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viewing 1 To 25 of 57 items
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12"
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YORE 053EP
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Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label Unknown Season. Strictly limited to 300 copies and no repress.
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12"
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YORE 010LTD-EP
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Official re-issue of Andy Vaz's 2012 Imaginary Beings EP originally released on Chiwax, plus bonus track. Serge from Clone called this the best authentic Chicago acid house heard in a long time -- sounding like something Jack Frost (aka Adonis) would have made. Comes as strictly 150 copies limited handstamped EP.
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12"
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YORE 050EP
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Yore is on something like a roll at the moment. This time, the label returns with a techno EP by ReKaB. It's easy to forget that, at its core, techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds Yore of this with a reverent nod to the past and a look forward to a human-centered tomorrow. Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework. Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft. Limited to 250 copies worldwide.
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12"
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YORE 049EP
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Welcome to a revisit of a true historic Chicago classic, originally by Frankie Knuckles, with Tears. The original release of Satoshi Tomiie, Robert Owens, and the godfather of house music, Frankie Knuckles, have all left an impression, and many can still recall reverence where they heard "Tears" for the first time. It's one of these house classics that everybody knows. Chicago's natives Elbert Philips & Andre Espeut contribute what they call "Loving Tribute," which is an homage to the original mix, which is nothing but magic. Andre's vocals create the perfect vibe, teamed up with a classic 303 Acid Dub, Tom Laroye on percussion and Prophet 5 Synthesizer, Shamrock Guitar on lead and rhythm guitar and Evans Tate on soprano sax -- each and every one speaks for itself and creates the atmosphere with high level musicality shining through all the way from beginning to end. Rounded up by remixes by Chicago's Andrew Emil and Grey Gray to solidify this project. Epic Chicago dreams and beyond, which is not to be missed. Only 300 copies limited and strictly no repress.
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12"
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YORE 048EP
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Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova deep house masterpiece and classic soulful jazzy deep house on the flip. Not to be missed, as this will sell out quick as only very limited copies available. No Repress.
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12"
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YRE 047EP
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Yore Records presents P0lyrhythm's Motor City Dreams EP on 12" vinyl.
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12"
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YORE 046EP
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Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source -- that is Chicago, IL. The Nite Dreams release features remixes (called here "Dreamixes") by Emil of one of his own Change Request productions and two by other artists. The three lustrous "Dreamixes" on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (featuring The Remedy) opens the release with the enticingly swinging "Chicago Underground," its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production "Sunday's Best" glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of "Sunlight" by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, "Sunlight" rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
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12"
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YORE 045EP
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Classic Detroit techno like they don't make it anymore. One for all 313 fanatics.
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12"
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YORE 009LTD-EP
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Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like "It Never Stops," one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled "One For The Brain," locates itself closer to house music proper but is no less appealing for doing so. Given the jazzy vibe of "It Never Stops," it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom." Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore. "It Never Stops" rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. "One for the Brain," by comparison, digs into its chugging house pulse with fervor whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like "It Never Stops" nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12" release seems meaningful.
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12"
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YORE 042EP
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The second Glenn Davis 12", a year on from his last Yore twelve-inch Soul On My Side. Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze EP. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. "Your Time" rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the dancefloor that's surrounding you. On the flip, Davis brings the skipping house groove of "Inner Monologue" to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark room and a red light bulb and house music forever and a day.
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12"
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YORE 041EP
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With How We Groove EP, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-80s with -- wait for it -- Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history -- but that's for another time. All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier "listening" realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.
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12"
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YORE 036EP
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Yore Records return with a new four-track EP by UK's Orlando B., here delivering a deep house EP full of deep dancefloor grooves.
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12"
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YORE 035EP
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Yore Records present BXT - a new super group from Detroit, consisting three legends: Eddie Fowlkes, Amp Fiddler, and Niko Marks. Talents which are no strangers to say the least. You know what to expect. Detroit in the house at its best.
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12"
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YORE 034EP
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Remixes of the Andy Vaz's House Warming full length (YORE 033CD/LP, 2015) by Ava's Damiano von Erckert and Detroit's Patrice Scott.
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2LP
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YORE 033LP
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Gatefold double LP version. Andy Vaz returns with his third full-length album on his own Yore label. Due to Vaz's half-Indian roots, he is lucky enough to own a beach house just outside of Mangaluru in the South Indian state of Karnataka. This is where most of House Warming was written, over a period of six months. In this totally isolated, hidden, entirely tourist-free spot, which had become Vaz's second home in the years before the album's creation, the artist found himself outside of the usual routines of Western life and in a position to simply sit down and create. The result is House Warming. As the title suggests, it's house, without a doubt -- but in the form of an album that's thoughtfully crafted from beginning to end. This is house music in all its aspects: the soulful, the deep, and the raw; or, if you prefer, deep house, acid house, and garage/vocal house. The joints range through downtempo, elektro, and even hip hop beats. This may sound old-school, and in spirit, it may be; it was produced entirely with analog synths and the Roland series -- from 808, 909, 505, and 606 to the original 303 -- but in a modern studio environment. Andy Vaz has been around long enough to know how to program his very personal ideas into the music, without denying influences from Detroit, Chicago, and New Jersey, to create something that goes further than a simple reflection of the past. "Deep" isn't a genre, it's a feeling. A warm feeling most of all. You're invited to find it here. Features contributions from Eva Soul and Niko Marks.
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CD
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YORE 033CD
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Andy Vaz returns with his third full-length album on his own Yore label. Due to Vaz's half-Indian roots, he is lucky enough to own a beach house just outside of Mangaluru in the South Indian state of Karnataka. This is where most of House Warming was written, over a period of six months. In this totally isolated, hidden, entirely tourist-free spot, which had become Vaz's second home in the years before the album's creation, the artist found himself outside of the usual routines of Western life and in a position to simply sit down and create. The result is House Warming. As the title suggests, it's house, without a doubt -- but in the form of an album that's thoughtfully crafted from beginning to end. This is house music in all its aspects: the soulful, the deep, and the raw; or, if you prefer, deep house, acid house, and garage/vocal house. The joints range through downtempo, elektro, and even hip hop beats. This may sound old-school, and in spirit, it may be; it was produced entirely with analog synths and the Roland series -- from 808, 909, 505, and 606 to the original 303 -- but in a modern studio environment. Andy Vaz has been around long enough to know how to program his very personal ideas into the music, without denying influences from Detroit, Chicago, and New Jersey, to create something that goes further than a simple reflection of the past. "Deep" isn't a genre, it's a feeling. A warm feeling most of all. You're invited to find it here. Features contributions from Eva Soul and Niko Marks. CD in digipak; includes two bonus tracks.
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12"
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YORE 032EP
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Japanese producer and DJ Kez YM's "Extended Sunset" bolts from the gate with a steamy house pulse that oozes soul and splendor, with luscious synth chords and funky basslines adding significantly to the music's allure. Much as he's done in the past, Kez YM threads crowd noises into "Moon Light Leaves" to bolster its party spirit and club feel, and works vocal accents and acid-techno boogie into its charging house pulse. The roaring throb of "Weekend" pushes the EP's hard-charging vibe to an even higher level; feverish dancefloor monster "Fixer" is powered by South American rhythms, percussion, and horns.
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12"
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YORE 008LTD
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Yore returns with FD's "Two Timer (No Aass He Losin Edit)." One-sided 12" pressed on white vinyl. Limited to 200 copies.
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YORE 031EP
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On Yore's 31st release, label-owner Andy Vaz delivers straight from the backyards of his Cologne-based Deutztroit Studios to the streets of Detroit, collaborating with Niko Marks (Detroit-based keyboardist, singer, and producer) on the A1 track: a warm, deep and soulful house anthem with a perfect dancefloor-friendly summer vibe. A2. features a remix of Andy Vaz classic house hit: "Hurry, Hurry" by Malik Alston. On B1 the mood shifts drastically with a very trippy, hip-hop-ish acid house-type masterpiece, with a strong, hypnotic and trippy feel. Old school acid jazz-influenced house and a sure guarantee for messing with your brain.
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YORE 030EP
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Yore presents a 12" from the Edinburgh-based outfit 2DeepSoul, which counts Brad Peterson and Rai Scott as its members. The two bring a wealth of experience to the project. "Intrinsic" spotlights a breezily swinging house groove, synth treatments that lend the music a dreamily atmospheric quality, a bass pulse lightly tinged with acid flavor, and a main synth melody that warbles like some lazer beamed in from some distant galaxy. "Flow Theory" derives its impetus from a chugging house groove and the aforementioned organ solo, and "Power" brings the duo's dreamier side to the forefront in the tune's enveloping production and warm, deep house vibe.
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12"
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YORE 006LTD-EP
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Each of these record sleeves is a unique individual piece, sleeve backside hand-stamped. Vinyl pressed on transparent light rosé-colored vinyl. Strictly limited to 250 copies. Andy Vaz has a giant passion for cycling, and "Bicycle Love" is his personal homage to it. Damon Lamar, who co-runs with Specter the Chicago deep house music label Tetrode, contributes a remix whose slink grooves as insistently as Vaz's. Brad P's "Strings and Keys Mix" is a tad funkier and jazzier.
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7"
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YRE 000-1EP
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Part two of the remix 7" series Straight Vacationing (YORE 028CD/LP). Album tracks getting a re-work are: "Detroit in Me" remixed by Patrice Scott and "Stubnitz" remixed by Memory Foundation. Making good on the Detroit connection, Scott amplifies the tune's Motor City vibe with lavish helpings of synthesizers, claps, and hi-hats and amps up its hard-swinging acid-funk groove. Memory Foundation's version of "Stubnitz" locks solidly into a tight mechanic-house pulse, which frees up all kinds of room for tenor sax player Andreas Pasternack. Pressed on transparent blue vinyl.
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YORE 029EP
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Tony Ollivierra has issued a generous number of singles and EPs under the Ibex moniker and now presents one under his own name. The infectious title cut features a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures are added. A jazzier dimension rises to the surface of "Quick Release" while "Phase Down" opts for a purer deep house sound. "Find My Way" strikes a balance between synth-heavy techno and jazz fusion.
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7"
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YORE 000EP
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Two-track collector's item on an orange-colored 7" taken from Andy Vaz's Straight Vacationing (YORE 028CD/LP) album, containing songs "Just Another Round" and "Detroit In Me" (Orlando B. Remix). Disco house madness/screaming dancefloor all the way. Limited to 150 copies.
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2LP
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YORE 028LP
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Gatefold 2LP version. Andy Vaz's Straight Vacationing is his first full-length artist album since the 2006 release of Repetitive Moments Last Forever. This album registers as less a straight-up collection of dancefloor burners and more of a variety pack that mixes club tracks and full-fledged house songs. Listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but they'll also get a whole lot more on this dynamic and well-rounded set of eight album tracks. Straight Vacationing dives into house in all its rich variety: from deep melodic, early Chicago-influenced acid house, jacking-Jedi mind tricks to disco-type grooves and last but not least excursions into Bizzaro World, with an almost psychedelic experimental-edged sound. The album perks up the moment the first track, "Detroit In Me," appears and when its acidy bass line percolates so determinedly alongside a female vocal motif, Vaz polishes the track's Detroit surfaces to a mirror-like sheen. It sounds a little bit similar to what Maceo Parker might sound like soloing over a funky Detroit-styled bass. Saxophonist Andreas Pasternack spreads his creamy playing all over "Stubnitz" and in so doing, bolsters the album's already soulful character. The album's poppiest moment arrives on "Just Another Round," whose hooks Vaz powers with a lead bass line and sweetens with a chirping female vocal. The funky-as-hell bass playing and the music's cold sweat, not to mention the honk of Pasternack's sax, might remind listeners of a certain age of the J.B.'s, James Brown's '70s band. On the experimental tip there's "Fukuoka Liquid," a bubbly, acid-techno shape-shifter featuring a hammering groove overlaid with synth smears, and "Worlds Collide," an exercise in jacking acid-house -- old school all the way. The album features occasional guest players contributing to the house-driven sun-showers. As a bonus, the album offers free additional digital remixes from Yore all-stars such as: Patrice Scott, Rick Wade, Alton Miller, Memory Foundation, Ibex, Kez YM and Orlando B.
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