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2LP
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LPDM 047LP
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Double LP version. Digitmovies presents the soundtracks composed by Bruno Nicolai for four of Jess Franco's movies: A Virgin Among The Living Dead, 99 Women, Nightmares Come At Night, and Eugenie De Sade'70. A Virgin Among The Living Dead's score features several atonal music themes for strings with additional distorted electric guitar. Nicolai has written a wonderful love theme for the main character of Christine, a sweet and melancholic theme performed by the crystal voice of Edda Dell'Orso. For Nightmares Come At Night, Bruno Nicolai has written an OST of experimental kind, perfect as background for the protagonist's recurrent nightmares. He alternates experimental atmospheres with piano and percussions, with suspended motifs for guitar, organ and light percussions and with a magic love theme. The soundtrack for Eugenie De Sade'70 was originally released in 1969 on the Gemelli label. On the 99 Women soundtrack, Nicolai has written and conducted a symphonic score that alternates mysterious, dramatic and action themes to other romantic and sensual ones given by the sax and the orchestra that reprise instrumental variations of the main theme song. For this publication, Digitmovies used every take found in the original master tapes.
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CDDM 326CD
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Digitmovies reintroduces this remarkable progressive avant-garde rock soundtrack based on Antonio Bido's 1977 cult movie Watch Me When I Kill. Music is written and performed by Trans Europa Express. For this CD, Digitmovies used the recording session's master stereo tapes. Its progressive style follows the band's origins. Trans Europa Express's lineup consisted of: Mauro Lusini (singer), Gianfranco Coletta (guitarist for Chetro & Co and for the earliest Banco del Mutuo Soccorso's formation), Glauco Borrelli (Albero Motore's bass player), Adriano Monteduro (guitarist who recorded his first album as singer and song writer together with Reale Accademia di Musica). The atrocious killings are highlighted by a theme full of mystery, where the electric bass prevails, creating those atmospheres typical of Dario Argento's movies, and by rhythmical rock themes. This score alternates delicate moments, magical and romantic, to a great variety of avant-garde tracks, very impactful both in the movie and out. A soundtrack for every archive devoted to noir genre.
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5CD
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DPDM 019CD
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Digitmovies presents the soundtracks composed by Bruno Nicolai for four of Jess Franco's movies: A Virgin Among The Living Dead, 99 Women, Nightmares Come At Night, and Eugenie De Sade'70. A Virgin Among The Living Dead's score features several atonal music themes for strings with additional distorted electric guitar. Nicolai has written a wonderful love theme for the main character of Christine, a sweet and melancholic theme performed by the crystal voice of Edda Dell'Orso. For Nightmares Come At Night, Bruno Nicolai has written an OST of experimental kind, perfect as background for the protagonist's recurrent nightmares. He alternates experimental atmospheres with piano and percussions, with suspended motifs for guitar, organ and light percussions and with a magic love theme. The soundtrack for Eugenie De Sade'70 was originally released in 1969 on the Gemelli label. On the 99 Women soundtrack, Nicolai has written and conducted a symphonic score that alternates mysterious, dramatic and action themes to other romantic and sensual ones given by the sax and the orchestra that reprise instrumental variations of the main theme song. For this publication, Digitmovies used every take found in the original master tapes.
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3CD
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CDDM 329CD
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Digitmovies presents, for the first time in a complete edition in a 3CD box, six OSTs by Guido and Maurizio De Angelis, composed for television between 1972 and 1975 and taken from the archive of the historic RCA. The beloved brothers, who had already been active for some years for cinema with such famous soundtracks as "Per grazia ricevuta," "Continuavano a chiamarlo Trinità," "...e poi lo chiamarono il magnifico," "Più forte ragazzi," "Trastevere," and preceding by a year the worldwide success of "Sandokan" (1976), composed beautiful OSTs whose main theme was released in the '70s by RCA only on singles, but which we present here in their entirety, thanks to the masters of the original mono and stereo sessions archived at Universal Music Publishing Ricordi. Through sixty-nine tracks, the listener will travel through fascinating sound dimensions: beat, rock, progressive, folk, and experimental, alternating romantic themes with dramatic and mysterious ones that demonstrate the enormous talent of Guido & Maurizio De Angelis, then young composers, had gained a lot of experience in soundtracks, thanks to work done for years with other colleagues. This box also contains featured versions released at the time, such as the famous "Verde" from Quaranta giorni di libertà, "London Town" from Dedicato ad una coppia, "Majorana Theme" from Ipotesi sulla scomparsa di un fisico atomico, "Carolis Theme" from Sul filo della memoria, "Don Minzoni Theme" from Delitto di regime (Il caso Don Minzoni), and "Naples oggi" from Il Marsigliese. This box, produced with love, fills a hole in the huge discography of Guido & Maurizio De Angelis and Digitmovies dedicates it to their immeasurable Musical Art.
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CD
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CDDM 320CD
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This album would not have been possible if Edipan hadn't conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately, it was not possible to cancel some magnetic flaws. Digitmovies have brought to life an original soundtrack that contains all the popular and well-respected music elements of maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rhythms. Directed by Peter Collinson in 1974 and starring Oliver Reed, Elke Sommer, Richard Attenborough, Gert Fröbe, Herbert Lom, Charles Aznavour, Maria Rohm, Adolfo Celi, Stéphane Audran, Alberto de Mendoza, Orson Welles (just voice). A stranger that calls himself U.N. Owen invites ten people to stay at an isolated house in the Iran desert, drowning them with weird excuses. The nearest town is two hundred miles away and there are no phone in the house. Once arrived, they don't meet the house owner but they hear his voice recorded while he accuses them of several homicides still unpunished, for which they would pay with their lives. From this moment on, they will start to get killed one by one. Only two of them will save themselves: Vera Clyde and Hugh Lombard, who didn't commit the crime Owen accused them of, since they were mistakenly called to the house.
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LP
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LPDM 041LP
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LP version. This album would not have been possible if Edipan hadn't conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately, it was not possible to cancel some magnetic flaws. Digitmovies have brought to life an original soundtrack that contains all the popular and well-respected music elements of maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rhythms. Directed by Peter Collinson in 1974 and starring Oliver Reed, Elke Sommer, Richard Attenborough, Gert Fröbe, Herbert Lom, Charles Aznavour, Maria Rohm, Adolfo Celi, Stéphane Audran, Alberto de Mendoza, Orson Welles (just voice). A stranger that calls himself U.N. Owen invites ten people to stay at an isolated house in the Iran desert, drowning them with weird excuses. The nearest town is two hundred miles away and there are no phone in the house. Once arrived, they don't meet the house owner but they hear his voice recorded while he accuses them of several homicides still unpunished, for which they would pay with their lives. From this moment on, they will start to get killed one by one. Only two of them will save themselves: Vera Clyde and Hugh Lombard, who didn't commit the crime Owen accused them of, since they were mistakenly called to the house.
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CD
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CDDM 323CD
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Manuel De Sica wrote an orchestral comment based on a recurring symphonic tarantella, which is the main theme retaken in symphonic version or with a solo guitar, alternated with lounge tracks like "Rough", sung by De Sica himself, who was 23 years old back then, with the fabulous "Bossa Nova Boss", with the extravagant "Casa da gioco" and with the "Anna e Tonino" love theme. RCA printed a promo LP (SP 8046), put together by De Sica. In 1994 the same material was printed on CD (original soundtrack - OST 125), paired with The Garden of the Finzi-Continis (aka "Il giardino dei Finzi-Contini"). Digitmovies were able to access the original session mono masters, which brought them to discover some unpublished material, that results in a 46:38 minutes long CD. A sincere homage to the Musical Art of the dear departed Manuel De Sica. Directed by Pasquale Squitieri in 1972 and starring Fabio Testi, Jean Seberg, Raymond Pellegrin, Lilla Brignone, Charles Vanel, Germana Carnacina, Enzo Cannavale, Ugo D'Alessio, Paul Muller, Enzo Turco, Salvatore Puntillo, Marcello Filotico, Alberto Farnese, Nino Vingelli, Leopoldo Mastelloni. Tonino Russo, son of a humble and honest cobbler and engaged to Anna, just released after two years in prison for personal injury, gets challenged by a neighbor. Member of the Camorra Don Mario Capece witnesses the duel, from which Tonino comes out as winner. Impressed by the young man, Don Mario offers him a job in his organization. From that moment on, motivated by an insatiable thirst for power, Tonino only aims to go higher and higher. Greeted by Don Capece, thanks to his services and to his control over two gambling houses, after bringing to his side even the boss's partner, Tonino tries his big shot: take the boss's place in a deal of real estate speculation. Found out the betrayal, Don Mario kills Tonino's ex fiancée and tries to make him make a faux pas: murder an untouchable boss of the Camorra. Failed, Capece, knowing that Russo will try to kill him, moves the attack up by kidnapping his little brother. Tonino still manages to kill the boss, then, convinced by his father not to shoot the cops arrived there, turns himself in.
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CD
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CDDM 324CD
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Composer and conductor Vito Lo Re signs the soundtrack of Io Sono L'abisso, the new film by Donato Carrisi -- based on the novel of the same name. "It is an atypical soundtrack," says Vito Lo Re, "It is essentially based on a single piece that has the task of accompanying the most important and most difficult scene of the film. And the director had told me that he was going to shoot it without sound, relying only on the music. It was a huge responsibility because the emotional effect of the ending depends on that scene and that piece." Vito Lo Re is a conductor, composer, author of musical comedies, musicals, music for short films, documentaries, films and television programs as well as an orchestrator and arranger, an activity that has made him range through the most heterogeneous musical genres.
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4CD BOX/BOOK
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CDDM 316CD
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Digitmovies presents a limited edition set including Bruno Nicolai's The Case of the Scorpion's Tail (aka La coda dello scorpione), The Case of the Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors of the Dark (aka Tutti i colori del buio), and Your Vice is a Locked Room and Only I Have the Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave). Four-CD box version includes book.
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2LP BOX/4CD/BK
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SPDM 018LP
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Double LP version. Marble yellow vinyl with a selection of the best themes of the four OSTs, one for each side of the records; includes four CDs with the full versions OSTs of maestro Bruno Nicolai's Gialli; includes one booklet of 32 pages with movie and music annotations, pictures, posters reproductions, and typographic molds of that time; also includes one poster. Digitmovies presents a limited edition set including Bruno Nicolai's The Case of the Scorpion's Tail (aka La coda dello scorpione), The Case of the Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors of the Dark (aka Tutti i colori del buio), and Your Vice is a Locked Room and Only I Have the Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave).
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CD
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SPDM 019CD
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Digitmovies presents on CD the original soundtrack from the film Nati Morti performed by Basement's Glare. Directed by Alex Visani and starring Lorenzo Lepori, Ingrid Monacelli, and Ester Andriani. Luna is a young embalmer with a strange passion for everything concerning death. One day, during a trip in the woods, she finds two bodies. The first one is a dead woman, the other one is a man who is still barely breathing. From this moment, Luna's life will change forever and a horrifying spiral of violence will take place around her existence. Basement's Glare began shortly before the Covid-19 pandemic exploded. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone", which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Basement's Glare are composed by Riccardo Adamo and Daniele Marinelli as stable members, and by various session musicians. The collaboration turned out to be so fruitful and satisfying that the duo decided to cement it, opening musical horizons and making Basement's Glare an all-round musical project, with no limits of musical genre or intended use. Edition of 300.
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CD
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CDDM 319CD
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Digitmovies presents the original soundtrack for Jesus Franco's Count Dracula (aka Il Conte Dracula). The series Bruno Nicolai for Jess Franco comes back, years after, with this divine soundtrack composed and directed by Bruno Nicolai. Although the film was released in theaters in 1970, it was only in 1982 that Edipan released a LP record containing twenty stereo tracks selected by the author. In 1994, that same material was released on CD. Thanks to the stereo master tapes of the original recording session, one unpublished track was discovered. The soundtrack opens with Dracula's theme called "Processo", epic and suggestive piece with the intervention of the Hungarian harpsichord played by Leonida Torrebuono, which is then brought back in several tracks, such as "Sparviero", "Incubi", and "Magia". Dramatic music takes turns with classical music, like "Concerto variator". This edition is a new chapter in the ever-growing discography of maestro Nicolai, a musician much loved by his fans all over the world.
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LP
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LPDM 040LP
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LP version. Color vinyl. Digitmovies presents the original soundtrack for Jesus Franco's Count Dracula (aka Il Conte Dracula). The series Bruno Nicolai for Jess Franco comes back, years after, with this divine soundtrack composed and directed by Bruno Nicolai. Although the film was released in theaters in 1970, it was only in 1982 that Edipan released a LP record containing twenty stereo tracks selected by the author. In 1994, that same material was released on CD. Thanks to the stereo master tapes of the original recording session, one unpublished track was discovered. The soundtrack opens with Dracula's theme called "Processo", epic and suggestive piece with the intervention of the Hungarian harpsichord played by Leonida Torrebuono, which is then brought back in several tracks, such as "Sparviero", "Incubi", and "Magia". Dramatic music takes turns with classical music, like "Concerto variator". This edition is a new chapter in the ever-growing discography of maestro Nicolai, a musician much loved by his fans all over the world.
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LP
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LPDM 036LP
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Digitmovies presents on LP another musical jewel by Ennio Morricone from the TV movie broadcasted by Italian Rai Television in 1978 Il Prigioniero (The Prisoner). Ennio Morricone has composed an extremely serious score which reflects the whole sentimental and dramatic side of the historic atmosphere, in which the protagonist is immersed. The author varies the main theme with different orchestrations: the romantic, but nostalgic "L'estate È Finite" for flute, harpsichord and orchestra, reprised with harpsichord chromatism and with harpsichord and orchestra. The second motif "I Due Prigionieri" is introduced by the solo flutes in an almost experimental context, later accompanied by cellos and basses and then reprised as a background to psychological suspense with brass, piano and vibes and with fascinating variations. This painful atmosphere is broken up by "source music" which re-creates the sound of that era, like the Sicilian folk song for voice and guitar "Si L'ammuri" and the romantic old-fashioned romantic tune for male voice, piano and guitar "Dove sei amore". Edition of 300.
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LP
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LPDM 035LP
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Digitmovies release an LP of the OST by Ennio Morricone: Noi Lazzaroni (We Rascals). Ennio Morricone has composed a very "rural" score with the sounds that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performances of Edda Dell'Orso. Ennio Morricone has composed music which reflects the bucolic atmosphere of this tale through a series of archaically flavored themes played by instruments like recorder and mandolin. Among the recurrent themes there are a mysterious motif, dramatic music for dissonant strings and a lounge theme with the typical Morricone sound. The main theme is reprised for recorder and guitar and there is Baroque music for the puppet theater played by woodwinds and percussions. Contains two bonus tracks, unreleased alternate takes of the original album versions which will surely be quite attractive for fans and scholars of the music of Ennio Morricone. Edition of 300.
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2CD
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DGST 049CD
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Digitmovies releases on double CD for the very first time in full edition, three of Stelvio Cipriani's original soundtracks of the costume erotic comedies Metti lo diavolo tuo ne lo mio inferno (Put your devil into my hell), Leva lo diavolo tuo dal... convento (The countess died of laughter), and Racconti proibiti... di niente vestiti (Master of love). Three completely unpublished soundtracks from Stelvio Cipriani, based on costume erotic comedies influenced by antique novels of Decameron and Boccaccio. This trilogy was formerly supposed to be a quadrilogy with ...E continuavano a mettere lo diavolo ne lo inferno, but unfortunately the master tapes were lost. Thanks to stereo master tapes, Digitmovies used every single note recorded back then, with a result of 140 minutes of music. The author composed many themes that go from classical passages to more modern ones, from holy to profane, both funny and dramatic with the intervention of Nora Orlandi's vocalisms and her notorious choir.
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CD
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SPDM 017CD
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Digitmovies presents on CD the original soundtrack from the film Flesh Contagium. Music composed by Daniele Marinelli, Luca Maria Burocchi, Riccardo Adamo; performed by Basement's Glare. Directed by Lorenzo Lepori in 2020 and starring Pio Bisanti, Shiri Binder, Lorenzo Lepori. In a world devastated by epidemic, humans seek refuge outside the cities. Pursued by armed groups called "executors", the protagonists end up in an old fortress apparently abandoned: instead, they will find something that goes beyond their worst nightmares. The project Basement's Glare began shortly before the Covid-19 pandemic exploded. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone", which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Basement's Glare are composed by Riccardo Adamo and Daniele Marinelli as stable members, and by various session musicians. The collaboration turned out to be so fruitful and satisfying that the duo decided to cement it, opening musical horizons and making Basement's Glare an all-round musical project, with no limits of musical genre or intended use.
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CD
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DGST 050CD
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Digitmovies release on CD for the very first time in full edition, Ivan Vandor's spy movie Bersaglio Mobile (Death on the run) original soundtrack. Ivan Vandor (Pécs, 1932) has written many OSTs like I giorni contati (1962), Nudi per vivere (1964), Amori pericolosi (1964), Andremo in città (1966), Se sei vivo spara (1967). Death on the run commentary has all the classic features of Euro-spy genre: jazz, blues, Latin, Balcan music, a wild shake, love themes and orchestral passages full of tension and violence. A young Stelvio Cipriani vigorously conducts the orchestra. For this 57-minutes-long CD of Digitmovies used the recording session's mono masters.
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CD
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DGST 004CD
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Digitmovies release on CD, for the very first time in full edition, Nico Fidenco's drama Country Lady original soundtrack. Nico Fidenco (pseudonym of Domenico Colarossi), notorious singer and author of cult OSTs such as the Emanuelle series, has composed an evocative musical commentary directed by his all-time collaborator Giacomo Dell'Orso, which reflects the struggle both internal and physical of the members of a family. This daily battle full of resentment and humiliations has the Po valley fogs on the background, wistfully described by a recurring theme with strings, very sweet and sad, where a feeling of extreme loneliness emerges. The author contrasts the sweetness with dissonant tracks, which reflect the characters' mood. He also alternates many foxtrots of that period. For this CD, Digitmovies used Recording Session's stereo masters.
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CD
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DGST 047CD
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Digitmovies are releasing on CD, for the very first time in full edition, Giovanni Fusco's The Cossacks original soundtrack. Giovanni Fusco (Sant'Agata de' Goti, October 10th, 1908 -Rome, June 1st, 1968) composed a symphonic commentary masterfully directed by Carlo Savina. The composer created a dramatic main theme alternated to Russian dances, coral tracks, waltzes, polkas, quadrilles, battle music, and a moving love theme that often recurs in the soundtrack. Digitmovies used mono master tapes of the session of that time, which allowed the label to assemble a 73-minute plus long CD. Another CD dedicated to the great Giovanni Fusco, Michelangelo Antonioni's favorite musician.
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CD
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CDDM 313CD
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Digitmovies release on CD for the very first time in full edition, Franco Bizio's original soundtracks for the western movie Ed ora... raccomanda l'anima a Dio (And now... make your peace with god). Franco Bixio, at the time an eighteen years old boy, composed an acoustic OST with a smaller team, arranged and directed by Vince Tempera, with typical beat sonorities. Main theme "Like A Coward", performed by Mary Ushua, lays among the end credits and was published on Cinevox SC 1060 single, together with the track "Una diligenza a Tombstone". Franco Bixio retakes the main theme with several instrumental versions, occasionally slow and fast, alternating it with a delicate love theme that stands in tense and violent atmospheres. Also, saloon music figures both in instrumental and sung versions. For this CD, Digitmovies were able to use the original recording session's mono masters as well as the original single's mono master. Unfortunately though, the opening credits, instrumental version of "Just A Coward", were beyond repair lost. So, for historical and artistic reasons, Digitmovies decided to take them from the audio of the film, which had a mix of gunfires and horses.
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CDDM 312CD
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Digitmovies release the original soundtrack by Stelvio Cipriani for the film Fearless (original title Poliziotto Senza Paura). Stelvio Cipriani and his unmistakable style accompany the adventures of the fearless policeman in this soundtrack, with alternating action themes and romantic motifs. In the opening credits, a rhythmic motif with electric guitars and percussion is peacefully introduced by a synthesizer and bells, which is then reprised at the end of the film. He also includes danceable disco themes, bossa lounge music, music for Brigitte's striptease in the nightclub and music for the chases. The sad and romantic side of the story is given intense passages with strings that reveal once again the great melodic side of the composer. For this album, Digitmovies were able to use the stereo master tapes of the recording session. Directed in 1978 by Stelvio Massi, the film stars: Maurizio Merli, Joan Collins, Gastone Moschin, Werner Pochath, Annarita Grapputo, Franco Ressel, Alexander Trojan, Massimo Vanni. A private investigator from Rome, Detective Walter Spada, receives an assignment from his colleague Karl Koper in Vienna. He is to find the young Annelise Von Stradel, daughter of a wealthy Austrian banker, who joined a Buddhist community in Rome. Some thugs kidnap the girl before Walter arrives and he is forced to move to Vienna to continue the search. In the Austrian capital, the detective risks his life and finds himself involved in a mysterious and complicated story of minors who are killed or sent into prostitution. A 14-year-old girl named Renata reveals the repulsive part the girl's father and the gang play in the story, and is then killed soon after. The gang is led by a stripper who had kidnapped Annelise and had intended to blackmail the banker. Although his investigation proved successful, Spada returns to Rome penniless.
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CD
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CDDM 303CD
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Digitmovies release the original soundtrack by Franco Micalizzi for the film Brothers Till We Die (original title La Banda Del Gobbo). Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings. Directed in 1977 by Umberto Lenzi, the film stars: Tomas Milian, Pino Colizzi, Isa Danieli, Sal Borgese, Luciano Catenacci, Francesco D'Adda, Sandra Cardini, Guido Leontini, Mario Piave, Jimmy il Fenomeno, Solvy Stubing. After Almost Human, Umberto Lenzi returns to crime drama with Brothers Till We Die, once again starring the Cuban actor Tomas Millian. Here the actor plays both the roles of the twin brothers: one brother is the ferocious "hunchback" and the other is a likeable swindler called "monnezza" who lives in the suburbs of Rome. The first is a ruthless criminal, the second a soft-hearted thief. During a robbery, the hunchback's partners betray him and he is forced to hide out at his friend's house. He then begins implementing his plan to take revenge. When the police are not able to find the hunchback's hiding place, they turn to his twin brother. During a dangerous car chase, the hunchback's car swerves and ends up in the Tiber River ... but the corpse is never found.
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CD
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SPDM 016CD
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Luigi Seviroli is an Italian composer. His music compositions, due to their natural dramatic intensity, have been chosen by different movie directors such as (among others) Michele Soavi (Attacco allo Stato, Nassirya), Gianluca Maria Tavarelli (Non prendere impegni stasera), Alexis Sweet (Il Capo dei Capi aka Corleone, the acclaimed TV motion picture, Intelligence and Ultimo caccia ai narcos, Alberto Ferrari (Crimini Bianchi), Federico Rizzo (Taglionetto and Il Ragioniere della Mafia aka The Bookkeeper), Patricio Valladares (Downhill, Hidden in the Woods), Antoni Sole (The Second Reign of Night) . He also composed the score of several "audio-fiction" aired by the Italian National Radio (RAI, among which are: Dylan Dog, Giovanna D'Arco, Tex, Il Graal, Mata Hari) and of the motion comic Orfani, co-produced by Sergio Bonelli Editore and RaiCom (ten episodes air played on RAI4). Luigi Seviroli is currently involved in other challenging movie projects following international productions such as the two horror Charlie Charlie directed by Tony Mercedes and Everybloody's End directed by Claudio Lattanzi.
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LP
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LPDM 029LP
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LP version. Digitmovies release the original soundtrack by Stelvio Cipriani for the film Fearless (original title Poliziotto Senza Paura). Stelvio Cipriani and his unmistakable style accompany the adventures of the fearless policeman in this soundtrack, with alternating action themes and romantic motifs. In the opening credits, a rhythmic motif with electric guitars and percussion is peacefully introduced by a synthesizer and bells, which is then reprised at the end of the film. He also includes danceable disco themes, bossa lounge music, music for Brigitte's striptease in the nightclub and music for the chases. The sad and romantic side of the story is given intense passages with strings that reveal once again the great melodic side of the composer. For this album, Digitmovies were able to use the stereo master tapes of the recording session. Directed in 1978 by Stelvio Massi, the film stars: Maurizio Merli, Joan Collins, Gastone Moschin, Werner Pochath, Annarita Grapputo, Franco Ressel, Alexander Trojan, Massimo Vanni. A private investigator from Rome, Detective Walter Spada, receives an assignment from his colleague Karl Koper in Vienna. He is to find the young Annelise Von Stradel, daughter of a wealthy Austrian banker, who joined a Buddhist community in Rome. Some thugs kidnap the girl before Walter arrives and he is forced to move to Vienna to continue the search. In the Austrian capital, the detective risks his life and finds himself involved in a mysterious and complicated story of minors who are killed or sent into prostitution. A 14-year-old girl named Renata reveals the repulsive part the girl's father and the gang play in the story, and is then killed soon after. The gang is led by a stripper who had kidnapped Annelise and had intended to blackmail the banker. Although his investigation proved successful, Spada returns to Rome penniless.
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