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LP
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DG 009LP
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LP version. "Forty or so Damaged Bug tunes from the past seven years were orphaned/unfinished, which is pretty rare for me. I just kept having other things going on and life kept getting in the way. And frankly, the songs were all over the place so I didn't see a thread in there, but in light of current events in the world, I feel like it's every artist's calling to construct personal messages cloaked in a moments of escapism. That's what this record is for me -- was something to clear the decks a little bit in my studio and relax my mind and keep the wolf from the door. It's a bit of a joyous/sad record dealing with hope and forgiveness, two things which I hope end up more in my life. It's abstract and poppy, fried and sugary. It exactly how I feel at the moment fried and skewed. Good luck out there and I hope this turns off the torrent for you, for a moment." --John Dwyer
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LP
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DG 009X-LP
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LP version. Color vinyl. "Forty or so Damaged Bug tunes from the past seven years were orphaned/unfinished, which is pretty rare for me. I just kept having other things going on and life kept getting in the way. And frankly, the songs were all over the place so I didn't see a thread in there, but in light of current events in the world, I feel like it's every artist's calling to construct personal messages cloaked in a moments of escapism. That's what this record is for me -- was something to clear the decks a little bit in my studio and relax my mind and keep the wolf from the door. It's a bit of a joyous/sad record dealing with hope and forgiveness, two things which I hope end up more in my life. It's abstract and poppy, fried and sugary. It exactly how I feel at the moment fried and skewed. Good luck out there and I hope this turns off the torrent for you, for a moment." --John Dwyer
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LP
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CASTLE 034LP
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2022 repress. 2014 release. "Recorded at home in the fall of 2013 with a variety of synthesizers, drum machines and assorted handmade electronics, Damaged Bug is Oh Sees mastermind John Dwyer's latest bit of cracked pop alchemy. The project is the cure to the ailment of too much guitar for too long. Fizzing and sputtering like a glowing, temperamental cockpit control panel, Dwyer bunkered deep in a blinking laboratory, penning songs about the long arc of our travels across space and time. Propulsive beats and synthetic veneers coat laser-guided melodies reflecting off shiny metal surfaces while instrumental interludes pop in and out like breaks in the asteroid belt. A far-out side of our main man -- nocturnal, hard-wired, and chrome-plated. Hubba Bubba features original artwork by Deirdre White."
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LP
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CF 050LP
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2022 repress. "John Dwyer has a surprise... While everyone eagerly anticipates the next Oh Sees record, he's been working tirelessly in his synth laboratory, hand-crafting a follow-up to last year's neon-noir Damaged Bug debut -- one that shakes up the snow globe considerably. If Hubba Bubba was a brush with a robotic exoskeleton on deep-space patrol, Cold Hot Plumbs visits the alien world that sent it into the cosmos. Lush, textural and psychedelic, the songs breathe with an otherworldly sadness and heart. Barbed, sophisticated arrangements flower in every direction. The vintage-perfect sound palette would be window dressing if not for the songs themselves: fresh, vital, and above all catchier than the flu. Cold Hot Plumbs is a strange, beautiful, and oddly infectious addition to Dwyer's oeuvre, and not one to be missed."
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2LP
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CF 087LP
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2021 repress. 2017 release. "Oh my, what is this? The alien globule of Damaged Bug's errant planet has circled the sun and is re-entering our orbit where last year's Cold Hot Plumbs left off. Urgent falsetto morbidities detail this most rhythmically adventurous offering yet: Bunker Funk -- syncopating lush landscapes with moon-shot death rays. Witness in horror the tractor beam pull of 'Slay The Priest' -- a breathless sprint through unfamiliar enemy territory -- erratic laser beam synths dredge the lake, hard panned double drums resurrect dead heartbeats: load thy crossbow, friend, this night is long and we appear beset on all sides. The Bug is back and more hideous than ever -- join us as we gawp at its iridescent shell, its alien mandibles... and the guts streaming from the wound."
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LP
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CF 123LP
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2020 colored vinyl repress (half swirl/half blue/magenta). "I first heard Michael Yonkers via the Microminature Love reissue (Sub Pop) and was immediately hooked. I started collecting any piece of his legend that I could... some true, some likely not. He had hand-built all of his gear. He had broken his back. He was part of experimental surgery that left him in lifelong pain. He was a dancer. He was still kicking around making some of the oddest and most contrary-to-contemporary-popular-norms type of music. (A man after my own heart) And then I heard Goodby Sunball, recorded and released in 1974, the year I was born. I had and have a very deep connection with this set of songs. I wasn't sure why, but when I finally met Michael, I understood. He was kind and seemingly a pretty regular guy. But he was also a weirdo. A rare bird, waving the true freak music flag, and it didn't matter what kind of music he made, I loved it all. So, this record was recorded as a way to reboot and reconnect with some songs that have heavily inspired me over the years. It was hard to pick from his vast catalog, so I just sort of jumped in, with Tom Dolas, Nick Murray, and Brigid Dawson as my band (along with a bevy of others along the way) and these are the tunes that stuck to the wall. I will forever be grateful to Mr Yonkers for bringing me a little joy with his music and inspiring weirdos everywhere." --John Dwyer, Feb 2020
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