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viewing 1 To 11 of 11 items
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LP
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FS 4485LP
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$26.00
PREORDER
RELEASE DATE: 2/28/2025
One of the greatest classics of Brazilian popular music, with Jorge Ben mixing funky samba, Afro-Brazilian beats, and crunching guitars. Jorge Ben was the most prominent figure of the samba soul and samba funk scenes of the '70s in Brazil, and África Brasil is probably the most famous of his '70s recordings.
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LP
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FS 4470LP
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Reissue, originally released in 1970. The combination of Jorge Ben and Trio Mocotó had already produced great things when Força Bruta first appeared in 1970. Ben's self-titled album of the year before had reeled off a succession of Brazilian hits, including "País Tropical" and "Cadê Teresa," and made the four musicians very busy as a result. Força Bruta was a slightly different album, a slice of mellow samba soul that may perhaps have been the result of such a hectic schedule during 1969. One of the hidden gems in Jorge Ben's discography, it's a wonderful album because it kept everyone's plentiful musical skills intact while simply sailing along on a wonderful acoustic groove that may have varied little but was all the better for its agreeable evenness. The songs may have been more difficult to distinguish -- virtually every one began with acoustic guitar, similar instrumentation, and Ben's caressing vocals over the top -- but it made the record one of the best in Ben's hearty career.
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LP
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DMOO 047LP
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One of Brazil's best-loved artists, Jorge Ben began performing as a teenager in the mid-1950s, his breakthrough coming in 1963 with the explosive debut LP, Samba Esquema Novo. Follow-up set Sacudin Ben Samba is a samba-jazz hybrid that did its best to emulate the success of Esquema Novo, with distinctive elements such as the trumpet that graces "Capoeira" and the choral backing of "Carnaval Triste"; as with his greatest works, the lyrics are full of humor and unusual references, deciphering the riddles part of the fun. A solid album that sounds better through repeated spins, it captures Ben at his youthful best.
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LP
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SVVRCH 009CV-LP
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2024 restock. A reissue of Jorge Ben's Solta o Pavao, originally released in 1975. Jorge Ben is one of Brazilian music's iconic and best-loved figures. Born Jorge Duilio Lima Menezes in Rio in 1942, he took the stage name, Jorge Ben, in deference to his mother's Ethiopian roots, and later used Jorge Ben Jorge for further distinction. Playing tambourine and singing in a church choir from an early age, Ben began playing in Carnival blocos and was performing in nightclubs as a teen. Signed to Philips in 1963, his "Mas Que Nada" became an instant international sensation that has never waned, despite being sung entirely in Portuguese. Beginning in samba, Ben's openminded approach saw him embrace aspects of bossa nova, the "Jovem Guarda" rock movement of the mid-1960s and the experimental Tropicalia form, the broad palette and diverse influences yielding a number of adventurous and abstruse albums during the 1970s, of which Solta o Pavao is one of the most rated by connoisseurs, though somewhat overlooked in general; its title translates roughly to "Unleash the Peacock" and apparently concerns the outward expression of inner beauty. Against a backdrop of lushly produced samba rock with shades of MPB, highlights include opener "Zagueiro", in which Ben salutes football center-backs in typically playful and poetic language; closing number "Jesualda" is a heady ballad of a chance encounter leading to a girl's social climbing and "Para Ouvir No Radio (Luciana)" a love song with striking flute and string arrangements; Dadi Flavi's bubbling bass and occasional string synths help keep the sound non-standard.
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LP
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SOW 026LP
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2024 repress; reissue. First released in 1963 on Phillips Records, this was Jorge Ben's debut album. Samba Esquema Novo ("New Style Samba") deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by big band style horns, percussion (the great Dom Um Romao), and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history. But it's important to remind you that this is the album that contains the first original version of "Mas Que Nada", one of the most popular songs in the world. Clear vinyl.
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LP
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VAMPI 252LP
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2023 restock, new lower pricing. Vampisoul present a reissue of Jorge Ben's Dádiva, originally released in 1983. Jorge Ben is someone who needs no introduction. Since his first hits in the '60s, this artist has become one of the greatest icons of Brazilian pop music. His anthems "Mais Que Nada" or "Pais Tropical" are probably two of the most ever-listened Brazilian songs of all time. After being involved in the Tropicalia movement and incorporating the influences of Afro-American funk into his repertoire, with the support of his backing band -- Trio Mocotó --, his very personal samba sound also opened up to the new musical trends coming from the States at the edge of the '70s. Boogie and disco music were making headway and soon became popular in the Brazilian market. Jorge Ben's albums recorded at the beginning of the '80s reflect this trend and deliver a good number of outstanding tunes. This masterpiece includes the great boogie joint "Rio Babilonia" as well as the all-time classics "Taj Mahal/Pais Tropical", the soulful opener "Eu Quero Ver A Rainha" featuring Tim Maia, and many other samba funk jams arranged by Lincoln Olivetti. An essential addition to any Brazilian music collection.
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LP
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VAMPI 250LP
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2023 restock, new lower pricing. Vampisoul present a reissue of Jorge Ben's Bem-Vinda Amizade, originally released in 1981. Jorge Ben is someone who needs no introduction. Since his first hits in the '60s, this artist has become one of the greatest icons of Brazilian pop music. His anthems "Mais Que Nada" or "Pais Tropical" are probably two of the most ever-listened Brazilian songs of all time. After being involved in the Tropicalia movement and incorporating the influences of Afro-American funk into his repertoire, with the support of his backing band -- Trio Mocotó --, his very personal samba sound also opened up to the new musical trends coming from the States at the edge of the '70s. Boogie and disco music were making headway and soon became popular in the Brazilian market. Jorge Ben's albums recorded at the beginning of the '80s reflect this trend and deliver a good number of outstanding tunes. Bem-Vinda Amizade is one of those albums. Recorded in 1981, it is a solid album, start to finish. It comprises the usual samba funk numbers, so characteristic of Jorge Ben, with killer boogie and disco tracks ("Oé Oé (Faz O Carro De Boi Na Estrada)", "Ela Mora Em..."). And it also contains downtempo soulful slow burners like "Lorraine" or "Katarina, Katarina", funky as hell! An essential addition to any Brazilian music collection.
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LP
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SVVRCH 009LP
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A reissue of Jorge Ben's Solta o Pavao, originally released in 1975. Jorge Ben is one of Brazilian music's iconic and best-loved figures. Born Jorge Duilio Lima Menezes in Rio in 1942, he took the stage name, Jorge Ben, in deference to his mother's Ethiopian roots, and later used Jorge Ben Jorge for further distinction. Playing tambourine and singing in a church choir from an early age, Ben began playing in Carnival blocos and was performing in nightclubs as a teen. Signed to Philips in 1963, his "Mas Que Nada" became an instant international sensation that has never waned, despite being sung entirely in Portuguese. Beginning in samba, Ben's openminded approach saw him embrace aspects of bossa nova, the "Jovem Guarda" rock movement of the mid-1960s and the experimental Tropicalia form, the broad palette and diverse influences yielding a number of adventurous and abstruse albums during the 1970s, of which Solta o Pavao is one of the most rated by connoisseurs, though somewhat overlooked in general; its title translates roughly to "Unleash the Peacock" and apparently concerns the outward expression of inner beauty. Against a backdrop of lushly produced samba rock with shades of MPB, highlights include opener "Zagueiro", in which Ben salutes football center-backs in typically playful and poetic language; closing number "Jesualda" is a heady ballad of a chance encounter leading to a girl's social climbing and "Para Ouvir No Radio (Luciana)" a love song with striking flute and string arrangements; Dadi Flavi's bubbling bass and occasional string synths help keep the sound non-standard.
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CD
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OA 7601CD
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"One of Brazil's greatest songwriters, Jorge Ben rarely dwelled on any particular musical style, even the ones he helped create. By the mid 1970s, Ben had already innovated several groundbreaking new twists on the classic samba sound, in the process creating many tunes that became epoch-defining hits for South America's biggest country -- not to mention the world at large. For 1977's Tropical, he made the controversial decision to rework an album's worth of his most beloved songs in the new, disco and funk influenced Afro-Samba style he was exploring at the time. As a result, classics like 'Chove Chuva,' 'Taj Mahal,' and 'Mas Que Nada' get polished updates, alongside deeper rarities like 'Georgia'and 'Jesus de Praga,' making Tropical a sensual, sultry counterpoint to other Jorge Ben collections."
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LP+CD
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DOK 232LP
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"Once in a while, an unexplained phenomena emerges in popular music. Other times, artists of real value are surprisingly swallowed by the abyss of anonymity. But what rarely happens is the emerging of a truly authentic talent -- not only in popular preference -- but also in selling records. In other words, someone with proven artistic ability to get beat in the music scene with full mainstream acceptance. This happened to Jorge Ben, he's became one of the most prominent exponent of Brazilian music. This legendary LP features some of the best arrangers in the genre such as: Meirelles, Nelson and Gaya." --from the liner notes; 180 gram heavy vinyl. Free bonus CD. Insert with lyrics inside.
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LP+CD
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DOK 231LP
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Jorge Ben in 1963, after the large impact of his first album Samba Esquema Novo (DOK 225LP), goes back into the studio to realize his very cool early album Sacundin Ben Samba (1964). Here Ben's work took a jazzy turn, with a crossover into Brazil's cabaret-style pop. Some of these tracks have a straight jazz character, particularly with the piano and horn combos (and assisted by Meirelles and Luiz Carlos Vinhas) Interestingly enough, although he didn't stick with this style long, his version of jazzy presentation swung heavier than most of the proper "jazz" records of the time, by folks such as the Tambo Trio, etc. Includes a CD of the entire album. 180 gram vinyl.
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viewing 1 To 11 of 11 items
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