan deities, the Himalayan Plateau, the valleys of Nepal and the highest peaks where the most ancient Buddhist temples reside, culminating as a sprawling sonic tapestry like little else. Issued as a beautifully produced, limited-edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, it's hands down among the label's favorite releases by Soundwalk Collective to date and not to be missed. Perhaps the best way of approaching Khandroma is through Soundwalk Collective's longstanding focus on the discipline of psycho-geography -- a practice that interrogates the impact of an environment's embedded histories and meanings on the psychology of the present -- as well as the group's integration of observations of nature, and uses of non-linear narrative, as a vehicle for recording and the synthesis of meaning. Like previous projects that have encountered them traveling extensively across the world, occupying diverse environments for long periods of investigation and fieldwork, during which they source materials for subsequent works, the material roots of Khandroma are a body of field recordings made by Crasneanscki, Francisco López, and Simone Merli at altitudes between 2,760 and 4,500 meters, in varying locations across Upper Mustang during 2016. Immersive, stunningly beautiful, and haunting, Khandroma draws the ancient and distant into the consciousness of the present, close to home, bordering on the profound.
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UBK 001CD
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While they've been active for more than two decades, it's only been in recent years that the Berlin and New York based contemporary sonic arts platform, Soundwalk Collective, has begun to gather the accolades and attention that they rightfully deserve. Firmly rooted within a multi-disciplinary practice that engages the narrative potential of sound within the contexts of visual art, dance, music and film, as well as tapping anthropological, ethnographic, and psycho-geographic research, they've gained great note for collaborations with Jean-Luc Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others. Building on the back of 2023's brilliant All the Beauty and the Bloodshed (AF 002LP), Soundwalk Collective now returns with Khandroma, one of their most fascinating and singular endeavors to date, which re-engages their enduring creative partnerships with Patti Smith. Issued by Ubi Kū, a brand-new imprint founded by the Italian Buddhist Union dedicated to the relationships between Buddhist cultures, music, and sound, across the album's stunning two sides this incredible ensemble draws inspiration from and conjures Tibetan deities, the Himalayan Plateau, the valleys of Nepal and the highest peaks where the most ancient Buddhist temples reside, culminating as a sprawling sonic tapestry like little else. Issued as a beautifully produced, limited-edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, it's hands down among the label's favorite releases by Soundwalk Collective to date and not to be missed. Perhaps the best way of approaching Khandroma is through Soundwalk Collective's longstanding focus on the discipline of psycho-geography -- a practice that interrogates the impact of an environment's embedded histories and meanings on the psychology of the present -- as well as the group's integration of observations of nature, and uses of non-linear narrative, as a vehicle for recording and the synthesis of meaning. Like previous projects that have encountered them traveling extensively across the world, occupying diverse environments for long periods of investigation and fieldwork, during which they source materials for subsequent works, the material roots of Khandroma are a body of field recordings made by Crasneanscki, Francisco López, and Simone Merli at altitudes between 2,760 and 4,500 meters, in varying locations across Upper Mustang during 2016. Immersive, stunningly beautiful, and haunting, Khandroma draws the ancient and distant into the consciousness of the present, close to home, bordering on the profound.
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JACK 031CV-LP
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An iconic and celebrated artist whose cultural standing in America remains resolute and heavily influential. The Patti Smith Group headed out on their first US tour to promote the release of their debut album Horses, produced by John Cale and released in November 1975. They then released their Radio Ethiopia album a year later and toured to support its release in 1977. An amazing performance by a great artist. Pink color vinyl.
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MIND 830LP
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Patti Smith live from CBGB, New York, NY August 11th, 1979. Few women in rock have had as enormous an impact and influence as Patti Smith. Smith was part of the early New York punk scene in 1975 with regular shows at the CBGB club between 1974 and 1976. A major record deal in 1975 took her far and wide across America, but she returns with a no holds barred performance, on August 11th, 1979, long after her career had exploded to the point where she was selling out 5,000-seater auditoriums.
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MIND 760LP
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"She'd been a New Yorker since moving to the city in 1967, aged 21. She had a child that she gave up for adoption, met and started a relationship with photographer Robert Mapplethorpe -- with whom she shared a room at the infamous Chelsea Hotel for some time -- and she discovered the work of French symbolist poet Arthur Rimbaud. She appeared in Warhol superstar Jackie Curtis's play Femme Fatale with Wayne County, and -- for one night only -- in Cowboy Mouth which she co-wrote with Sam Shepherd. She was considered for the role of lead vocalist in Blue Öyster Cult, but instead contributed lyrics to many of the band's songs, and she started a relationship with BOC keyboardist, Alan Lanier. She contributed articles to rock journals Rolling Stone and Creem. By 1974 she was performing rock music herself, initially with guitarist, bassist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on guitar and bass, Jay Dee Daugherty on drums and Richard Sohl on piano. The group released the self-financed single 'Hey Joe'/'Piss Factory' the same year and in 1975 recorded their debut album Horses for the label to which they were by then signed, Arista; the album was released in December '75 to near unanimous high praise. Two months later, on February 15th 1976, the group played at the Boarding House in San Francisco -- a performance which was broadcast live on FM radio. This album captures this concert in its entirety and illustrates perfectly the strange power of this pioneering band and its dynamic, talented and foresighted lead singer and main songwriter. 1976 was also the year that the United States of America celebrated 200 years of independence from the British Empire, a celebration that culminated on July 4th -- the date in 1776 on which the Declaration of Independence was adopted. Whether or not this event had any impact or bearing on Patti Smith is not recorded."
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CD
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GSF 005CD
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"She'd been a New Yorker since moving to the city in 1967, aged 21. She had a child that she gave up for adoption, met and started a relationship with photographer Robert Mapplethorpe - with whom she shared a room at the infamous Chelsea Hotel for some time - and she discovered the work of French symbolist poet Arthur Rimbaud. She appeared in Warhol Superstar Jackie Curtis's play Femme Fatale with Wayne County, and - for one night only - in Cowboy Mouth which she co-wrote with Sam Shepherd. She was considered for the role of lead vocalist in Blue Oyster Cult, but instead contributed lyrics to many of the band's songs, and she started a relationship with BOC keyboardist Alan Lanier. She contributed articles to rock journals Rolling Stone and Creem. By 1974 she was performing rock music herself, initially with guitarist, bassist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on guitar and bass, Jay Dee Daugherty on drums and Richard Sohl on piano. The group released the self-financed single 'Hey Joe'/'Piss Factory' the same year and in 1975 recorded their debut album Horses for the label to which they were by then signed, Arista; the album was released in December '75 to near unanimous high praise. Two months later, on February 15th 1976, the group played at the Boarding House in San Francisco - a performance which was broadcast live on FM radio. This CD captures this concert in its entirety and illustrates perfectly the strange power of this pioneering band and its dynamic, talented and foresighted lead singer and main songwriter. 1976 was also the year that the United States of America celebrated 200 years of independence from the British Empire, a celebration that culminated on July 4th - the date in 1776 on which the Declaration of Independence was adopted. Whether or not this event had any impact or bearing on Patti Smith is not recorded."
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CD+DVD
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CHROME 038CD
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"A revealing two disc Patti Smith collection featuring a DVD documentary and audio interview collection. This 2 disc set is a celebration of Patti's longevity and career and includes a DVD documentary film telling her story and taking the cameras behind the scenes, plus a CD interview disc on which the woman herself waxes lyrical on just about everything she feels strongly about." NTSC all-region format.
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