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viewing 1 To 14 of 14 items
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CD
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THRILL 631CD
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$14.50
PREORDER
RELEASE DATE: 5/23/2025
"Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
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LP
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THRILL 631LP
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$25.00
PREORDER
RELEASE DATE: 5/23/2025
LP version."Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
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LP
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THRILL 631X-LP
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$27.00
PREORDER
RELEASE DATE: 5/23/2025
LP version. Blue color vinyl. "Emptyset, James Ginzburg and Paul Purgas, explore both spatial and physical properties of sound; specifically the perceptible boundaries between it and noise. They have produced installations for Tate Britain and the Architecture Foundation in London. Emptyset's new album Dissever continues their exploration of the histories of 20th century electronic sound and media. Dissever delves into the intertwined evolution of cosmic rock, minimalism and electronic music, viewed through their prospective dreams and overlapping technological ambitions. Premiered at Tate Modern as a live performance, Dissever was part of the exhibition Electric Dreams, a large-scale survey of the global history of art and technology. The resulting album is astoundingly sublime, rich with sonics that are as thrilling and immediate as they are singular and dense with complexity. The compositions across Dissever draw threads from pioneering production methods emerging in parallel across the late 1960s, considering the cross talk between these fields and their radical intentions to carve out the future from differing paths, traversing the mystical and modern, while incorporating elements of the transformative, hypnotic, expansive and transcendent to define new principles within sound. The arrangements, performed live and captured in single takes, emerged across a series of sessions at long term collaborator Mat Sampson's recording studio in Bristol. This process revisited early hardware, spatial and multitrack recording techniques to create a dynamic body of material that could look back to these foundational musical forms and converge them through the lens of a reimagined timeline, cultivating a transmission from 1969 to the present and a sensory bridge to the past."
"Emptyset are in a class by themselves when it comes to excavating brutality out of silence." --Pitchfork
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12"
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SUB 015EP
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Emptyset present a live recording of their performance project Signal, which explores the effects of atmospheric propagation and transmitted sound. Developed between Bristol and Berlin over the course of 2014, the performance took place in Berlin on February 1, 2015. The project worked with long-distance high-frequency radio transmission in order to bounce audio composed of sine wave structures across the atmosphere, in a process that ornamented and shaped the signal in accordance with physical fluctuations in the ionosphere, atmospheric noise, and solar radiation patterns. The signal path for the performance transmitted the audio across a real-time 2000-km circuit; the multiple atmospheric bounces imprinted into the audio introduced complex transformations of sound.
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2LP
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SUB 014LP
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The 2009 debut self-titled album by Bristol-based project Emptyset (James Ginzburg and Paul Purgas), reissued here, formed the initial departure for the duo's ongoing exploration of time, structure, and analog technology. The album highlights the project's development and the foundation of its studio-based production process, forming the first part of a triptych spanning Demiurge (SUB 001CD/010LP, 2011) and Recur (R-N 151CD, 2013). Emptyset creates the first point within this narrative, initiating a dialogue between full-frequency audio, noise, and the emergent properties of sound, and the starting point for their contained sonic approach.
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LP
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SUB 010LP
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Issued now for the first time on vinyl is the complete studio album Demiurge (2011) produced by Emptyset, the collaborative art/electronics project founded by James Ginzburg and Paul Purgas. The release demonstrates a moment in the development of the project's production processes, examining non-grid based structures and the integration of sculptural feedback into the analog signal chain. The collective body of work exhibits the precursor to their current studio work with Raster-Noton and highlights the project's emergence and transition into a distinct sonic grammar, reflecting upon the re-appropriation of analog media and the innate physical properties of sound.
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CD
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R-N 151CD
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After successful EP Collapsed (R-N 116EP), the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge (SUB 001CD/010LP), the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. The album furthers the project's exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analog processing. The work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point.
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12"
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SUB 007EP
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These recordings further the work Emptyset, developed through the release Medium, exploring the relationship between space and the fundamental properties of sound, applying extreme bass, noise and feedback as means of extracting the essence and sonic signature. Across the recordings there is a focus on the nature of sonic decay, as each space imparts its signature reverberant characteristics to the signal, ranging from detailed noise reflecting across sheer concrete surfaces to low frequency sonics tunneling through subterranean earth. Housed in a gatefold sleeve.
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12"
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R-N 116EP
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Ununhexium is the sixth release in Raster-Noton's Unun series. Emptyset is a Bristol-based project formed by James Ginzburg, director of the Multiverse Studios and the curator and electronic artist Paul Purgas. Collapsed is Emptyset's first release on Raster-Noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges. Across the four tracks a structural grammar is defined and then pushed to excess to the point where it reforms from repetitive and stable frameworks into non-grid-based forms and ultimately chaotic rule sets.
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CD
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SUB 003CD
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Following their second album Demiurge (SUB 001CD), Medium arrives as the first non-studio-based production by Emptyset, recorded on location in the remote Woodchester Mansion in Gloucestershire. The collection of tracks explores the duo's preoccupations with the elemental properties of sound and bare, rhythmic structures and overlays it onto the textural possibilities of space and material. The project marks their first act of adapting their analog-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building. The rural mansion, which remains an incomplete remnant of the Gothic revival and a place studied by both architectural researchers and psychic investigators, provides a rich source of texture as the sparse palette of sine waves and noise is adorned with the intricate details of the space. Medium emerges as an act of translation, remodeling the house through sonic impulses into a state of audio, a fluid, transformative gesture and a process mirroring the sonar impulses of the bats residing within Woodchester's rooftop sanctuary. The project, supported by the Woodchester Mansion Trust, was provided technical support by the renowned Bristol-based sound engineer Mat Sampson, who managed the array of vintage microphones and preamps distributed within the building along with the central monophonic sound system. Approx. 21 minutes total playing time.
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LP
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SUB 005LP
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2016 repress; A five-song EP following their second album Demiurge (SUB 001CD), Medium is the first non-studio-based production by Emptyset, recorded on location in the remote Woodchester Mansion in Gloucestershire. The collection of tracks explores the duo's preoccupations with the elemental properties of sound and bare, rhythmic structures and overlays it onto the textural possibilities of space and material. The project marks their first act of adapting their analog-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building. The rural mansion, which remains an incomplete remnant of the Gothic revival and a place studied by both architectural researchers and psychic investigators, provides a rich source of texture as the sparse palette of sine waves and noise is adorned with the intricate details of the space. Medium emerges as an act of translation, remodeling the house through sonic impulses into a state of audio, a fluid, transformative gesture and a process mirroring the sonar impulses of the bats residing within Woodchester's rooftop sanctuary. The project, supported by the Woodchester Mansion Trust, was provided technical support by the renowned Bristol-based sound engineer Mat Sampson, who managed the array of vintage microphones and preamps distributed within the building along with the central monophonic sound system.
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12"
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CLR 054EP
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CLR presents another one of those clearly unusual tracks by Bristol-based experimental techno duo Emptyset. "Avichi" is stripped down to the absolute basics, consisting of little more than huge bass and an irresistible, characteristically diversified groove and some sensibly placed noises. Monoloc's remix is comparatively straightforward, with a compelling accentuation on the lower bass frequencies. All around solid workmanship with a vanguard edge.
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CD
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SUB 001CD
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Emptyset, the pioneering project from Multiverse boss James Ginzburg aka Ginz and the DJ and curator Paul Purgas, return with their second album Demiurge. Following their recent collaborative release with Underground Resistance vocalist Cornelius Harris, the album continues directly on from where their 2009 Caravan Recordings eponymous debut long player left off, pursuing the duo's exploration of the legacy of sound system culture and the possibilities for experimental bass-driven music. Heavily inspired by Bristol's lineage of dub and system-shaking sonics, Demiurge continues the project's deconstruction of the club experience and the magnification of the unplanned and unexpected textures that emerge from amplified sound. The resulting album is born from this investigative metamorphic process, the spine of rhythm scraped and exposed to extreme sonic pressure, bass music squeezed to its limits. Demiurge takes the form of a tyrannical force, an uncontainable creature of extremes, scouring the earth with shuddering footsteps.
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12"
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SUBTEXT 003EP
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Emptyset is the pioneering project from Multiverse boss James Ginzburg aka Ginz, and the DJ and curator Paul Purgas. Heavily inspired by Bristol's lineage of dub and system-shaking sonics, Demiurge continues the project's deconstruction of the club experience and the magnification of the unplanned and unexpected textures that emerge from amplified sound. The resulting music is born from this investigative metamorphic process, the spine of rhythm scraped and exposed to extreme sonic pressure -- bass music squeezed to its limits.
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viewing 1 To 14 of 14 items
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