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viewing 1 To 25 of 125 items
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LP
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BS 109LP
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$27.00
PREORDER
RELEASE DATE: 6/19/2026
Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can glimpse a kind of submerged Atlantis, rich with forgotten treasures. These sounds draw the listener towards fundamental questions in an increasingly plasticized artificial world. Lero Lero's sound is both archaic and visionary, infused by Mediterranean electronic textures and microtonal melismas, echoing the hypnotic tones of bagpipes and marranzani, the laments of cart drivers, and the cries of salt workers. A sound that, starting from its most ancestral elements, seeks to rethink the legacy of oral tradition through a consciously anti-folkloristic approach. The album's artwork, created by Giulia Parlato, features a suspended image disrupted by the figure of the crocodile from Palermo's Vucciria district, a submerged presence that resurfaces to unsettle the composition, mirroring the very nature of the project. Co-produced with Shhh/Peaceful and Panta.
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BS 103LP
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$27.00
PREORDER
RELEASE DATE: 6/19/2026
John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven tracks, dense with jagged terrain that provides a thrilling journey for listeners. Utilizing an array of vintage synths and electronic instruments, Bohon made extensive use of reel-to-reel tape manipulation across Terlingua. The process added layers of warm texture that ripple through moments like the planetary ecstasy of the album's bookending "Alice" suites, which resemble the sharp ambient drone of Kompakt founder Wolfgang Voigt. Terlingua is Bohon stretching his legs and considerable analog know-how to craft a work that heads towards total aural bliss, making for another exciting entry in an increasingly fascinating catalog.
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BS 105LP
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$27.00
PREORDER
RELEASE DATE: 6/19/2026
These three previously unreleased tracks reflect the cultural influences of a very young Riccardo Sinigaglia. In particular, the Anti-psychiatry movement founded by Ronald David Laing, author of the influential books The Politics of Experience and The Bird of Paradise. As well as Jung's theory of archetypes, a subject explored in depth in the writings of Elémire Zolla. The compositional processes of concrete music are fundamental, while the extensive use of fragments from other cultures reflects a sensitivity matured through his travels in Africa and Asia. The mixture of aquatic and liquid sounds manifests a new state of mind: bird songs, hidden streams, marsh plants, invisible drains, light waves, African, Tibetan, and Indonesian echoes. Everything is skillfully collected using various recording methods (4 tracks Teac 3340, Akai S612) and then assembled on tape with reverbs, equalizers, and the electronic moods of the Revox. Music conceived in different times and situations, but with a similar mood, that of the waters of Lake Orta as a perennial source of peace and inspiration.
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BS 106LP
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$27.00
PREORDER
RELEASE DATE: 5/15/2026
Cucoma Combo are back with their impetuous and political sound, an urgent need to communicate in order to awaken consciences and react to the sick immobility of the times. Captain Marco Zanotti (Classica Orchestra Afrobeat/Lolo) once again gathers his pirate crew and sets sail for new Atlantic and Caribbean adventures. From Cape Verde to Salvador de Bahia, from Haiti to Colombia, then back to Tanzania and Zimbabwe. An inspired and furious attitude incorporates disparate rhythms, languages, and styles in an original way, with even more daring and inspired arrangements and lyrics. A freedom of navigation between coladeira and maracatu, currulao and more atmospheric and evocative tropical safaris. There is no shortage of heartfelt tributes to Tony Allen's Afrobeat, the chimurenga of the legendary Thomas Mapfumo, the Afro-dub of Nigerian Obongjayar, or the more eccentric influences of Meridian Brothers.
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BS 090LP
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$29.50
PREORDER
RELEASE DATE: 3/27/2026
LP version. In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
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BS 100CD
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$19.00
PREORDER
RELEASE DATE: 3/27/2026
Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.
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CD
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BS 090CD
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$19.00
PREORDER
RELEASE DATE: 3/27/2026
In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
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BS 100LP
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$27.00
PREORDER
RELEASE DATE: 3/27/2026
LP version. Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.
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BS 102LP
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Originally from Sicily but living in Basel, electronic composer Marco Papiro confirms his eccentric and multifaceted personality. The sound articulation of his analog synthesizers flows into in an artificial hyperrealism of great thematic and expressive variation. The tracks unfold between ascending cosmic moments, more ecstatic meditative tones, symphonic planetary floods, exotic Afrodelic and psycho-Andean drifts. Papiro synthesizes and converts echoes of acoustic wind instruments (oboe, recorders, bamboo flute), while the percussion lives on its own pulsating reality. The influence of certain folk traditions, as well as contemporary music, also suggests the more acoustic flavor of an ethereal minimalism (for voice and psaltery), making his music a continuous open sea of visions. Cover painting by Anton Bruhin printed on two different colored papers. Co-released with Les Giants.
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BS 099LP
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At the end of the 1980s, Mariolina Zitta approached the world of natural sounds, studying musicology and developing a passion for speleology. Her encounter with Walter Maioli was fundamental, guiding and influencing her definitive research into sound archaeology and the primitive sources of musical acoustic phenomena. In these recordings Mariolina conducts a magical ritual as a cave priestess, celebrating the icons par excellence of the mysteries of the night: bats. The specific frequencies of the calls of these fascinating creatures are recorded with special detectors used by ecologists, and the result is an organic synthesizer. The fusion with the sounds of natural objects (stones, stalactites, logs, bone whistles, Tibetan bells, mouth bows, trumpet shells) and the vocal modulations of harmonic singing allow listeners to travel into a still unexplored sound dimension, through an evocative experience of total sensory listening. It is an arcane landscape filled with pure vibrations, magnetic resonances and aquatic sounds; an ancestral enchantment on the border between consciousness and dreams, a symbolic liturgy of primordial reverberations, echoes and whistles. Edition of 200 copies.
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BS 094CD
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In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the heart. In the galaxy of pure sound, the accumulated overtones offer the intrepid listener the access to a prismatic, fluorescence-rich consciousness. The ego thus becomes the sonorous composer of itself, of the vital circle flooded with beneficial acoustic vibrations. In this sense, Uranus, originally published on tape (Aquamarin Verlag/1988), also marks a parallel with the same research by Henry Wolff and Nancy Hennings or Nada Himalaya's Deuter.
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2LP
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BS 101LP
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"Gagaku" is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century. These recordings partly reflect repertoires borrowed from Chinese music between the 5th and 9th centuries. The incredible variety of timbres of the instruments greatly amplifies the listener's exotic imagination: the eternal breath of the flutes (ryuteki and hichiriki) creates a sort of suspension of time, together with the hypnotic and hallucinatory atmosphere of the mouth organs (shō). The meditative tone of the string instruments (bika and koto) that punctuate the voids and silences is impressive, as is the enigmatic percussion section, with the tolling of the gong (shōko) and the calibrated beats of the drums (taiko and kakko).
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LP
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BS 094LP
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LP version. In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the heart. In the galaxy of pure sound, the accumulated overtones offer the intrepid listener the access to a prismatic, fluorescence-rich consciousness. The ego thus becomes the sonorous composer of itself, of the vital circle flooded with beneficial acoustic vibrations. In this sense, Uranus, originally published on tape (Aquamarin Verlag/1988), also marks a parallel with the same research by Henry Wolff and Nancy Hennings or Nada Himalaya's Deuter.
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BS 091LP
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This album is both a musical and political document that tells the story of one of the most brutal massacres that took place in 1976 in a Palestinian refugee camp during the Lebanese Civil War. Pianist Gaetano Liguori, along with Giulio Stocchi and Demetrio Stratos (the legendary singer of the band Area), composed this album, a gut-wrenching blend of free jazz, poetry, and Mediterranean music. The first edition was released in 1978 and, after almost 50 years, unfortunately, nothing seems to have changed. This is the third edition of the album, and as with the previous releases, all proceeds will go to charity. This time, Black Sweat have chosen to donate the funds to UNRWA.
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2LP
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BS 096LP
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The visionary Walter Maioli (Futuro Antico, Aktuala) and the eccentric electronic musician John Zandijik first met in 1984 when they both gravitated toward the experimental Sound Reporters collective, participating in the release of Ethnoelectronics (1986). Shortly afterward, the two met at Zandijik's studio in Rotterdam, where they completed their journey of exploration to the edge of the Universe in just three nights. The recordings were made only after 3 a.m., when psychic energy is at its peak, and inspiration belongs solely to the realm of dreams. It was a ritual of long galactic fluctuation, where the mystical sound of the flute was filtered and expanded by the Aureal system, a device capable of breaking it down into cascades of aureal harmonies. Through its extemporaneous approach, the music transforms perceptions of ancient pyramids or tropical forests into phosphorescent nebulae, luminous fountain openings, and unprecedented planetary interstices -- interstellar portals leading to new archetypal-ancestral visions. It feels like sailing through colored orbits in the red gases of Jupiter and Mars, lost and dissolved forever in the engines and gears of the most secret cosmos. Between Pink Floyd-esque psychedelic flashes and Tangerine Dream-inspired sidereal architectures, Maioli and Zandijik reveal the most phantasmagoric and unknown side of Sound Reporters.
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BS 097LP
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The roots of African music are always open to new possibilities. This is revealed in the music of this unprecedented quartet. Alongside the Malian singer Rokia Traore', Mamah Diabate, Malian riot and djeli ngoni player, has been playing for several years with Stefano Pilia (Afterhours, Massimo Volume). Now, their path intertwines with the artistic and human partnership between Jabel Kanuteh, Gambian griot and kora virtuoso, and percussionist Marco Zanotti (Classical Afrobeat Orchestra, Cucoma Combo). The union of these two pairs develops unusual geographies and architectures, where dual African and Italian identities merge into one universal sensibility. The predominant Malian and Gambian modes chase each other, but all is fused into a broader rhythm factory or embellished by more abstract and liquid experimental digressions. The curiosity and pliability of the individual musicians search for a language that is both current and contemporary, always poised between ancient and modern, landscape and narrative, with jazz, rock and folk influences.
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BS 089LP
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Multi-instrumentalist and composer J.H. Burch gives new intensity to a neglected ethnographic and folklore reality: the rural Amazigh poets of the Ait Bouguemez valley of Morocco. His vision of cultural exchange led him to the vocal repertoire of the all-female Troupe Asnimer, whom for decades have been amongst the most important custodians of the various Amazigh oral art forms in the region. The Asnimer women recite in chorus songs written by numerous anonymous authors, some dating back centuries, making their tradition and a fluid and constantly evolving collective oeuvre. Each of the tribal forms has its own time and place, some like Tamawayt are poems of travel and lamentation, Timnadin of daily labor, others are sung as Sufi rites. From the Asia and the Pacific, J.H. Burch succeeds here through his knowledge of different sound traditions and a varied use of instrumentation (baglama, santur, tanpura, kamanche, organ, deyurey, electronics, percussion), and in becoming a conduit for Asnimer, frames the collaboration without distorting its ancestral and rural physiognomy. On the contrary, the songs of the Amazigh tribes of the Haut-Atlas are colored through Afro-Asiatic spiritual arrangements of meditative sensitivity.
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BS 092LP
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Despite their Michigan roots, with their hearts anchored in the golden age of 1970s German Krautrock, Fling ii celebrate the sound of that sensational season of experimentation. In the chords of the band dwell the typical motorik style of Neu, the percussive obsessions of Can, as much as the pulsing, hypnotic electronic textures of Cluster and Kraftwerk. The absolute protagonist of this adventure back in time is the legendary Boss Super Phaser PH-2, the dual-circuit modulation pedal that shines through the entire development of all the tracks; it's the main demiurge of deep resonances, of impulsive intergalactic excursions, of dust and mists in perpetual motion. The sound is as dreamy and cosmic as ever, revealing such instrumental rigor in which the strongly emotional blend of the original sources of inspiration finds a perfect balance between rhythm and dynamics.
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BS 093LP
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On the same path as Baraka, Klaus Wiese (Popol Vuh) continues his intimate spiritual journey into healing and cosmic drone music. Like its predecessor, this work originally appeared on tape for Aquamarin Verlag (1982). "Sabiya" means bright, shining, an oriental wind that suggests feminine power; "Sabiha" is therefore she who manifests beauty and grace. "Shaheena" is indicative of gentle and soft, while "Shahira" embodies and represents the essence of recognition and visibility. Absorbed in absolute state of contemplation, Wiese plays harp, tambura and harmonium in a very essential and circular minimal way, focusing on the stillness of their pure harmonics. The glorious, triumphant sweep of this luminous sound thus seems to evoke and suggest these precise concepts, tactile and visual emotional drops, swirls of impalpable bliss, revelatory of an ethereal and infinite astral dimensional level.
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BS 086LP
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Probably in another life David Edren (DSR Lines) was a visionary biologist or chemist. In this new sound adventure, he becomes the narrator of anatomical and cellular symphonies, catharsis of invisible biochemical processes, painting the micro-dimensional flows of the subtle body or imaginary geographies of hidden micro-bodies. Here, his organic electronic music is enriched with new lymphs that also vaguely recall the influences of non-European music, especially Chinese and Japanese music (stick and chimes percussions) in an intimate and twilight dimension, poised between exotic ambient and cinematic suggestions. A militaristic description of liquid currents, labyrinthine veins, weaving streams, molecules and particles in multi-orbital dances, muscular chords, drowning bubbles, light waves; all in a confident compositional overview that is absolutely unique and fascinating.
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BS 088LP
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Through the course of time, DSR Lines (David Edren) never loses his intimate and profound connection to the universe of modular synths. These recordings, made during 2014 in a residence at the Cem/Worm studio in Rotterdam, represent a further magical compendium of his Organic Electronic Music. In particular, here he draws from his expressive arsenal the cosmic and galactic potential of the Arp 2500, which happily floating throughout. A rigorous magician of vaporous, oscillating patterns, sidereal frequencies, nebulous dust; an explorer of inter-zonal paths, he unveils new dreamlike dimensions en-route to unfold planets. Between Kraut-Kosmische accelerations and a personal approach of gentle minimalism, he always forges rare atmospheres of rhythmic pulsation, full of enveloping, spherical and spiraling sounds, luminous and radiant in their hypnotic aura, or magnificently ecstatic and ascending. Originally released by Ultra Eczema.
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CD
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BS 084CD
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Roberto Laneri (Prima Materia) further radicalizes his formal research path in the field of harmonic singing, with a highly rigorous compositional practice of scores and rhythmic placement of overtones. At the dawn of Western counterpoint and the birth of polyphony, he imagines as in a dream the famous Magister Perotinus (XII century) in ecstatic contact with higher entities (Jedi Masters) who would introduce him to those secrets of the vocal art, further developed in later centuries. Among the mysteries of subtle acoustic phenomena such as resonance, phasing and interference, the criterion of harmonic convergence (i.e. the convergence of different fundamentals on common overtones) emerges as a powerful compositional tool. The strength of this music lies in the vibrational power of sound, in an expanded archetypal liturgy, where lights and shadows of ancient Gothic cathedrals infinitely amplify the imaginative transformation of the real, as in the vesica piscis-shaped crevice of Noura Tafeche's sensational cover.
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BS 084LP
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LP version. Roberto Laneri (Prima Materia) further radicalizes his formal research path in the field of harmonic singing, with a highly rigorous compositional practice of scores and rhythmic placement of overtones. At the dawn of Western counterpoint and the birth of polyphony, he imagines as in a dream the famous Magister Perotinus (XII century) in ecstatic contact with higher entities (Jedi Masters) who would introduce him to those secrets of the vocal art, further developed in later centuries. Among the mysteries of subtle acoustic phenomena such as resonance, phasing and interference, the criterion of harmonic convergence (i.e. the convergence of different fundamentals on common overtones) emerges as a powerful compositional tool. The strength of this music lies in the vibrational power of sound, in an expanded archetypal liturgy, where lights and shadows of ancient Gothic cathedrals infinitely amplify the imaginative transformation of the real, as in the vesica piscis-shaped crevice of Noura Tafeche's sensational cover.
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BS 085LP
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After their debut album, the most multifaceted and unpredictable musical collective in Italy -- Addict Ameba -- come back with their sophomore album, Caosmosi. Faithful to the aim of bringing together different paths, traditions and horizons in their music, the band moves between desert-blues and Afrobeat landscapes, with Latin rock rides and Ethio-jazz parentheses. The vision of the album is further enriched by two absolutely valuable features: Joshua Idehen, Anglo-Nigerian poet and singer and pen of Sons Of Kemet and The Comet is Coming, is the author and lead voice in "Look At Us," a poem -- or perhaps it would be more correct to say a prayer; Rabii Brahim, Tunisian actor and musician, who in "Ya Bled" gives birth to a love song for his land, telling the nostalgia and disorientation of migrant, even when he returns to his homeland. To approach listening to this album, you should project that state of melancholy euphoria that you would experience when taking part in the last great party before the disappearance of the human race. Caosmosi!
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BS 083LP
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A floating drift toward a mysterious reality, between nature and cosmos, poised between sleep and wakefulness, temporal co-presences and impossible spatial ubiquities. In this phantasmagorical saga, inspired by TV science-fiction as well as '60s and '70s horror movies, Nicola Giunta/Lay Llamas creates a miraculous balance between original inserts and retrievals of freely chosen fragments from old audio documentaries on vinyl, perfecting the art of sound collage in an absolutely psychedelic way. Nonlinear dream textures become labyrinths of sudden openings, empty rooms, interstellar platforms, narrating voices from other worlds or ghostly churches from beyond the grave. A piercing electronica of cosmic synths, dense with the mists and dusts of distant times, past and future at the same time, where lysergic percussions merge with echoes of flutes vibrating in endless tropical forests and natures. Until the final awakening, in the reality of the first light of dawn.
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