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LP
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JACK 044LP
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$22.50
PREORDER
RELEASE DATE: 10/25/2024
The Stooges were a no brakes act who careered inexorably towards annihilation. They finally hit the wall in 1974, after the most horrible blow out imaginable at the Michigan Palace, where Iggy practically begged to be crucified by an angry mob. But remember this kids, Iggy hated himself so much he wanted to live. Available in black (JACK 044LP) and orange vinyl (JACK 044CV-LP).
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LP
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JACK 044CV-LP
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Limited restock; orange color vinyl version. The Stooges were a no brakes act who careered inexorably towards annihilation. They finally hit the wall in 1974, after the most horrible blow out imaginable at the Michigan Palace, where Iggy practically begged to be crucified by an angry mob. But remember this kids, Iggy hated himself so much he wanted to live.
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LP
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TMR 676LP
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2024 repress. 2020 release. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply...wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that...Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."
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CD
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TMR 676CD
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2024 repress. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply... wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."
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CD
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FREUD 096CD
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"Metallic KO is the remarkable album of Iggy & The Stooges confrontational 'last ever gig' (until their reunion almost 30 years later). Effectively the fourth Stooges album with then brand new and unheard songs, it was released in 1976 three years after Raw Power while Iggy was in limbo. Soon after the gig Iggy checked into a mental hospital. The sound of kamikaze Iggy provocatively abusing his audience and then dodging eggs and bottles thrown by a biker gang enhanced Iggy's reputation in the embryonic punk scene as the punk godfather. Nothing like it had been heard before. It became a must-have album and far out-sold the first three Stooges albums, with sales of over 100,000. It is now reissued with the original LP tracklist -- previously it had been extended to a double-CD with the complete 1973 and 1974 shows it is taken from. In the 2007 re-mastering, an original tape-speed error was discovered and corrected -- so now for the first time the album can be heard at the correct pitch. The booklet contains Iggy Pop's story of the events surrounding the gigs as well as contemporaneous reports from Nick Kent, Giovanni Dadomo and Lester Bangs. An essential album for any Iggy fan. Nick Kent said: 'I'm convinced that side two is a masterpiece,' and Lester Bangs said: 'It's the only rock album I know where you can actually hear hurled beer bottles breaking against guitar strings.'"
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SK 2021LP
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2022 restock, last copies. Live at Richards, Atlanta, Georgia, October 1973. Mick Rock: photography. Marc Z: executive producer. "The restored live recordings of the band's 1973 Atlanta performance which, aside from showcasing Iggy´s bellicose stage presence and his desire to stick things into other people's asses, boasts superb piano and bass presence. It also demonstrates the band's great contradiction?how it sounded great even at the height of dysfunction. This is the real thing. On Skydog Records, Marc Zermati´s very last wish."
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4CD BOX
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CRCDBOX 111CD
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"Extensive 4CD set documenting the final years of The Stooges. A companion set to 2020's well-received You Think Your Bad, Man?. Featuring studio sessions and rehearsal recordings made in London, New York, Detroit, L.A. and Michigan as the band prepared to record and tour their Raw Power masterpiece. Includes seminal Stooges classics -- 'Search And Destroy', 'Raw Power', 'Gimme Danger' -- alongside countless lesser known tracks and material which was never recorded professionally. Sleevenotes from Iggy aficionado, the legendary Kris Needs and produced in association with MainMan. An intimate study of a band on the edge, captured as The Stooges began their final descent into rock 'n roll immortality. Following a two-year hiatus, and by fair means or foul, The Stooges reunited in 1972 for their final assault on the heart of American rock 'n roll. Born In A Trailer compiles legendary recordings made by the band at London's Olympic Studios and in assorted rehearsal spaces across the US as they wrote and rehearsed for the studio dates that would result in 'Raw Power', and their famously intense live shows of 1973 and 1974. Filled with focused recordings showcasing a band still determined to make it, and produced in conjunction with Tony Defries' MainMan organisation, who famously steered the careers of Bowie, Iggy and Lou Reed during that period, Born In A Trailer is a must-hear document of one of the great bands of the age accelerating into the final lap of a career which inspired a new generation of anti-establishment rock 'n rollers in the years immediately following their demise."
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7 CD BOX/DVD
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SKY 20201CD
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"The riotous, infamous 'last ever' Iggy & the Stooges 1974 gig Metallic K.O., first issued in 1976 on the French independent label Skydog that heralded in the punk movement and cemented Iggy's position in it. Plus, the two full source tapes pitch-corrected on two CDs, and all of the Skydog label's Iggy releases remastered: We Are Not Talking Commercial Sh*t; Wake Up Suckers; Acoustic KO on both studio CD and live DVD; and the reformed Iggy & the Stooges Telluric Chaos -- live in Tokyo in 2003. Notes by Iggy Pop's biographer Paul Trynka in a 48p booklet. 7CDs + DVD."
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LP
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FREUD 096B-LP
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Limited restock. "Iggy and the Stooges Metallic K.O., the original 1976 album -- the notorious 'Last Ever Iggy & the Stooges Show'! Metallic K.O. is the remarkable album of Iggy & The Stooges confrontational 'last ever gig' (until their reunion almost 30 years later). Effectively the fourth Stooges album with then brand new and unheard songs, it was released in 1976 three years after Raw Power while Iggy was in limbo. Soon after the gig Iggy checked into a mental hospital. The sound of kamikaze Iggy provocatively abusing his audience and then dodging eggs and bottles thrown by a biker gang enhanced Iggy's reputation in the embryonic punk scene as the Punk Godfather. Nothing like it had been heard before. It became a must-have album in the energing punk scene and out-sold the first three Stooges album. It is now re-issued on vinyl with the original LP track list -- previously it had been extended to a double-CD with the complete 1973 & 1974 shows it was taken from. In the 2007 CD re-mastering, an original tape-speed error was discovered and corrected - so now for the first time on vinyl the album can be heard at the correct pitch. The album contains Iggy Pop's story of the events surrounding the gigs as well as contemporaneous reports from Nick Kent, Giovanni Dadomo and Lester Bangs. An essential album in Iggy's history. Nick Kent said: 'I'm convinced that side two is a masterpiece' and Lester Bangs said: 'It's the only rock album I know where you can actually hear hurled beer bottles breaking against guitar strings'."
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MVDA 5179LP
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"Vinyl document of the reformed Stooges' (Iggy Pop, Scott Asheton, James Williamson, Steve Mackay, Mike Watt) Raw Power performance at All Tomorrows Parties in September 2010. A mind-blowing night for sure. Iggy and the band sound flawless as they ripped through the archetype riffage of 'Search and Destroy,' 'Raw Power,' 'Gimmie Danger' and more. Punk rock, no doubt."
"Getting this top-notch performance of the entire Raw Power album by The Stooges realized a life long dream. This shit really sizzles and we are so obviously a crack band in a class of our own." --Iggy Pop
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CD/DVD
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EAR 006CD
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Double EP release on the label that brought us the the Heavy Liquid box. Total of 7 tracks, 3 on a regular CD, 4 on a DVD-Audio 5.1 mix disc. "First ever band-approved audiophile DVD 5.1 surround mix DVD audio release plus a CD disc. Disc 1 contains versions not included in the Heavy Liquid box set, including an exclusive mix of 'I Got A Right' that is not available elsewhere. The whole set is packaged in a luxurious double digipack with unpublished photos. A new Stooges studio album is rumored to be on the way, and interest in one of the few bands that can justify the term 'legendary' has never been higher. CD1 features:. "Hard To Beat" (Rough mix recorded in London 1972) 02. "Head On" (Recorded in Detroit 1973 with Bob Scheff on piano) 03. "I Got a Right" (remixed by Steve Pittis, recorded London 1972). The 2nd disc is a 5.1 DVD-Audio release, all recorded at Olympic Studios 1972, all unreleased -- 01. "I Got a Right" (version 1) 02. "Louie Louie" 03. "Gimme Some Skin" 04. "I Got a Right" (version 2). Limited edition of just 5000 numbered copies."
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