|
|
|
|
|
|
|
|
|
CD
|
|
SHAD 108CD
|
Originally released in 1971 on EMI Parlophone, this is South Africa's once-famous Otis Waygood and their third record, Ten Light Claps And A Scream. Emerging during the height of political and social tension in the white suburbs of Johannesburg, Otis Waygood came from the north in the summer of '69, armed with long hair and scarabs, to slay the youth of the nation with an arsenal of murderous rock tunes. They became pretty much the hugest band South Africa had ever seen, and after two albums released on EMI S.A., this record was to blow them completely out of the water, becoming the best they'd ever produced and the most sought-after by collectors. The music is influenced by the British underground (Bloodwin Pig, Steamhammer, etc.) with great guitars and gruff vocals, blues-influenced, spacey underground rock, sax, organs and well-crafted compositions and arrangements, making this album a unique, proggy masterpiece. Produced by Julian Laxton of Freedom's Children under the direction of Clive Calder.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SHAD 108LP
|
From South Africa, 1971. Edition of 600 numbered LPs, glossy heavy sleeve, 180 gram pressing. "It was the worst of times in Johannesburg white suburbs. The Beatles were banned on state radio. Haircut regulations were merciless. Life was an unutterable hell of boredom and conformity, but lo: salvation awaited. They came from the north in the summer of '69, armed with axes and scarabs, long hair streaming behind them, and proceeded to slay the youth of the nation with an arsenal of murderous rock tunes. They were the biggest thing our small world had ever seen, our Led Zeppelin, our Black Sabbath, maybe even our Rolling Stones. They were Otis Waygood. After two albums released on EMI S.A. the album Ten Light Claps And A Scream was simply the best Otis Waygood record and among collectors the most sought after. The music is influenced by the British underground for sure. Bloodwin Pig, Steamhammer, IF are working in the same field. Great guitars and vocals, blues-influenced underground rock, sax, organs and well-crafted composition and arrangements making this album a unique masterpiece. Julian Laxton of Freedoms Children was the producer. Rob Zipper (vocals, guitars, saxophones); Ivor Rubenstein (vocals, percussion); Leigh Sagar (guitars, organ, Hawaiian guitar); Benny Miller (guitars); Alan Zipper (bass)."
|