|
|
|
|
|
|
|
|
|
12"
|
|
CSF 058EP
|
Coincidence gives a platform again to four talented artists with a total disregard for the current hypes and trends. Mary Velo's "Talk to Me" features a bouncy rhythm like a walk in the park or a Sunday afternoon dance. Daniela La Luz builds upon an ultra-dry kick drum that makes it sound raw and oldskool to the core. Label-boss Svemirski presents a stripped techno track, and last but not least is the debut by A.Brehme, with some smartly-crafted techno with a dark, intelligent, threatening undertone. Pressed on white vinyl.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CSF 057EP
|
Stevie P is a youngster who is rapidly building a name for himself in the Belgian techno scene. The opening track on his new EP "Constant" has a lot of Belgian heritage in it, blasting off as a hard and mean mofo, but evolving into more melodic sounds. "Emerge" is an eerie techno trancer with plenty of weird business going on and "Construct" is as hard as nails, industrially distorted, and a mean, growling dancefloor destroyer. Lastly, "Momentum" is repetitive with dark echoes, banging bass-kicks and distorted hi-hats.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CSF 055EP
|
Belgian producer Tom Dazing EP presents his comeback on Coincidence Records. "Arcane" features vintage 909 bass kicks setting the pace, brutal analog synths sweeping and growling in a vortex of aggressive sounds and acid bleeps, building to an acid break. "Terrapin Protocol" is more of a house track gone wild, and "Babylon" is the kind of stripped-down acid house tune you'd expect on labels like Clone or Levon Vincent's Novel Sound, flipped into a spooky acid burner. "Catharsis" uses an unsettling 3/3 pattern against a 4/4 beat, twisting and grinding only to blast away in an icy, dark and gloomy acid pattern.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CSF 054EP
|
Cleric is a mysterious Manchester-based techno producer with a love for drones. "Delivery" is a techno stomper with a constant layer of carefully-crafted noises that make it a rich, deep sound, in spite of the dancefloor pedigree this track clearly has. The experimental "Wornitz" has a threatening power reminiscent of Shed-meets-Jeroen Search. "Morose" is the most accessible track of the bunch, shamelessly addictive and utterly simple. The break has caused serious damage already to various dancefloors that were used as testing grounds. Dario Zenker turns "Morose" into an ultra-dark and hypnotizing track. Dimitri Andreas polished the entire body to perfection and mastered the record.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CSF 041EP
|
"Jeroen Search did a pretty amazing release for us last year. Mobility ended up being supported by a lot of artists (Rolando, Marcel Fengler, Kr!z, Pfirter, Slam, Terence Fixmer, Laura Heath and Estroe to name but a few) and did better than any vinyl release we had done thus far. So, we move on, and from now on vinyl first and foremost. Both tracks are based on Jeroen's liveset: raw, booming and pretty straightforward yet with that typical Jeroen Search touch. 'Ellipse' is a very effective dance floor weapon for the technoheads amongst you: loopy, minimalistic and excellent for three deck action.'Periapsis' on the other hand is the (relatively) calmer track: deepness, darkness, smoothness, Loch Ness, whatever. The background sounds give it a unsettling vibe while the acid'ish stabs give it that hypnotic feel you drugheads all crave for. But the icing on the cake is definitely the Conforce remix. Delsin pedigree, Rush Hour poster boy, and a great guy from that bleep on the radar above our country. His version keeps the wobbly background of the original and turns the entire track in a mean offbeat percussion mofo. Threatening Berghain'ish stabs, rattling cowbells and a break that will knock the fillings out of your teeth: tell me you don't love this track. Conforce is beyond any doubt one of the most interesting Dutch artists of the past few years, after Marco Borsato of course. All hail to the 'King.'"
|