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viewing 1 To 12 of 12 items
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CD
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HPS 325CD
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With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into two parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the doom/drone scene. It was first released by Jerusalem's label Shalosh Cult. Also available on black vinyl (HPS 325LP), yellow vinyl (HPS 325LTD-LP), and black/orange vinyl (HPS 325ULTRA-LP).
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CD
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HPS 326CD
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Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilizations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times. Also available on black vinyl (HPS 326LP), gold vinyl (HPS 326LTD-LP), and purple/yellow/blue vinyl (HPS 326ULTRA-LP).
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CD
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HPS 327CD
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After two years in the making, Wyatt E. seals their long-awaited return with the highly anticipated narrative sequel to āl bēlūti dārû: Zamāru ultu qereb ziqquratu Part 1 ("Music from inside the Ziggurat"). This is the first chapter of a set of two concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from seven international collaborators, Zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production and conception. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky, delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch. Also available on black vinyl (HPS 327LP), gold vinyl (HPS 327LTD-LP), and black/red/yellow vinyl (HPS 327ULTRA-LP).
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LP
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HPS 325LP
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LP version. With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into two parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the doom/drone scene. It was first released by Jerusalem's label Shalosh Cult. Also available on CD (HPS 325CD), yellow vinyl (HPS 325LTD-LP), and black/orange vinyl (HPS 325ULTRA-LP).
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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HPS 325ULTRA-LP
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LP version. Black/orange color vinyl version. With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into two parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the doom/drone scene. It was first released by Jerusalem's label Shalosh Cult. Also available on CD (HPS 325CD), black vinyl (HPS 325LP), and yellow vinyl (HPS 325LTD-LP).
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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HPS 325LTD-LP
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LP version. Yellow color vinyl version. With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into two parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the doom/drone scene. It was first released by Jerusalem's label Shalosh Cult. Also available on CD (HPS 325CD), black vinyl (HPS 325LP), and black/orange vinyl (HPS 325ULTRA-LP).
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Artist |
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Format |
Label |
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LP
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HPS 326LP
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LP version. Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilizations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times. Also available on CD (HPS 326CD), gold vinyl (HPS 326LTD-LP), and purple/yellow/blue vinyl (HPS 326ULTRA-LP).
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Artist |
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Format |
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LP
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HPS 326LTD-LP
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LP version. Gold color vinyl version. Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilizations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times. Also available on CD (HPS 326CD), black vinyl (HPS 326LP), and purple/yellow/blue vinyl (HPS 326ULTRA-LP).
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LP
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HPS 326ULTRA-LP
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LP version. Purple/yellow/blue color vinyl version. Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilizations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times. Also available on CD (HPS 326CD), black vinyl (HPS 326LP), and gold vinyl (HPS 326LTD-LP).
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LP
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HPS 327LP
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LP version. After two years in the making, Wyatt E. seals their long-awaited return with the highly anticipated narrative sequel to āl bēlūti dārû: Zamāru ultu qereb ziqquratu Part 1 ("Music from inside the Ziggurat"). This is the first chapter of a set of two concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from seven international collaborators, Zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production and conception. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky, delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch. Also available on CD (HPS 327CD), gold vinyl (HPS 327LTD-LP), and black/red/yellow vinyl (HPS 327ULTRA-LP).
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Artist |
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Format |
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LP
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HPS 327ULTRA-LP
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LP version. Black/red/yellow color vinyl version. After two years in the making, Wyatt E. seals their long-awaited return with the highly anticipated narrative sequel to āl bēlūti dārû: Zamāru ultu qereb ziqquratu Part 1 ("Music from inside the Ziggurat"). This is the first chapter of a set of two concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from seven international collaborators, Zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production and conception. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky, delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch. Also available on CD (HPS 327CD), black vinyl (HPS 327LP), and gold vinyl (HPS 327LTD-LP).
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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HPS 327LTD-LP
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LP version. Gold color vinyl version. After two years in the making, Wyatt E. seals their long-awaited return with the highly anticipated narrative sequel to āl bēlūti dārû: Zamāru ultu qereb ziqquratu Part 1 ("Music from inside the Ziggurat"). This is the first chapter of a set of two concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from seven international collaborators, Zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production and conception. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky, delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch. Also available on CD (HPS 327CD), black vinyl (HPS 327LP), and black/red/yellow vinyl (HPS 327ULTRA-LP).
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viewing 1 To 12 of 12 items
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