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Search Result for Artist miles davis
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LP
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DMOO 081LP
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$20.50
PREORDER
RELEASE DATE: 11/29/2024
Clear color vinyl. Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What," among others. Essential live jazz classic.
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DMOOK 060CS
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Complex, emotive, and straddling several genres, Sketches Of Spain is one of Miles Davis' masterpieces, a landmark of orchestrated jazz. The third of his collaborations with Gil Evans, Sketches was inspired by the classical "Concierto de Aranjuez," which sparked the suite that makes up the LP. Drummers Jimmy Cobb and Elvin Jones and bassist Paul Chambers reconfigured their approaches to blend with the orchestra under Evans' command and Davis uses a muted flugelhorn for the epic opener; his solo on "Saeta" is blinding and the adapted Andalusian folk song "Solea" draws on flamenco. This absolute stunner is a must-have!
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DMOO 071LP
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The first of Miles Davis' LPs for Columbia, 'Round About Midnight is the landmark that broke a new talent-heavy backing band, with Paul Chambers and Philly Joe Jones as the rhythm section supporting the understated pianist Red Garland, and a then-unknown John Coltrane. An album of uncommon beauty that veers between cool jazz and hard bop, the version of the title track with Miles' muted trumpet is arguably more distinctive than Monk's original, the adaptation of Bird's "Au Leu-Cha" is equally great and there are non-standard renditions of "Basin Street Blues," "All Of You," and "Bye-Bye Blackbird." Absolutely essential Miles!
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2LP
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WHP 1478LP
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Miles Davis' historical second quintet with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). A perfect coalition of young, creative individuals under Miles' direction. A turning point in the whole history of American jazz. Recorded live in Germany in October 1964, this double album features hyper-adventurous renditions of classic tunes including Davis originals like "All Blues," "Milestones," and "Walking," as well as standards like Rollins' "Oleo" and Cole Porter's "All of You." A highly recommended document from one of the key groups in modern jazz.
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DMOOK 003CS
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A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans' understated piano is the perfect foil for Miles' melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. "So What" and "Freddie Freeloader" are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; "Blue In Green" and "All Blue" have melancholy hues and "Flamenco Sketches" is a precursor to "Sketches Of Spain." Every household should have at least one copy of Kind Of Blue, one of the greatest records ever made.
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DMOO 062LP
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The Jazz Track LP has an unusual backstory. The bulk of the album is Miles' evocative improvised score for Louis Malle's Elevator To The Gallows (1959), a proto-new wave film about a bungled crime of passion. Davis cut this on the fly with a Parisian pick-up band, the work holding dramatic tension and moody features. In the USA this soundtrack was reissued as Jazz Track with three additional songs first issued on a ten-inch the year before, the last of his work with Cannonball Adderley and John Coltrane, and the first with Bill Evans; "On Green Dolphin Street," "Fran-Dance," and "Stella By Starlight" are all stone-cold classics.
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DMOO 064LP
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At Newport 1958 has the aural dynamite that marked the performing debut of Jimmy Cobb and Bill Evans with the Miles Davis Sextet and it's a thrilling set from start to finish. Just a few months before Kind Of Blue, they hit listeners with an awesome take of Charlie Parker's "Au-Leu-Cha," with Coltrane and Cannonball Adderley in full swing, and on Thelonius Monk's "Straight No Chaser," Evans introduces unusual harmonic chords, the group moving heaven and earth for their own direction. "Fran-Dance," "Two Bass Hit," "Bye Bye Blackbird," and "The Theme" continue the hard-bop brilliance; get it now and play loud and often!
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DMOO 060LP
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Complex, emotive, and straddling several genres, Sketches Of Spain is one of Miles Davis' masterpieces, a landmark of orchestrated jazz. The third of his collaborations with Gil Evans, Sketches was inspired by the classical Concierto de Aranjuez, which sparked the suite that makes up the LP. Drummers Jimmy Cobb and Elvin Jones and bassist Paul Chambers reconfigured their approaches to blend with the orchestra under Evans' command and Davis uses a muted flugelhorn for the epic opener; his solo on "Saeta" is blinding and the adapted Andalusian folk song "Solea" draws on flamenco. This absolute stunner is a must-have!
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DMOO 057LP
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The last of the collaborative LPs Miles Davis recorded with Gil Evans for Columbia, Quiet Nights is easily the most controversial. Following the success of Sketches Of Spain, Davis and Evans aimed to further the Latin explorations, this time pointing to Brazil, as heard on the adaptation of Antonio Carlos Jobim's "Corcovado" and Joao Gilberto's "Aos Pés Da Cruz," with its stellar Ron Carter bass accompaniment, though some were surprised by the brevity of the proceedings, including Miles himself. Nevertheless, those who get to know the album will appreciate its intricacies, the product of the pair's unique creative chemistry.
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DMOO 033LP
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Reissue, originally released in 1965.Collecting recordings made between 1953 and 1956, Miles Davis Plays For Lovers is a look at the more sensitive and sensual side of the great trumpeter, focusing on his sultry and smoky late night ballads. Mostly featuring his legendary mid-50s quintet of Coltrane, Garland, Chambers, and Jones, this collection highlights that group's ability to slow things down to a soulful, brilliant simmer. Classic jazz ballads that swing, perfect for late nights with a lover at your side. Clear vinyl; numbered.
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RANDB 105LP
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The fiery five-piece band that toured Europe in late 1969 unaccountably never made a studio LP, so high quality live recordings such as this are to be treasured. This set comprises seven tracks recorded in London for BBC TV's Jazz Night plus a complementary recording of "'Round Midnight" made for Italian television. The stellar line-up comprises Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJonette. Comes with full recording details and sleeve notes.
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WHP 1454LP
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Stunning European live performance from Miles Davis with his early quintet featuring the magic of a young and talented John Coltrane. Personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums).
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DMOO 003LP
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Reissue. A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans's understated piano is the perfect foil for Miles's melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. "So What" and "Freddie Freeloader" are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; "Blue In Green" and "All Blue" have melancholy hues and "Flamenco Sketches" a precursor to Sketches Of Spain (1960). Every household should have at least one copy of Kind of Blue, one of the greatest records ever made. Also features John Coltrane and Wynton Kelly. Black vinyl.
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NAKED 029LP
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The classic line-up with a twist -- Recorded live at Jazz Villa in St. Louis on May 29th, 1963. George Coleman sitting on tenor sax, right before he left band (with incoming talent Wayne Shorter on the spot). Personnel: Miles Davis - trumpet; George Coleman - tenor sax; Herbie Hancock - piano; Ron Carter - bass; Tony Williams - drums.
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GET 51473LP
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New lower pricing. "Pressed on crystal clear vinyl housed in a gatefold jacket with japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes. A partner album to the previous Miles release Decoy this album is also produced by Miles and loaded with the synths of Robert Irving. You're Under Arrest has some surprising new looks at pop tunes by Michael Jackson and Cyndi Lauper and also features the return of John McLaughlin on guitar, and a guest performance from Sting. This is the final installment of the prolific and brilliant collaboration between Miles and Columbia Records. Also featured on this album are Al Foster, Kenny Garret, and Daryl Jones."
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GET 51472LP
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New lower pricing. "This record is self-produced by Miles himself! Without longtime production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Scofield to write most of the material on the LP. The record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog. Decoy features John Scofield on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis. Pressed on crystal clear vinyl housed in a gatefold jacket with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes."
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2LP
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GET 51470LP
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New lower pricing. Reissue, originally released in 1982. "Pressed on opaque yellow vinyl with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes. The first live Miles Davis electric band release since 1977's very dark and heavy Dark Magus. The album features live performances from shows at Boston's Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show! This album features R&B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. Produced and edited by long time Miles collaborator Teo Macero."
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GET 51471LP
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New lower pricing. "The return!!! After a nine-year hiatus from recording studio albums, Miles Davis returned in 1981 with a bang. Continuing the abstract improvisational funk pioneered by the Miles Davis live electric band, Miles came back with a fresh cast. While there are plenty of new players on this recording it captures the moody long-song format from the mid-70s live electric band. The album features R&B legend Marcus Miller on bass, Mike Stern on guitar, electric band alumni Al Foster on drums, and many more. Produced and edited by long term Miles Davis collaborator Teo Macero. Pressed on crystal clear vinyl with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes."
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WHP 1445LP
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Miles Davis, the so called "dark magus", caught in full electric flight in Sao Paulo, Brazil in 1974 featuring Dave Liebman on soprano and tenor sax and flute, the electric guitars tandem of Reggie Lucas and Dominique Gaumont, the bass anchor of Michael Henderson, and the deep groove of Al Foster on drums and James "Mtume" Forman on percussion. This was Miles's mid-seventies band, a great coalition of young talents ready to set stages on fire with their visionary funk explorations.
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MIND 800LP
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Miles Davis, live in Tokyo, July 1985. FM broadcast recording.
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CS 34396CLP
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2024 restock; reissue -- originally released in 1976. Color vinyl, 180 gram. "Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired." Personnel: Miles Davis, Trumpet; Wayne Shorter, Soprano Saxophone; Herbie Hancock, Piano; Ron Carter, Bass; Tony Williams, Drums; Chick Corea, Electric Piano; Dave Holland, Bass; Teo Macero, Producer
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2LP
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HHLP 3140LP
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Miles Davis Septet, live from Shinjuku Kohseinenkin Hall, Tokyo Japan June 19th, 1973. The early-to-mid 1970s marked perhaps the most unique and radical period in Miles Davis's career. With bands such as Sly & The Family Stone and Parliament/Funkadelic becoming increasingly popular, Davis began to draw considerable influence from their up-tempo, electronic funk sound. By 1973, Miles was showing little sign of slowing the pace of his extraordinary workload that had continued unabated from In A Silent Way (1969) up to On The Corner (1972) and he continued to tour relentlessly worldwide. June 19th, 1973 saw him take to the stage in Tokyo, Japan, playing a selection of previously recorded numbers and extended jams, in a show broadcast live across the region by NHK radio. Hi Hat presents the complete and definitive broadcast of Miles Davis; live from Shinjuku Kohseinenkin Hall, Tokyo Japan June 19th, 1973. Dynamic and superior quality recording, the entire NHK radio broadcast is professionally remastered with background liners and rare archival photos. First time on vinyl.
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HONEY 029LP
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2022 repress. Honey Pie Records present a reissue of Miles Davis At Carnegie Hall, originally released in 1962. A crucial live at Carnegie Hall by the renowned trumpet player, subtitled The Legendary Performances of May 19, 1961. This live performance features Miles Davis with his regular quintet and also accompanied by Gil Evans and his 21-piece orchestra. The orchestra is heard on several selections drawn from Miles Ahead as well as a complete reading of the adagio movement from "Concierto de Aranjuez" as recorded on Sketches of Spain. The concert begins with the orchestra playing the Gil Evans introduction to "So What", which is performed by the quintet, and then segues directly into the only recording of an Evans arrangement of "Spring is Here".
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FOX 046LP
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A legendary show from the Miles Davis Group recorded from SWR in Germany in 1971, and featuring a breath-taking line-up including no less than Keith Jarrett on electric piano and organ. Live at Berliner Jazztage in Berlin on November 6, 1971.
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2LP
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RLL 042LP
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Miles Davis Sextet, live from the Fillmore West Auditorium, San Francisco April 9th, 1970. The revolutionary Bitches Brew was released on March 30th, 1970. By that time, Miles Davis had started performing in rock venues, bringing his music to a much broader audience. His remarkable band displays near telepathic interplay throughout the fiery, confrontational performance captured on this set, originally broadcast on KSAN-FM. Taking the form of one continuous piece, it's a vital and exciting document of one of jazz's greatest innovators at his peak.
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