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2LP
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REPOSE 163LP
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$35.00
PREORDER
RELEASE DATE: 6/19/2026
Limited 300 only double vinyl set pressed on cream/black marble vinyl, housed in a wide spined color sleeve, with polylined inners, plastic outer and hype sticker. A sprawling, meditative journey into inner and outer space, the new double album from Ivan The Tolerable sees Oli Heffernan retreat fully into the solo realm -- crafting an expansive sonic world that feels both intimate and cosmic in scope. Recorded entirely alone and released via Riot Season, this latest work drifts away from structured forms and toward something more fluid, exploratory, and transcendent. Drawing on the devotional atmospheres of early ambient pioneers and the hypnotic pulse of kosmische music, the album unfolds as a series of slowly shifting soundscapes -- analog synths breathing in long, patient waves, tape loops dissolving into shimmering drones, and melodies that seem to emerge from nowhere before gently receding again. There are echoes of ritual, of vast landscapes, of time stretching and folding in on itself. Across its two discs, Heffernan embraces a deeply immersive approach -- less concerned with destination than with the act of drifting itself. It's music that invites stillness and surrender, equally suited to deep listening or quiet disconnection from the noise of the everyday. Unbound by genre yet rooted in a rich lineage of experimental sound, this is Ivan The Tolerable at his most introspective and transportive -- a double album that doesn't just ask for your attention, but your presence.
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LP
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REPOSE 147LP
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Limited edition of 300 on crystal-clear vinyl with purple blob and black splatter. Housed in full-color matte sleeve with polylined inner bag and download code. Following his two sold out releases Vertigo and Water Music on Riot Season in 2024, the ever-prolific Ivan The Tolerable returns with An Orphan Form. A beautifully strange and immersive suite that feels both otherworldly and rooted in something organic. Drawing on kosmische drift, loose-limbed jazz, and warped psychedelic textures, the record moves like a half-remembered dream. Field recordings and nature sounds weave in and out, grounding the swirling synths and off-kilter rhythms in real earth and air. It's a record that doesn't follow a straight line, but instead wanders, curious, alive, and quietly spellbinding. Recorded in winter 2024 in Middlesbrough, UK and Utrecht, Netherlands. Oli Heffernan: bass/guitars/synths/drones/field recordings/electric piano. Mees Siderius: drums/percussion/vibraphone. Elsa Van Der Linden: saxophones/flutes. Sleeve design by Ack! Ack! Ack!
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LP
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UIHR 029LP
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Up In Her Room present their first release of 2025, and a return to the label from Oli Heffernan, aka Ivan the Tolerable! Ten new chunks of lo-fi instrumental library-hop -- recorded in over two days in Summer 2024, Nocturnes is the first ITT album of 2025, and the first one made solo by Heffernan since Wild Nature in 2019. Known for his genre-defying and boundary-pushing approach to music, Heffernan -- who has spent years experimenting with various styles, instruments and production techniques has crafted a collection of tracks that defy categorization. The new album is a sonic tapestry of atmospheric library music, dusty hip-hop beats, and the organic, unfiltered essence of field recordings, all neatly packaged up into a format that allows each element space to breathe. Nocturnes weaves intricate layers of samples, loops, and live instrumentation, combining elements of hip-hop, dub, jazz, and electronic music, all while maintaining a sense of urban cinematic flair. The album is released by Up In Her Room on limited edition black heavyweight vinyl.
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LP
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UIHR 018LP
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Up In Her Room presents the first in the Ivan The Tolerable archive reissue series, Autodidact. Originally released on a 10" lathe cut by Ack Ack Ack Records in February 2018, this has now been remastered and repackaged, and will now be available on limited-edition khaki vinyl, with only 250 copies pressed. Here's a bit about the record in Oli Heffernan's aka Ivan The Tolerable own words: "I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for pretty much the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends' drums and a Tascam DP08 (that wasn't to see the year out, RIP 2009-2018). When I was done, Robbie came round and recorded a ton of violin drones through my amp and I remember feeling like I'd gone into a trance a few times, then Ben recorded his parts at home and sent them over. Mixed and mastered the same night -- I released it myself a month later as a lathe cut 10"and then promptly moved on. I listened to the album for the first time in years to write this sleeve note and I think it is possibly the closest I've ever got to capturing the sound I hear in my head -- I love how grubby and cavernous it sounds, claustrophobic and swirling -- the track 'Autodidact' I have recorded four more times since this version and I've never got that sound back. I'II keep trying."
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LP
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UIHR 012LP
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Available on limited-edition white vinyl, only 300 pressed. Includes extended album download. Ivan The Tolerable is the alter ego solo project of Middlesbrough based musical wizard Oli Heffernan. Aside from his solo work as ITT, Oli has played in numerous bands over the years including Year Of Birds, King Champion Sounds with members of the Ex, Detective Instinct, and Shrug, and has collaborated with icons like Mike Watts of the Minutemen, and J Mascis of Dinosaur Jr. On Black Water/Brown Earth, Heff called in the help of his Dutch friends Mees and Elsa in King Champion Sounds again and wrote the album in a long-distance session. The album feels like an excursion in nature, featuring bird song, flowing water, pots and pans percussion, and a genuine feel of wandering about and experiencing the outside world with eyes and ears wide open. It is a band effort too, with organic sounding drums, the characteristic saxophone, and droning synths.
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