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Cassette
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PPTT 002CS
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London label Purely Physical Teeny Tapes presents its fourth offering. A follow-up from his release A System That Slips (2018), on Nick Klein's Primitive Languages, A Crude Explanation Of Russell's Paradox sees Max Eilbacher continue his system-based, sound generation practice, delivering 11 piano, tone, and snare-based arrangements. Eilbacher performs solo and also with Matmos, as well as in bands including Horse Lords and SEF III. Max explains: "These recordings originated with a system created on my computer that played abstract samples of a piano. I discovered the system worked better using only a select few of the many piano sounds I had recorded and intended to use. I found it also worked well with no piano at all. Instead, I employed white noise, a solid tone, and wavefolders. Randomly generated patterns control the sequencing, routings and various sound parameters in the system. I created rules for my system based off of my crude understanding of Bertrand Russell's Paradox theory that then modulates those patterns" Pro-dubbed, smoky clear cassettes featuring double-sided, hand silk-screened covers designed by Ren Schofield (Container). Edition of 100.
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LP
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SP 031LP
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Max Eilbacher's Red Anxiety Tracers is the debut album from the multi-talented Baltimore, Maryland stalwart. Eilbacher has performed with various projects such as Matmos, Horse Lords, and the mind-altering underground Needle Gun aktionist unit. Despite years of busy touring and recording, Red Anxiety Tracers is the first vinyl artifact from this young mastermind. Crafted over the course of a year, Tracers is a labyrinth of shapes and sounds which glide through a complex and arcane environment of found sounds and synthesis. An expertly-crafted maze of deja-vu, audio hallucinations, and dislocating atmospherics forms an audio obstacle course for the listener. Complex editing techniques and sound structures recall the works of J.D. Robb or Owl Records-era Tod Dockstader albeit with a radically fresh perspective and educated hindsight. Red Anxiety Tracers exhumes impeccable flow and careful attention to dynamic range, with its surgical placement of sound events challenging the deep listening abilities of its audience. Raw and manic tension overloads are cut with alien float and abstract aether transmissions with a constantly shifting palette of sounds spun from blasted modular electronics, vocoded terrestrial-speak, and glowing mellotron clouds. Eilbacher communicates a strange and beautiful dialect conceived through disciplined compositional structure and an intuitive improvisational style unparalleled in the current landscape. Red Anxiety Tracers breathes new life into modern electronic composition.
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