|
|
|
|
viewing 1 To 25 of 128 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
BANG 192LP
|
$27.00
PREORDER
RELEASE DATE: 10/30/2026
Not every great record got the audience it deserved. Originally released on CD in 2005, Iwô-Jima Party was the fourth album by Obligaciones, a band from Vitoria-Gasteiz (Basque Country) operating in the dangerous territory between punk, garage, '70s hard rock and raw rock'n'roll. But Iwô-Jima Party is much more than sheer force. These ten carefully crafted songs are driven by serrated guitars, a crushing rhythm section, hard-hitting Spanish lyrics and melodies that stay with you long after the initial impact. The album carries the urgency of punk and the weight of classic hard rock, but also something far less common: truly accomplished songwriting hidden beneath all the noise and aggression. The band's musical DNA shares connections with Motörhead, Rory Gallagher, Cicatriz and The New Christs, yet Obligaciones never sound like a mere imitation. They transformed those influences into something unmistakably their own: dark, abrasive, melodic and emotionally uncompromising. The original sessions featured musicians connected to Señor No, MaCarraDa, Los Padrinos, Látex, Vagón de Cola, and Sindicato de Músicos. Produced by Peio Riotegi, the album also includes a ferocious version of Otis Redding's "Love Man." More than twenty years later, Iwô-Jima Party has lost none of its impact. It still sounds urgent, dangerous and remarkably alive. BANG! Records now presents this overlooked Basque punk-rock powerhouse on vinyl for the very first time: newly remastered and strictly limited to 300 copies.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 190LP
|
$27.00
PREORDER
RELEASE DATE: 10/30/2026
Before grunge was a genre, it was an insult Mark Arm wrote about his own band: "Pure grunge! Pure noise! Pure shit!" That band was Mr. Epp And The Calculations. Conceived in a math class at Bellevue Christian High School in 1978 as a completely imaginary group, Mr. Epp eventually became one of the strangest, most confrontational and deliberately antagonistic acts in Seattle's early underground. Steve Turner joined during its final phase; Arm and Turner would soon form Green River and later reunite in Mudhoney. Instead of learning to play properly, Mr. Epp learned how to use distortion, repetition, awkwardness and confrontation as a language of their own. Their songs take aim at uniformed hardcore punks, Reagan-era patriotism, the Moral Majority, militarism, police authority, suburban privilege, college life and nuclear annihilation, while never sparing their own scene or themselves. "Mohawk Man" was a vicious attack on those who had reduced hardcore to a pose and a dress code. The song reached number one on the influential Los Angeles radio show Rodney on the ROQ, while their 1982 EP Of Course I'm Happy, Why? was reviewed in the very first issue of Maximum Rocknroll, which praised its strange structures, cynicism and intelligence. During their brief existence they shared bills with Dead Kennedys, Ten Minute Warning, and The Rejectors, before playing their final show in 1984 alongside Malfunkshun, opening for Fang. Less than three years after becoming a real band, it was over. Originally issued on CD in 1996, Ridiculing the Apocalypse now receives its first-ever vinyl edition. BANG! Records and Jo Smitty have reshaped the anthology into a concentrated sixteen-track LP, newly remastered for vinyl by Sergio Delgado in Madrid. It includes the complete Of Course I'm Happy, Why? EP, the band's most essential studio recordings and two live tracks captured at Seattle's Metropolis. The packaging completes the document: Todd Why?'s original drawings, the wrecked Epp car, rehearsal and live photographs, Craig Joyce's extensive band history and Jo Smitty's track-by-track notes. Nothing has been cleaned up or rewritten into respectable rock history. The entire edition retains the photocopied, basement-made, fanzine-and-rented-hall aesthetic that defined Mr. Epp. Limited edition of 500 copies on black vinyl. Essential for followers of Mudhoney, Green River, Flipper, early American hardcore, post-punk and outsider noise -- and for anyone who wants to hear Seattle before it became an industry.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 191LP
|
$27.00
PREORDER
RELEASE DATE: 8/28/2026
First time ever on vinyl, Twilight Curtains presents a long-overlooked chapter in the legacy of Truly, the acclaimed Seattle band formed by songwriter Robert Roth alongside Hiro Yamamoto, co-founder of Soundgarden, and Mark Pickerel, founding drummer of Screaming Trees. Originally released in 2000 as a CD-only collection, Twilight Curtains gathers rare, unreleased and alternate recordings captured between 1991 and 1997, documenting the band during its most creative and exploratory period. More than simply another Seattle group, Truly forged a singular sound that blended heavy psychedelic rock, grunge-era intensity, damaged pop and expansive melodic textures. Featuring the contributions of three key figures from the Pacific Northwest underground, this collection offers a fascinating glimpse into the band's evolution through alternate versions, lost recordings and previously unavailable material. Twilight Curtains finally makes this missing piece of the Truly catalogue available on vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 185LP
|
In the early 2000s, The Hydromatics brought together three scenes, three cities, and one shared devotion to rock'n'roll: the fiery tradition of Detroit, the raw punch of Amsterdam, and the high-energy attitude of Scandinavia. Fronted by none other than Scott Morgan (Sonic´s Rendezvous Band), one of the great voices of Detroit rock, and backed by Tony Slug (LOVESLUG) and a band built out of genuine love for the legacy of Sonic's Rendezvous Band, the result was Powerglide -- a record that is tough, streetwise, soulful, elegant, and raw all at once. Originally released in 2001, Powerglide captures The Hydromatics in full flight. Original songs sit alongside explosive takes on material connected to the Sonic's Rendezvous universe, all delivered with nerve, conviction, and the kind of authority that simply cannot be faked. The guitars bite, the rhythm section drives relentlessly, and above all there is Scott Morgan's voice -- capable of sounding fierce, wounded, and defiant within the very same line. Far from being a mere exercise in homage, Powerglide stands tall as a living, breathing record with a personality all its own: high-octane rock'n'roll fueled by rhythm and blues soul and steeped in the unmistakable spirit of Detroit. This is an album for those who understand that proto-punk, garage soul, and real rock'n'roll were never separated by any meaningful border in the first place.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 187LP
|
For the first time on vinyl, Bang! Records brings you The Earth Is Shaking, the third album by The Hydromatics -- a transatlantic high-energy rock and roll unit powered by Detroit legend Scott Morgan (The Rationals/Sonic's Rendezvous Band) and Amsterdam cult-hero Tony "Slug" Leeuwenburgh (Loveslug). Originally released in 2007, this record captures the band leaner, rougher and fully locked-in: big riffs, street-level groove, zero filler, and that unmistakable Detroit soul-grit that Morgan owns like nobody else. And here's the headline for rock and roll die-hards: Kent Steedman (The Celibate Rifles) is on guitar -- bringing bite, melody and attitude, plus extra sonic spice (yes: theremin) and production muscle. The result is The Hydromatics at maximum voltage, moving confidently into their own songs while still carrying the Motor City flame. Highlights include the swaggering "Streets Of Amsterdam," the barroom punch of "Standin' At The Juke," and the epic ride of "Detroit Leaning."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 189LP
|
Bang! Records presents the remastered vinyl reissue of Blind Ear (1989), the album where The Celibate Rifles take their punk instincts to the next level -- garage muscle, surgical precision, and a rock'n'roll pulse that sounds more urgent than ever today. Formed in Sydney in 1979, the band appears here in full flight: two guitars in constant dialogue, a rhythm section with newfound dynamic range, and a razor-edged vocal that bites without losing melody. The remaster opens up the stereo image, sharpens the six-string detail, and restores to the turntable the physical punch this record demanded from day one; it's the definitive way to (re)discover a key title from the Australian school. The tracklist is pure traction: "Some Kind of Feeling" hits the ground running with speed and focus; "Wonderful Life '88" nails an instant hook and a clear-eyed critique of yuppie culture; and the closer, "O Salvation," lands as an expansive, cathartic statement of intent. Two tracks unusual in Australian rock for their subject matter -- "Sean O'Farrell" and "Belfast" -- tackle the Northern Ireland conflict head-on and underscore the band's social gaze, while the rest of the album maintains a no-filler intensity. This edition preserves the original LP sequence (the two bonus tracks existed only on the period CD) and stands as an essential piece for collectors and front racks alike: ideal for in-stores, listening bars, and classic alternative rock playlists. If your audience connects with BORED!, Radio Birdman, The New Christs, or The Saints, Blind Ear is an unequivocal yes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 184LP
|
Between 1987 and 1988, when Seattle was still a circuit of small clubs, four-track tapes and bands sharing drummers, Jack Endino went in to record one of the most solid -- and most unfairly invisible -- outfits of that scene: Bundle Of Hiss. Those sessions fell into limbo, stored in the basement of Dan Peters (who would soon go on to Mudhoney) and for years they were a kind of pre-grunge legend: everyone knew they existed, but there was no record, until Loveless Records from NYC released it on CD. This Bang! Records LP is, finally, that record. It gathers the core of those 1987-1988 recordings done by Endino: the moment when the band is tighter, darker and closer to what the press would later call the "Seattle sound": minor-key melodies, thick fuzz, vocals on the edge, and that mix of hard rock, punk and Sabbath-like heaviness fans would later hear in Mudhoney, TAD or early Soundgarden. Bang! Records is releasing this album on vinyl for the first time, just as it should have come out in the late '80s: a basement document turned into a collectible artifact. For those who want real grunge, not the domesticated version. Here is Bundle of Hiss exactly as Jack Endino captured them in 1987-1988.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 186LP
|
Attention all lovers of raw, unfiltered rock'n'roll! Bang! Records presents the vinyl reissue of Dubrovnik Blues, the celebrated debut LP from The Dubrovniks -- the Australian super-group born straight from the beating heart of the country's punk underground. Formed in Sydney in 1986 (originally as The Adorable Ones), The Dubrovniks brought together true icons of the Aussie scene: James Baker, legendary drummer for Beasts of Bourbon, founding member of Hoodoo Gurus, and a driving force in The Scientists; Roddy Radalj, co-founder of Hoodoo Gurus and veteran of The Scientists; and Boris Sujdovic, who also played with both The Scientists and Beasts of Bourbon. Far from being "just another debut," Dubrovnik Blues was an instant statement of intent -- a wild blend of garage rock grit, glam swagger, punk attitude and classic rock'n'roll hooks. Think The Troggs and T. Rex colliding with the spirit of the New York Dolls. Originally released in August 1989 on Timberyard Records, the album went on to earn a nomination for Best Independent Release at the ARIA Awards in 1990. Now, Bang! Records brings this cult gem back to life on vinyl -- a must-have for collectors, vintage-sound purists, and anyone ready to relive (or discover) the raw, electric energy of late-'80s Australian rock at its finest.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 188LP
|
Get ready for the rawest, dirtiest rock NYC has to offer! Taxidermy Girls, a band featuring legendary talents from Jon Spencer Blues Explosion, Television, Mercury Rev, Speedball Baby, and Five Dollar Priest, is back with a new LP that will blow you away. Rte 209 Blues delivers gritty, powerful sound straight from the streets of New York City -- pure, unfiltered, and full of that authentic underground energy. Once known as Taxi Girls, this band has evolved but still carries that rebellious attitude and raw edge that make them stand out. From gritty riffs to catchy melodies, each track is a trip through NYC's underground scene, where dirty, honest rock reigns supreme. Don't miss out on this release -- a record that proves the spirit of NYC's rock scene is alive and kicking stronger than ever.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BANG 171LP
|
Havilah from The Drones is finally on vinyl since its first edition in 2008 on ATP. A great gem of swampy garage blues, largely unknown to the public, now rescued to take its rightful place. One of the last albums from this great band, which a few years later would give birth to the brilliant Tropical Fuck Storm, led by Fiona and Gareth. Bang! Records now presents the double vinyl reissue of Havilah, the fourth studio album by The Drones, originally released in 2008. A cult classic in Australian alternative rock, now returning in a limited analog edition, perfect for experiencing the raw intensity and unique energy of this essential band. An album born from isolation and introspection. Recorded in a remote sub-alpine forest cabin in Victoria, Australia, Havilah was created in total seclusion from the outside world. Without conventional electricity -- only diesel generators and sheer determination -- The Drones crafted an album deeply connected to the rugged landscape surrounding them. That untamed energy seeps into every note, giving the record an unfiltered, visceral quality that few albums can match. In Havilah, the band, led by Gareth Liddiard, expands its sonic scope, blending punk blues, noise rock, dark folk, and garage rock with raw emotional intensity. Liddiard's exceptional lyrical craft shines throughout the album, exploring mystery, doom, and existential struggles in songs that weave between allegory and stark reality. A must-have vinyl reissue. Celebrated both in Australia and internationally, Havilah was nominated for the 2008 J Award for Album of the Year and later recognized in 2011 as one of the 100 greatest Australian albums of all time.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 183LP
|
Before they were The Dwarves, these Highland Park misfits tore through the '80s as Suburban Nightmare, unleashing A Hard Day's Nightmare -- a raw garage-punk blast now reissued on vinyl (only 500 copies!). Their chaos began with fuzzed-out riffs, snotty vocals, and a high school expulsion for staging a nude art stunt. Soon after, they became The Dwarves, moved to San Francisco, and never looked back. Raw, wild, and real -- grab this limited reissue before it's gone! The band's infamy kicked off in 1983, when they were expelled from high school for hiring teen art models to pose nude with bowls of fruit on their heads during a pep rally. A year later, Suburban Nightmare was born, and the notorious Skull and Boners logo -- courtesy of underground artist Jon Straus -- sealed the deal. A Hard Day's Nightmare is more than just a teenage punk artifact -- it's the unfiltered blueprint of a band about to go off the rails and onto cult status.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 181LP
|
The lost gem of grunge returns: Feeling You Up by Truly. The band's sought-after second studio album is finally back in a special vinyl reissue. Truly was formed by bassist Hiro Yamamoto (co-founder of Soundgarden) and drummer Mark Pickerel (founding member of Screaming Trees), along with singer and guitarist Robert Roth. It combines the rawness of Soundgarden with the melodic sensitivity of Screaming Trees. Truly carved out a unique place in the alternative rock scene of the '90s. Originally released in 1997, Feeling You Up blends the raw power and distortion of grunge with psychedelic atmospheres and introspective lyrics, cementing its status as a timeless masterpiece. A cult classic in high demand. Since its release, this album has become a coveted treasure among collectors and fans, fetching premium prices on the second-hand market. This limited-edition reissue not only preserves its legacy but also delivers the ultimate vinyl listening experience.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 040LP
|
2025 restock, 140-gram vinyl, gatefold cover. In 1980, right before the recording of The Gun Club's mighty debut The Fire of Love, Jeffrey Lee Pierce did a handful of solo acoustic recordings based on his fascination for Mississippi Delta blues. And this is what this record sounds like -- Jeffrey Lee Pierce doing a review of the classic blues -- raw, bitter and straight to your heart. These recordings are now released on vinyl for the first time. This album contains a 16-page booklet with previously-unreleased photographs and chronicles from Pierce's friends, speaking about their times and memories with him -- people such as Nick Cave, Mark Lanegan (Screaming Trees, Gutter Twins), Henry Rollins, Kim Salmon (Scientists, Beasts Of Bourbon), Terry Graham (The Gun Club), Tex Perkins (Beasts Of Bourbon, Cruel Sea, Butcher Shop), Kid Congo Powers (The Gun Club, The Cramps, Nick Cave And The Bad Seeds, Butcher Shop), Jim Sclavunos (Nick Cave And The Bad Seeds, The Cramps, Sonic Youth, Panther Burns), Spencer P. Jones (Beasts Of Bourbon, The Johnnys, Butcher Shop, Slappers), Steve Wynn (Dream Syndicate), Jeremy Gluck (Barracudas), Jim Duckworth (The Gun Club), Billy Zoom (X), Keith Morris (Circle Jerks, Black Flag), Bob Bert (Chrome Cranks, Pussy Galore, Sonic Youth, Five Dollar Priest), Hugo Race (Nick Cave And The Bad Seeds), Peter Aaron (Chrome Cranks), Dave Graney (Moodists), Tav Falco (Panther Burns), Dan Stuart (Green On Red), and more.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 182LP
|
For the first time on vinyl, a great Australian high energy classic from Brother Brick, led by Stew Cunningham, one of the best guitarists to emerge from the antipodes. On the same level as other classics such as Bored!, Asteroid B612, and New Christs. A gem of OZ rock. This is the vinyl debut of Brother Brick's A Portable Altamont -- Remastered Edition. Brother Brick's legendary 1997 album is now being released on vinyl, fully remastered to capture the raw power and energy that defined their high-octane sound. This release showcases the band's gritty fusion of blistering guitar riffs, pounding rhythms, and unforgettable melodies -- reminiscent of Detroit's finest like The Stooges and MC5, but with that unmistakable Aussie edge. Stewart Cunningham is known for his work with other influential projects like Proton Energy Pills, Leadfinger, Asteroid B612, and The Yes-Men. A Portable Altamont is a testament to their uncompromising spirit, packed with all the attitude and authenticity that made them a standout in the Sydney underground. Originally only available on CD, A Portable Altamont is a high-energy masterpiece of Australian rock, packed with blistering guitars and melodies that have been screaming to be heard on the rich, warm tones of vinyl. This remastered edition brings new life to tracks that defined a generation of raw, unapologetic rock. If you're a fan of loud guitars, powerful melodies, and pure rock 'n' roll attitude, this is the vinyl you've been waiting for. Don't miss your chance to own a piece of rock history.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 180LP
|
The Hydromatics feature a genuine Detroit legend in the form of Scott Morgan, from Sonic's Rendezvous Band (alongside the MC5's Fred "Sonic" Smith). Morgan formed the Hydromatics alongside Nicke Royale (The Hellacopters) and guitarist Tony Slug (Loveslug) in 1998 and released an awesome debut album in '99 called Parts Unknown that revisited the Motor City rock sounds of yesteryear in the form of a modern-day power punk rawk outfit, which is now finally being reissued. The album starts out with a burning remake of "Earthy" from the Sonic´s Rendezvous Band and it continues to smoke all the way thru. No ballads. Morgan sings his ass off and the band provides much sonic firepower to back up his massive vocal gusto, switching gears effortlessly between kick ass hard rock and smoky soul. It's a potent cocktail for sure and one that fans of this genre would be foolish to pass up on. Not for diehard punk or metal fans, this is a treat best enjoyed by cats who like to rock n' roll and dig the swingin' sounds of the '60s -- albeit as pounded through walls of Marshals and a thick curtain of horns and noise. Absolutely necessary for fans of Sonic´s Rendezvous Band, MC5, Stooges, The Hellacopters, Bored!, and Tony Slug (Loveslug).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 170LP
|
The sixth studio album, Matango!, by Western Australian band The Kill Devil Hills is out on Bang! Records. The new album has ten songs, that -- according to the band's own words -- reference "global unrest and displacement, near future scenarios, climate catastrophe, pandemic vortices, the Simpsons, the grace of women, refugees and boat people, Cold War paranoia, the creative process itself, and of course Australia and its peculiar place in things." Matango! had a few different birthplaces over the 2018-19 period: an old house in the hills of Perth, back porches in Fremantle, a Prague apartment, a French country villa in the swelter of summer, and a lonely pandemic piano. A strange and sinewy beast of an album, it's something of a departure from earlier KDH work: minimal, leering with glitching drums samples, synth swells, empty spaces, and a soup of fat bass tones to float it all in. Recording started about two weeks before lockdowns did in Australia, and so everything went into that unique mode of hibernation for a while, but the album beds were largely done, and work eventually recommenced, discovering what was there, reshaping and re-recording some tracks, and throwing in an experimental opening salvo which is largely free of regular instruments, more a montage of samples and textures, written on a piano and then deconstructed into a spectral hiss and wail. The album title obliquely refers to the 1963 Japanese psychological horror film of the same name (directed by Godzilla/kaiju maestro Ishiro Honda).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 179LP
|
Expanded reissue, originally released in 2012. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, Solna was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. "Aside from the Pebbles compilations, not much was known about the garage bands of the '60s and many people first heard those great songs in The Nomads version," according to Chips K (famous Swedish producer -- Hellacopters, la Secta -- and member of Sator). "But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique." Bands like The Hellacopters, Maharajas, and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own. If they decided to cover something, it seemed like it was their own song. Another aspect that makes them stand out from many of their contemporaries is their chemistry. Live they are like an engine, and in a perfect world, they should have had hit after hit. Anyone who doubts this statement should pick up a copy of the Nomadic Dementia compilation, and it will be clear that we are not just talking about it. The band even accompanied Roky Erickson on a single festival date and the former 13th Floor Elevators' ex-wife paid Hans a huge compliment. "Right after the show, she told me, 'You're the best guitarist Roky has had since Duane (Aslaksen)." The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. In fact, they are probably even better now. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what The Nomads are known for. Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 175LP
|
Another classic of The Celibate Rifles, this time a wild live album. A sample of the guitar machinery that deployed this band of Australian high energy punk, raw guitars, wild solos and catchy melodies. A live recorded at the famous NY concert hall, CBGB in 1986, the band is in top form and shows in each of the songs. It includes classics from their first albums and two versions, Only Ones and Radio Birdman. For the first time on vinyl since its release in 1986 by Hot (AUS) and in 1987 What Goes On (UK).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 176LP
|
The Zeros is an American punk-rock group formed in 1976 in Chula Vista, California. The band was originally formed with Javier Escovedo (vocals/guitar), Robert Lopez (guitar), Héctor Penalosa (bass) and Baba Chenelle (drums). Often referred to as "the Mexican Ramones," they were just one of many contributors to the city of Los Angeles' punk explosion in the late '70s, although they never received the acclaim like their contemporaries Black Flag, Circle Jerks, or Germs and Wipers. They have more followers and fans outside of the United States, especially Europe and Spain in particular. The label "the Mexican Ramones" did not take into account their other revealing influences: pre-punk and garage-rock bands. The Zeros make it evident on this album, releasing covers of New York Dolls among others. But the originals, for example "They Say (That Everything's Alright)" and "Handgrenade Heart," also exploit the spirit of loud, strident rock. There are also slow and melodic, sloppy and dirty pop songs to satisfy all tastes. The quartet broke up in 1981, reformed sporadically for live shows, and recorded a 1999 album Right Now!. An excellent album. Ideal to have a good time and enjoy good rock.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BANG 167LP
|
2024 restock; reissue, originally released in 2006. Gala Mill is considered as Exile on Main Street in The Drones' discography. Gala Mill is the third studio album by Australian band The Drones, which was released in September 2006. Recorded in an abandoned mill in Tasmania, it was their last album to feature founding member Rui Pereira and the first to feature Mike Noga on drums. The music, which makes "an epic leap beyond garage rock", adds influences from folk rock and contemporary folk music to their usual punk blues style. Gareth Liddiard's lyrics for the album are centered more on Australia's colonial and recent history, evident in tracks such as "Jezebel", "Words From The Executioner To Alexander Pearce", and "Sixteen Straws". Much like its predecessor, the album received critical acclaim from sources both within and outside Australia, with much of it centered on the album's raw musical style and Liddiard's dark lyricism. In 2014, Flavorwire included the track "Sixteen Straws" on their list of "The 50 Best Album Closing Tracks Ever". In 2021, Rolling Stone Australia listed Gala Mill at number 155 on their list of "The 200 Greatest Australian Albums of All Time" (one of two Drones albums on the list). New sleeve artwork.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 172LP
|
Tyla is an English rock musician, best known for his work with The Dogs D'Amour as well as an extensive solo catalogue. Not only performing vocals, guitars and other instruments, he also illustrates the album covers in his own recognizable style. Libertine is his second solo album and it was recorded and released only on CD and in the UK in 1996. Now for the first time on vinyl, Libertine contains material which arguably bares the closest stylistic similarity to The Dogs D'Amour. There has been speculation amongst fans that some of the songs were written for his former band. As on Tyla's first solo album (also available on Bang! Records), Libertine contains both electric and acoustic material. For fans of Jacobites, The Dogs D´Amour, and Johnny Thunders.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 173LP
|
Reissue. Finally seeing the light of day again, here is a remastered vinyl edition of the Powder Monkeys' classic album from 1995, Time Wounds All Heels. Time Wounds All Heels was originally released on the Dog Meat Records Australia and comprising the power trio lineup of Tim Hemensley, TJ Ray, and John Nolan, the band at this point were an absolutely unstoppable force, a powerhouse comparable to the finest moments from the MC5, Motörhead, and Black Flag. Featuring ten original tracks from the band, this is often considered the group's finest recorded moment, and one which has been out of print in any form for many years. Powder Monkeys were a natural follow up to Australian legendary band Bored! featuring two of their members from the Take It Out On You line-up. Released under license from Dog Meat Records Australia. Includes inner sleeve and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 169LP
|
Confusion Au Go Go is the final studio album by the Seattle rock band Love Battery. It was originally released in 1998 on C/Z Records (Seattle) and only on CD format. Now it is finally released on vinyl and it has been remastered by Jack Endino (Nirvana, Soundgarden...) in order to get the purest sound. Love Battery were one of the most original bands to come out of the Seattle "grunge" scene, and one of a kind when it comes to alternative rock bands. AllMusic wrote: "The addition of Dan Peters (Mudhoney) on drums definitely tightens the screws, and the reinvigorated rhythm section provides the perfect foundation for guitarist Kevin Whitworth's inspired flights of fancy, including, as on Dayglo, some of the best slide guitar work in alternative rock." Martin C. Strong called Confusion Au Go Go "certainly a notable album," writing that "the band seemed to be in full swing and willing to push their boundaries." Personnel: Ron Nine - vocals, guitar; Kevin Whitworth - guitar; Bruce Fairweather (Mother Love Bone) - bass, backing vocals; Dan Peters (Mudhoney) - drums, percussion.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 174LP
|
Will Not Be Televised, originally released in 2007, is the title of the second studio album by the soul/funk and rock band The Solution. Finally reissued on vinyl. The project by Scott Morgan (Sonic's Rendezvous Band) and Nicke Andersson (The Hellacopters) ended its journey with 11 brilliant new songs full of '60s soul, with their own compositions and versions of classics such as "Pickin' Wild Mountain Berries" or "Can't Stop Looking For My Baby". It is an album as impressive and essential as the band's first album.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BANG 168LP
|
For the first time on vinyl, Jacobite's Howling Good Times (1993) is now being presented on deluxe version. This album exposes Jacobites at their purest essence with full band and high-quality studio recordings, with the band delivering a top performance. An absolute must for all Nikki Sudden and Dave Kusworth fans. The international critical acclaim received on Nikki Sudden's last two albums and with Dave Kusworth's career will certainly help provide new fans for this great long-lost album. The band: Nikki Sudden - acoustic and electric guitars, vocals; Dave Kusworth -acoustic and electric guitars, vocals; Glenn Tranter - guitars, mandolin, dulcimer, backing vocals; Carl Eugene Picot - bass guitar, backing vocals; Mark Williams - drums, percussion; Terry Miles - piano, Hammond, keyboards; Max Edie - vocals. Electrically recorded by John Rivers at Woodbine St. Produced by Nikki Sudden, Dave Kusworth, and John Rivers Released under license from Easy Action Records UK.
|
viewing 1 To 25 of 128 items
Next >>
|
|