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viewing 1 To 15 of 15 items
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CD
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VIRUS 078CD
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$16.00
PREORDER
RELEASE DATE: 9/20/2024
"The album-length result of Jello Biafra's collaboration with long-time associates D.O.A. for the super soundtrack of Terminal City Ricochet! Both DKs and D.O.A. began playing music in the same week of 1978, so perhaps this project was bound to happen."
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VIRUS 078LP
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$26.00
PREORDER
RELEASE DATE: 9/20/2024
LP version. "The album-length result of Jello Biafra's collaboration with long-time associates D.O.A. for the super soundtrack of Terminal City Ricochet! Both DKs and D.O.A. began playing music in the same week of 1978, so perhaps this project was bound to happen."
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VIRUS 078X-LP
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$29.00
PREORDER
RELEASE DATE: 9/20/2024
LP version. Color vinyl. "The album-length result of Jello Biafra's collaboration with long-time associates D.O.A. for the super soundtrack of Terminal City Ricochet! Both DKs and D.O.A. began playing music in the same week of 1978, so perhaps this project was bound to happen."
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VIRUS 523R-LP
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"Available on limited blood red vinyl. Formed in Las Vegas in 1980, M.I.A. moved to Orange County in 1981 and started playing shows at the infamous Cuckoo's Nest. They first appeared on the classic Last Rites for Genocide and M.I.A. split LP (Smoke Seven) in 1982. They quickly became known for their energetic live shows, blending fast, guitar-driven hardcore with singer Mike Conley's unique melodic voice and the trademark Southern Californian punk sound. After a show with the Dead Kennedys, Jello Biafra offered to release their next album, Murder In a Foreign Place on his Alternative Tentacles label in the summer of 1984. 'In the final days of December 1983, M.I.A. played a show in Las Vegas supporting the Dead Kennedys,' Guitarist and vocalist Nick Adams recalls, 'It was one of those underground DIY shows, in a dark warehouse space with a wall broken out to make it bigger, the result of kids willing to do just about anything to be with their friends and hear the music they loved. It was nearly broken up by the police (the Butthole Surfers were not allowed to play) but the Dead Kennedys got to do their set. M.I.A. had made an impression, though, and Jello Biafra offered to release M.I.A.'s next album on his label Alternative Tentacles. The record was also done in DIY fashion, with the band self-producing the resulting album.' The band went on to release two more records, Notes From the Underground (National Trust 1985) and After the Fact (Flipside 1987), re-issued as a 2LP set in 2023 by French label Modern City. Sadly, singer Mike Conley passed away in 2008 following a tragic accident; but original members Nick Adams (guitar, vocals), Paul Schwartz (bass, vocals) and Larz Pearson (drums) perform as a three piece. Now to mark the album's 40th anniversary, Alternative Tentacles and Modern City have teamed up to bring you Murder In a Foreign Place in 2024. With a total of 19 tracks, the re-issue includes the original album along with two studio out-takes and the full Greencarton demos. Unreleased track 'Help Me Up' appears here for the first time ever! No matter if you have original copies of Murder In a Foreign Place, or just discovering M.I.A. for the first time, this album is a must for any collection! It's an incredible re-issue for an indispensable album."
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CD
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VIRUS 315CD
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2024 repress. "Of all the hotly sought-after original Killed-By-Death punk singles, few to none are as notorious -- or mysterious -- as the Gacy's Place EP by The Mentally Ill. The sleeve, the topics, the so-horrible-it's-amazing production values, that voice. Many in the know crown it the sickest punk record ever made. But there is more -- much more. The Gacy's Place sessions yielded eight songs, only three were ever released. A dig in the ol' crawlspace turned up even cruder earlier demos with alternate versions of the EP songs, plus over half-a-dozen others, heard only by a handful of people. A true labor of man-boy love, it took Jello Biafra years to pry this loose from the band. They kept insisting each album be housed in a three-foot wide scale model of Gacy's house itself! Now their affliction has subsided enough so that everyone finally has a chance to save their $200 'evil-Bay' bucks and grab a whole album's worth of mental illness before their condition comes back. Another exciting chapter in Alternative's 'Punk Re-Issues Of Necessity' series!"
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VIRUS 460CD
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2024 repress. "The Shaggs' Philosophy of the World quietly debuted in 1980 and eventually became the crown jewel for outsider music fans for its charming and discordant pop songs. Frank Zappa said The Shaggs were 'better than The Beatles' and Kurt Cobain regarded them as 'so obviously the real thing.' Now, Shaggs' singer and songwriter Dot Wiggin is back to break the silence and share her uncommonly cute, uncanny music on her first-ever solo album -- a mix of never-recorded Shaggs songs and new classics written by Wiggin and her band! Ready! Get! Go! retains The Shaggs' essential qualities without missing a beat or trying to recreate what once was. The material ranges from raw, punkish indie to pretty melodies, all with Wiggin's trademark whimsy. Her lyrics are simple but haunting, without ever becoming formulaic or gimmicky, and her peculiar, sweet voice rolls along the different musical styles with surprising ease, tying Ready! Get Go! together. It is exactly what one wants to hear after a 44-year musical hiatus -- something reminiscent of The Shaggs, but refreshingly matured. 'Speed Limit' is a danceable track with a catchy chorus chant that showcases the innocent, fun-loving side of the band, whereas 'Boo Hoo' shows their capacity for melancholy. 'Speed Limit 2' offers rambunctious and berserk rock 'n' roll noise that comes as a powerful surprise and delight. 'Banana Bike' is an unrecorded Shaggs song given new life with Wiggin's signature bashfulness. Upbeat and heavyhearted, 'The Fella with a Happy Heart,' is another classic Shaggs-era tune never heard until now. The album ends with a cover of 'End of the World,' a new take on Skeeter Davis's 1962 cowboy hit. Ready! Get ! Go! is the surprise comeback album of the year."
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LP
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VIRUS 460LP
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LP version. 2024 repress. "The Shaggs' Philosophy of the World quietly debuted in 1980 and eventually became the crown jewel for outsider music fans for its charming and discordant pop songs. Frank Zappa said The Shaggs were 'better than The Beatles' and Kurt Cobain regarded them as 'so obviously the real thing.' Now, Shaggs' singer and songwriter Dot Wiggin is back to break the silence and share her uncommonly cute, uncanny music on her first-ever solo album -- a mix of never-recorded Shaggs songs and new classics written by Wiggin and her band! Ready! Get! Go! retains The Shaggs' essential qualities without missing a beat or trying to recreate what once was. The material ranges from raw, punkish indie to pretty melodies, all with Wiggin's trademark whimsy. Her lyrics are simple but haunting, without ever becoming formulaic or gimmicky, and her peculiar, sweet voice rolls along the different musical styles with surprising ease, tying Ready! Get Go! together. It is exactly what one wants to hear after a 44-year musical hiatus -- something reminiscent of The Shaggs, but refreshingly matured. 'Speed Limit' is a danceable track with a catchy chorus chant that showcases the innocent, fun-loving side of the band, whereas 'Boo Hoo' shows their capacity for melancholy. 'Speed Limit 2' offers rambunctious and berserk rock 'n' roll noise that comes as a powerful surprise and delight. 'Banana Bike' is an unrecorded Shaggs song given new life with Wiggin's signature bashfulness. Upbeat and heavyhearted, 'The Fella with a Happy Heart,' is another classic Shaggs-era tune never heard until now. The album ends with a cover of 'End of the World,' a new take on Skeeter Davis's 1962 cowboy hit. Ready! Get ! Go! is the surprise comeback album of the year."
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CD
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VIRUS 077CD
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"At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra. Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty-year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as 'math rock.' Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the publics' to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award. In 2015, drummer John Wright described the album as their 'most popular album by a country mile' and to the St. Louis Music Press of Wrong's success to the rise of alternative music and the success of Nirvana: 'That's where all the buzz about us came from. We were touring throughout the States in the mid-'80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.' Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead."
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LP
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VIRUS 077LP
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LP version. "At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra. Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty-year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as 'math rock.' Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the publics' to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award. In 2015, drummer John Wright described the album as their 'most popular album by a country mile' and to the St. Louis Music Press of Wrong's success to the rise of alternative music and the success of Nirvana: 'That's where all the buzz about us came from. We were touring throughout the States in the mid-'80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.' Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead."
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LP
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VIRUS 077X-LP
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LP version. Color vinyl. "At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra. Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty-year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as 'math rock.' Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the publics' to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award. In 2015, drummer John Wright described the album as their 'most popular album by a country mile' and to the St. Louis Music Press of Wrong's success to the rise of alternative music and the success of Nirvana: 'That's where all the buzz about us came from. We were touring throughout the States in the mid-'80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.' Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead."
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VIRUS 151LP
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2023 repress. "Alternative Tentacles presents a long-awaited vinyl reissue of the out-of-print 1994 album Those Deep Buds by legendary post-punk skronkmeisters Dog Faced Hermans. This is a one-time LP pressing, on ebony vinyl, limited to 1000 copies. Some members carry on today as The Ex, still touring and recording." "... the group has the same questing spirit as bands like Wire, the Slits, or the Raincoats, but rather than simply recreating the work of those leaders of U.K. post-punk, the Hermans doggedly pursue their own distinct muse. Hints of Krautrock also crop up, both in trancy rhythms ? and in the sudden shifts and stops in the music at many points." --AllMusic "Those Deep Buds, the band's final studio statement to date, is its masterpiece, an unbelievably powerful and resilient record with some of the best lyrics to ever appear on a rock album." --Trouser Press
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2LP
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VIRUS 377LP
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2024 repress. "The Alternative Tentacles 'Reissues Of Necessity' is back! We've hooked another live one from the swirling depths of the most obscure, desirable, and just plain deranged. Like many early punk pioneers The Eat operated in a near-total vacuum. This time in that infamous cesspool of clueless retirees and moronic sun worshippers known as South Florida. Their classic 7"s were rare and sought after from the moment they came out, distribution was nil, most were given away at shows and crushed on the spot, some even wound up lining parrot cages. As a result, Communist Radio and God Punishes The Eat are some of the most sought after and obscenely expensive Killed By Death items on eBay. Th e band's angle on the world has a lot to do with this. Political concerns like 'Communist Radio', 'Nut Cops', 'Kneecappin' and 'Nixon's Binoculars.' Environmental awareness like 'Manatee Smacker,' 'M-80 Ant Death' and 'Living Like a Pig', and numerous celebrations of that seedy Florida lifestyle like 'Catholic Love', 'Silly Drug Songs', 'Money for the Police' and 'Psychotic McHale's Navy.' The Eat reappeared sporadically clear through the mid-90s, yet still seemed unaware how wide their cult and notoriety had spread, especially among people who've never actually heard them. So now everyone can! Both early 7"s are here, the dropouts in the five God Punishes songs fixed up at last, followed by the entire Scattered Wahoo Action cassette album and all the unreleased songs from their aborted Hialeah album that was chopped down to their third and final 7". Sound is top-floor melodic punk 'n' roll, sort of a sped-up Real Kids with rock-bottom Angry Samoans-style lyrics. Disc one's a whopping 30+ studio tracks, many never before released. But that's not all folks. The CD version comes with a bonus live disc with two dozen more songs and many a crude rude remark from band to audience."
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VIRUS 459LP
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2022 repress. "Aurora's Frantix transfixed the early 1980s Colorado punk scene with their unique sound and chaotic live show, releasing just two 7-inch EPs before evolving into the equally renowned grunge band The Fluid, Sub Pop's first non-Seattle signing who helped lead the label's grunge invasion of the mainstream. The group's complete recorded works -- both EPs plus rare, unreleased and great-sounding demo and live material -- are collected here, most tracks appearing on vinyl for the first time ever. Though many people mistakenly believe that Mudhoney's well-known version of 'My Dad's a Fuckin' Alcoholic' is an original, this is the true KBD classic! The mix of Ricky Kulwicki's unstoppable, lava-flow guitar, Matt Bischoff's droning, carpet-bombing bass, Davey Stewart's train-wreck drums, and Marc Deaton's teenage-zombie vocals is downright legendary. Frantix were never just hardcore, and one can hear it on their very first recordings from 1980: beneath the songs' amphetamine stutter and sonic tachycardia are strands of rock 'n' roll DNA belonging to Johnny Thunders and Keith Richards. 'Dancin' to Punk' and 'FM Ear' are smeared with lipstick traces of the Modern Lovers. The classic My Dad's a Fuckin' Alcoholic, equal parts Black Flag and Flipper with a touch of the New York Dolls, sports a simple but unforgettable bass riff and sing-along chorus and was a local favorite that grew to national underground prominence after its original release. Frantix shared the stage with national acts and punk legends like Black Flag, TSOL, Circle Jerks and Dead Kennedys."
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VIRUS 032LP
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"Re-pressed on vinyl!!!! This is where it all began for these acid casualty reality trippers. Brown Reason To Live is their very first release; it came out in 1983. Here it is on vintage thick wax. 12"vinyl, 7-song ep -- their first classic slab o' wax, and still as crazed and lysergic as ever! P.S. And the answer to the timeless question, 'what speed is this meant to be played on?' It's meant to be played at 69 rpm, of course! (But if your turntable doesn't have a '69' setting, try it on 45 instead.)"
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VIRUS 039LP
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"Re-pressed on vinyl! Finally back in print! This is where it all began for the Butthole Surfers. The Live PCPPEP is their second release; it came out in 1984. Here it is on vintage thick wax; still as crazed and lysergic as ever! The EP was recorded live in a bar in their hometown of San Antonio and released as a follow-up to their Brown Reason to Live 12". These acid-casualty reality trippers paid tribute to and killed American hardcore once and for all while single-handedly ushering in a new Post-Everything era. Many feel their two early EPs were the best records the band ever recorded."
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