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PPTT 002CS
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London label Purely Physical Teeny Tapes presents its fourth offering. A follow-up from his release A System That Slips (2018), on Nick Klein's Primitive Languages, A Crude Explanation Of Russell's Paradox sees Max Eilbacher continue his system-based, sound generation practice, delivering 11 piano, tone, and snare-based arrangements. Eilbacher performs solo and also with Matmos, as well as in bands including Horse Lords and SEF III. Max explains: "These recordings originated with a system created on my computer that played abstract samples of a piano. I discovered the system worked better using only a select few of the many piano sounds I had recorded and intended to use. I found it also worked well with no piano at all. Instead, I employed white noise, a solid tone, and wavefolders. Randomly generated patterns control the sequencing, routings and various sound parameters in the system. I created rules for my system based off of my crude understanding of Bertrand Russell's Paradox theory that then modulates those patterns" Pro-dubbed, smoky clear cassettes featuring double-sided, hand silk-screened covers designed by Ren Schofield (Container). Edition of 100.
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PPTT 001CS
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Poetry, speech, and melody combine with electronics on this sublime tape from Purely Physical's new sub-label, Purely Physical Teeny Tapes. A change of pace for the thus far dance-driven label, Figures is a collaborative one-off project from Melbourne DJ/producer Laila Sakini and poet Lucy Van. Themes of bodies, lineage, language, and power underpin the lyrical and sonic intentions behind this surreal offering. Lucy is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an edi-tor at Cordite Poetry Review. Laila is a producer, vocalist and DJ. Pro-dubbed all clear tape packaged with an A2 double-sided fold-out newsprint poster with Lucy Van's poems transcribed in full, all housed within a PVC heat sealed pouch; Edition of 100.
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