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LP
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MOVATM 347LP
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"The Lost Daughter is a critically acclaimed 2021 psychological drama film written and directed by Maggie Gyllenhaal in her feature directorial debut, based on the 2006 same-titled novel by Elena Ferrante. The film stars Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Domińczyk, Jack Farthing, Oliver Jackson-Cohen, with Peter Sarsgaard, and Ed Harris. Colman also serves as an executive producer on the film. The film follows Leda (Colman) who is on a solo-vacation at the seaside and becomes consumed with a young mother and daughter as she watches them on the beach. When a small, seemingly meaningless event occurs, Leda is overwhelmed by memories of the difficult, unconventional choices she made as a mother and their consequences for herself and her family. The seemingly serene tale of a woman's pleasant rediscovery of herself soon becomes the story of a ferocious confrontation with an unsettled past. The Lost Daughter premiered at the 78th Venice International Film Festival, where Gyllenhaal won the Golden Osella Award for Best Screenplay. At its opening night world premiere, the movie received a four-minute standing ovation from Venice Film Festival attendees. The film also received three nominations at the 94th Academy Awards for Best Actress (Colman), Best Supporting Actress (Buckley), and Best Adapted Screenplay. The score is composed by Dickon Hinchliffe, founding member of Tindersticks. Dickon's unique style of composition and arrangements developed from his classical study of the violin and song writing and recording in bands. The Lost Daughter is available as a limited 'Peal it like a snake, don't let it break' edition of 750 individually numbered copies on orange marbled vinyl. The LP features alternative artwork designed by Yelena Yemchuk, a Ukranian professional photographer, painter and film director, best known for her work with The Smashing Pumpkins. The vinyl package includes an inset with pictures and liner notes by both Maggie Gyllenhaal and Dickon Hinchliffe."
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LP
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SP 1044LP
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"The soundtrack to the incredible film Leave No Trace was composed and performed by Dickon Hinchliffe of the Tindersticks. Hinchliffe creates a dark, droney landscape of string arrangements and Spacemen 3-esue guitar reverberations. With this soundtrack Hinchliffe sits amongst the great composers of our day such as William Basinski, Ennio Morricone and Jóhann Jóhannsson. Pressed on forest green vinyl."
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LP
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BLACKEST 020LP
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Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were both marvelous, well-rounded pictures, James Marsh's 1980 -- photographed by Igor Martinovic on 35mm -- somehow seemed to penetrate deeper, hit harder, and linger longer and more vividly in the memory. Described by Tony Grisoni as "an elegant steely trap," 1980's tragic arc is all the more devastating for the glimpses of lightness and redemption with which it taunts its hero -- policeman Peter Hunter, played with astonishing grace and nuance by Paddy Considine. Warren Clarke, Maxine Peake, Peter Mullan, Tony Pitts, Jim Carter, David Morrissey, Sean Harris, Shaun Dooley and Lesley Sharp also figure in what surely ranks as one of the finest British ensemble casts ever assembled. So yes, the acting, writing and direction are all first-rate, but crucial to the mesmeric, elegiac and ultimately pincering, punishing effect of 1980 is its music, composed by Dickon Hinchliffe and performed by a small string ensemble augmented with bass, piano, guitar and percussion. A founding member of Tindersticks, Hinchliffe has played a major role in the band's scores for the films of Claire Denis (including Vendredi Soir, Trouble Every Day and Nénette et Boni), and since flying the roost has established himself as an arthouse and Hollywood composer of considerable renown, with credits including Forty Shades of Blue, Project Nim, Winter's Bone and Rampart. Even more eloquently than Paddy Considine's note-perfect performance, Hinchliffe's music for 1980 articulates Hunter's journey from righteousness to ruin, his optimism gradually consumed by dread and paranoia. Even at its most tender, its most hopeful, its most soaringly romantic, the stench of death is all over it.
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