|
|
|
|
|
|
|
|
|
|
|
LP
|
|
LIFE 054LP
|
$22.50
PREORDER
RELEASE DATE: 1/10/2025
Second album from the Japanese psych-prog band that started out as Far Out in 1973. The record is basically a concept: "The Cave" is arriving onto the planet, and the group is generally celebrating the beauties of nature. Heavily influenced by Floyd (Atom Heart Mother era), the group lays down some very credible ambiances that even Waters & Co. could've pulled off. This album draws Klaus Schulze's attention and he will collaborate with FEFB on their next one.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 052LP
|
$22.50
PREORDER
RELEASE DATE: 11/22/2024
The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo, and Tamba Trio, this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like "Reza" and "Zambi," this album is a must have for any fans of the Latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 049LP
|
This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy feel heading to massive bluesy tribal section. A cult in its own.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 051LP
|
Tone Float is the debut and only LP by the German band Organisation. The band featured two Kraftwerk former members: Ralf Hütter and Florian Schneider-Esleben. The album was produced by Konrad "Conny" Plank and it was an astonishing example of free rock meets avant-garde music, including a great variety of abstract noises, percussions and organ chords. Contrary to others Kraftwerk albums this one is really groovy and trippy. The psychedelic shape of a cult to follow.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 047LP
|
No. 2 is the second studio album by Serge Gainsbourg, originally released in 1959. It features Gainsbourg backed by the Alain Goraguer Orchestra. Definitely a mutant jazz-pop album with a strong chansonnier feel and a touch of French literature. The album cover is a reference to French author and musician Boris Vian.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 045LP
|
This somehow mythological album from one of Iran's top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavors. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 042LP
|
"Their music reaches from blues to jazz into space," proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and R&B, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintains a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 046LP
|
An obscure country-psych rock relic from Kansas. In 1968 four of the five original members of The Wizards From Kansas formed a band called New West, and began playing in the Lawrence, Kansas area, at clubs and parties. Californian guitarist Robert Manson Crain joined the group soon thereafter, expanding to a quintet. Reaching on the same esoteric drift as Clear Light or Emitt Rhodes, the band unleashed an even excellent cover of Buffy Sainte-Marie's "Cod'ine," more in the vein of Quicksilver M.S.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 043LP
|
Som Imaginário (Imaginary Music) is a Brazilian band from the '70s. They joined together to support Milton Nascimento in his first record and shows. Their style is heavily influenced by jazz, classical music and rock. Their self-titled debut from 1970 is a must have, a psychedelic South American cult all in all.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 041LP
|
A.R. & Machines is the solo project of one Achim Reichel. Released in 1971, this album still retains a magical touch. Ranked between the most original kraut albums of all the time, Die Grune Reise (aka The Green Journey) really is a trip. Turning his back to the original beat movement, Reichel embraced the infinity of a multi-layered sound, experiencing the most prolific path of prog rock while joining the obscure meanders of the lysergic renaissance.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 040LP
|
Nephew of world-famous sitar player Ravi Shankar, Ananda made an important impact in the '70s psychedelic scene by combining Western electronics and Indian music in order to create stunning instrumental jams. The jungle safari-tinged Sá-Re-Gá Machán was released in 1981 but still maintains a certain soundtrack feel to it, more akin to previous decade excursions. Still a magical clash of eastern and western musical dichotomy.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 038LP
|
This record is a nice summary of some of the band's earlier work -- when infamous bassist Moriaki Wakabayashi was still playing before he went and hijacked a plane (he was a member of the "Yodogō Group" of the radical New Left Japan Communist League's "Red Army Faction" that carried out the hijacking of Japan Airlines Flight 351 in 1970, ultimately forcing the plane to fly to North Korea, where Wakabayashi currently resides). A seemingly endless sonic flame-throwers of phased white noise streak across your inner landscape, as stupidly loud and overly-backlit lead guitar emissions perpetrated by a perpetually be-shaded longhair pummel the similarly be-shaded but barely adequate musical backing that sags and creaks under the wattage. Contemporary groups like the Wooden Shjips would have killed for it. Occasionally, lead vocals of a singular variety are provided by said be-shaded mad axeman, whose paranoid personality ensures all songs are delivered in a voice of querulous subterranean gargling from beyond the valley of Alan Vega. A great collection of LRD tracks with a good level of cohesiveness that brings everything you would expect from this band to the table.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 037LP
|
Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust -- formerly of the Holy Modal Rounders -- on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945 -- 1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 036LP
|
This album is compiled from the Hoggin the Stage and BBC In Concert sessions. In the 1960s, The Groundhogs were among the pioneers of the British blues revival. The group shifted to a more rock sound in the early 1970s and placed three consecutive albums in the UK top ten between 1970 and 1972.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 035LP
|
Best known for his proficiency on the oud, John Berberian has been releasing music since the early-1960s. While attending New York's Columbia University, Berberian made his professional musical debut playing the oud in support of violinist Reuben Sarkisian. While completing an MBA from Harvard, Berberian managed to find the time to become a staple on the Manhattan nightclub scene. In 1964 he was signed to Bob Shad's New York-based Mainstream Records, where he recorded a pair of Middle Eastern-themed instrumental collections. Those were followed by a pair of albums for George Goldner's Roulette and Jerry Schoenbaum's Verve Forecast. Music Of The Middle East was originally released in 1966 on Roulette and showcased all of the composer brilliancy. The group he formed to perform the traditional music of Turkey, Armenia, Greece, Arabia and North Africa, succeeded in creating a vividly exotic blend of rhythms, melodies and improvisations into an early global beat. Still a breathtaking experience.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 033LP
|
Exotica masterpiece finally reissued! This record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac. It's Exotic Dreams, released in 1958, that puts "the enticing voice of Ethel Azama" (1934 -- 1984), a Hawaiian jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, which granted Azama the opportunity to release one LP on which Denny also provides the liner notes (on a side note, Jimmie Rodgers succeeded with his negotiations as well, granting Azama a contract for a second LP in 1959). Exotic Dreams is one of those superb records that live up to the hype due to both the beautiful voice of the singer and the exotic arrangement alike, causing the listener to execrate the missed opportunities of releasing further material, as Azama faded into obscurity shortly thereafter despite her obvious talent, various gigs in Hawaiian and Australian night clubs and her recurring role in the '70s TV series Hawaii Five-0.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 034LP
|
Japan goes to Africa! It's more than a bit ironic that Tak Shindo's most "exotic" album, the superb Mganga!, boasts no connection to his own Japanese heritage, instead focusing on the primal rhythms and tribal chants of Africa. Rooted largely in the arranger's experience on the Latin jazz circuit, its Afro-Cuban rhythms, sampled animal sounds, and chants capture an African musical culture based far more in fantasy than reality, much as rival exotica maestros like Martin Denny and Les Baxter conjured interpretations of the Far East driven by suppositions and daydreams. Shindo documents an Africa informed by libraries and dancehalls, not first-hand experience. That said, Mganga! is vibrant and intoxicating, with a rhythmic intensity quite uncommon for its era. For an artificial experience, it packs a genuine wallop.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 032LP
|
Reissue, originally released in 1962. Sounds of Africa is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label. This early '60s Afro-jazz jam with Middle-Eastern and Latin flavors is one of the first in its genre. The album also features Bilal Abdurahman, Andrew Cyrille, and Chief Bey. Seminal!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 031LP
|
Reissue, originally released in 1961. "This jazz musician of Sudanese descent shows up here and there on recording sessions from the '60s, including a stint as a member of Thelonious Monk's combo. He also played oud and took part in a variety of attempts to blend his roots music with jazz, out of which this is one of the most successful. Indeed, one might overlook the entire fusion nature of this record and look at is as a prime example of how much brilliant jazz is created often by relatively unknown players, despite traditional historical attempts to credit most of the best jazz to a certain pantheon of so-called 'giant' players. The best-known player here is drummer Andrew Cyrille, recorded here early in his career, playing in a more traditional style then he would eventually become known for and playing very well to be sure. The leader's original tunes are catchy and refreshing, revealing new delights with each listen. The version of the standard 'Don't Blame Me' is a wonderful showcase for another undersung player, cellist Calo Scott. Of course, the usual credit should go to recording engineer Rudy Van Gelder, whose efforts recording small combo jazz have never been matched." --Eugene Chadbourne, All Music
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 001LP
|
2023 restock; reissue, originally released in 1971. Can you pick up a better iconic band than Japan's Flower Travellin' Band? Have a look at Julian Cope's Japrocksampler cover with the band bare naked wildly ridin' on their wheels. Is any description more appropriate? A sense of freedom has always enhanced their music, a heavy rock manifesto clearly informed by British stalwarts. Their second album Satori was released on Atlantic Japan in 1971 and still is a masterpiece on its own. The band was made up of Joe Yamanaka (vocals) -- possibly an Eastern version of Rob Tyner of MC5 -- Hideki Ishima (guitars), Jun Kobayashi (bass), and George Wada (drums). By the end of 1970, they had relocated to Toronto, Canada and lived there until March of 1972. In April 1973, the band split up, but they reunited in January 2008 with all original members joined by Nobuhiko.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 030LP
|
Reissue, originally released in 1960. Recorded in May 1960 this is probably one of Yusef Lateef's more straight jazz releases with almost no trace of his famous Eastern sound experiments. This is a beautiful and dynamic album based on a balanced mix of originals and standards including great numbers by Dvorak, Ellington, and Zawinul and with Lateef who's literally shining on both tenor sax, oboe, and flute. A fine document from a master musician caught during one of the peaks of his career.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 028LP
|
Reissue, originally released in 1970 on Forward Records, owned by Mike Curb. Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd, and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 029LP
|
Reissue, originally released in 1972 on the small imprint Westwood Recordings. Here is another magical achievement of the early '70s counterculture. Songs Of Sunshine has an intimate, predominantly acoustic flavor. Flutes, chimes, and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens, and even Peter Pan dominate the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of Music Box, became a renowned luthier and you can hear the care and love of the acoustic guitar in his music. The short-lived British folk trio released just this single before vanishing. The album consists of nine acoustic folk tracks of their own material and the Bob Dylan's classic "Tom Thumb Blues".
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 002LP
|
Reissue, originally released in 1971. A monster on its own Ceremony-Buddha Meet Rock still is one of the most enigmatic records to have come out of the early seventies Japanese underground. Composers Yusuke Hoguchi and Naoki Tachikawa are the main conspirators here. The album is clearly informed by the flower power counterculture, is full-on mysticism -- with Buddha chants all over the place -- and trippy guitar playing make room for an otherworldly experience. The album opens with a rendition of "Holy Thursday" lifted from David Axelrod's masterpiece Song of Innocence (1968) and sets the mood for a series of ancestral musical performance. Released on Teichiku Records in 1971, this album still stands as one of the most original pieces of art coming from the eastern side.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 026LP
|
Reissue, originally released in 1972. Possibly one of the most fascinating psychedelic albums that came out of Japan in the early seventies. Published in 1972 on Capitol Records' eastern brand, the album was then fully licensed to both the UK and American market due to his fascinating and lysergic moments. The opener "Beautiful Morning" soon became a classic on its own, showing the western influences of the band all along the spirit of the rising sun counterculture. A revolutionary effort in the end, coming from a different perspective and giving birth to a faint psych/folk/blues scenario.
|