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viewing 1 To 25 of 41 items
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LP
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PTM 008LP
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Part one of a two-part album (second part is Prins Thomas 9, PMT 009LP). "At the start of 2021 I realized I hadn't paid much attention to my own productions lately, rather spending time doing remixes or mixdowns for others or like many others, worrying over what the future will bring. I started going through tracks and ideas I had started on but not completed and now as another annus horribilis nears the end I have two albums ready for release, entitled 8 and 9. Although I promised myself to never say it, I personally think they're my best work so far and I hope someone else will get the feeling of 'a light at the end of the tunnel' when listening to these tracks just like I feel when listening back to them. There are contributions from the very capable hands of Bugge Wesseltoft (on 8) and John Carroll Kirby (on both 8 and 9), besides that it's just me." --Prins Thomas, December 2021
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CD
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PTM 009CD
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Part one and two on CD (Prins Thomas 8 and 9). "At the start of 2021 I realized I hadn't paid much attention to my own productions lately, rather spending time doing remixes or mixdowns for others or like many others, worrying over what the future will bring. I started going through tracks and ideas I had started on but not completed and now as another annus horribilis nears the end I have two albums ready for release, entitled 8 and 9. Although I promised myself to never say it, I personally think they're my best work so far and I hope someone else will get the feeling of 'a light at the end of the tunnel' when listening to these tracks just like I feel when listening back to them. There are contributions from the very capable hands of Bugge Wesseltoft (on 8) and John Carroll Kirby (on both 8 and 9), besides that it's just me." --Prins Thomas, December 2021
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LP
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PTM 009LP
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Part two of a two-part album (first part is Prins Thomas 8, PMT 008LP). "At the start of 2021 I realized I hadn't paid much attention to my own productions lately, rather spending time doing remixes or mixdowns for others or like many others, worrying over what the future will bring. I started going through tracks and ideas I had started on but not completed and now as another annus horribilis nears the end I have two albums ready for release, entitled 8 and 9. Although I promised myself to never say it, I personally think they're my best work so far and I hope someone else will get the feeling of 'a light at the end of the tunnel' when listening to these tracks just like I feel when listening back to them. There are contributions from the very capable hands of Bugge Wesseltoft (on 8) and John Carroll Kirby (on both 8 and 9), besides that it's just me." --Prins Thomas, December 2021
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2LP
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RB 074LP
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It's no big secret: The elements of trance music have always played a vital part in the music of Prins Thomas. In fact, there are scholars who argue that these stylistic attributes were the ramp that shot his disco into space. But let's not pour hot coffee onto the cold one. When the king they call Prins sent a loose bunch of tracks to Gerd Janson to get some sort of feedback, it was like an epiphany: the calling for the missing link between Logic Trance compilations of yesteryear and the honey for the strobe light bees of today has finally been answered. Naturally, it's not all ice cannons and glow sticks, endorphins and euphoria. The private and poetic Prins stands just one step behind the sweaty one -- in alphanumeric track list order. If there has ever been something like thinking-(wo)mans-trance, this is the album for it. Gatefold sleeve.
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12"
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PTM 005EP
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"No long story to tell... I wanted to make something I could play at peak-time and then I went and asked three mighty producers whose stuff I adored if they would like to make a version each. unleash these bea(s)ts" --Prins Thomas, November 2019 Anything For You? features remixes by Eagles & Butterflies and Barratt.
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12"
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PTM 006EP
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"No long story to tell... I wanted to make something I could play at peak-time and then I went and asked three mighty producers whose stuff I adored if they would like to make a version each. unleash these bea(s)ts" --Prins Thomas, November 2019 Bringing Mum To Panorama Bar features remixes by Norman Nodge and Prins Thomas.
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12"
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PTM 007EP
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"No long story to tell... I wanted to make something I could play at peak-time and then I went and asked three mighty producers whose stuff I adored if they would like to make a version each. unleash these bea(s)ts" --Prins Thomas, November 2019 Graut features remixes by Fango.
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12"
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PTM 004EP
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The third and final chapter of remixes tapped from last album 5 (PTM 001CD/LP, 2015). Proper "down the wormhole" business from Wata Igarashi, Orbe, and Rivet.
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10"
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PTM 003EP
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The second single from Prins Thomas's brand new album -- Prins Thomas 5 (PTM 001CD/LP) -- comes with a remixes and bonus beats by The Pilotwings. Thomas on "Lunga Strada": "The track that took me the longest to complete hence the 'long road'. Personal favorites The Pilotwings from Lyon sent over two ridiculously good and fun remixes which will be released on this separate 10-inch."
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12"
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PTM 002EP
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The first single off of Prins Thomas's forthcoming Prins Thomas 5. This first single on the new label gets unveiled with "Å" remix by Pional. Plus there's an extended 12" version by Thomas. Thomas on "Å": "Initially the final track and then: scrapped idea for the alphabet soup of Principe del Norte (2016). Later evolved into what we have here. Comes with a really nice remix by Pional on a separate 12" here!"
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2LP
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PTM 001LP
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Double LP version. Hi-quality art with gold print; Black polylined inner sleeves. After the slightly more conceptual Principe Del Norte album (2016), Prins Thomas's 5 takes two steps forward and one step back, collecting a batch of tracks that were recorded right after Principe Del Norte and in tandem with the Square One album with Bjørn Torske (2017). A "freedom" album of sorts, beyond the slightly misleading album opener "Here Comes The Band", there's a variety in these tracks tracing inspiration from a 35-year (unhealthy) obsession with all things "good music" played enthusiastically. 5 also marks the launch of Prins Thomas's new label, Prins Thomas Musikk. "Here Comes The Band" is very loosely inspired by Bandwagonesque-era Teenage Fanclub (1991). Melodic ideas were hummed into a handheld recorder and specific notes about instrumentation were scribbled down while on holiday in Villajoyosa in Spain and it turned into the little ditty "Villajoyosa". Thomas made "Bronchi Beat" in bed during a rough patch of bronchitis. Heavily influenced by prescription cough medicine. "Αθήνα" is partly inspired by a detour into the soundtrack of Prins Thomas's early teens (Paul Hardcastle, Warp 9, Maze, Mtume). "Æ" is another bronchitis-ridden idea. Slow and low is the tempo with a beat originally inspired by Brian Briggs's "AEO" and melodies beamed in from Wally Badarou. "Æ" is the Norwegian pronounciation of the "A" in acid referring to the 303 screeches. "Ø" gives you the impression Prins might be running out of ideas for track titles. "Lunga Strada" took Prins the longest to complete hence the "long road". "London Til Lisboa" was another idea from a trip on a plane with direction steered by Plaid and Pat Metheny. "Å" was initially the final track and then: Prins scrapped idea for the alphabet soup of Principe Del Norte. The track later evolved into what is here. "Venter på Torske" is the final recorded addition to the album. It was made while Prins was waiting for Bjørn Torske to reply on a text message... "Aske Hermansen" is probably as soppy as it gets with me. Prins made this on the road missing his wife and kids, literally putting tears into his computer keyboard.
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CD
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PTM 001CD
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After the slightly more conceptual Principe Del Norte album (2016), Prins Thomas's 5 takes two steps forward and one step back, collecting a batch of tracks that were recorded right after Principe Del Norte and in tandem with the Square One album with Bjørn Torske (2017). A "freedom" album of sorts, beyond the slightly misleading album opener "Here Comes The Band", there's a variety in these tracks tracing inspiration from a 35-year (unhealthy) obsession with all things "good music" played enthusiastically. 5 also marks the launch of Prins Thomas's new label, Prins Thomas Musikk. "Here Comes The Band" is very loosely inspired by Bandwagonesque-era Teenage Fanclub (1991). Melodic ideas were hummed into a handheld recorder and specific notes about instrumentation were scribbled down while on holiday in Villajoyosa in Spain and it turned into the little ditty "Villajoyosa". Thomas made "Bronchi Beat" in bed during a rough patch of bronchitis. Heavily influenced by prescription cough medicine. "Αθήνα" is partly inspired by a detour into the soundtrack of Prins Thomas's early teens (Paul Hardcastle, Warp 9, Maze, Mtume). "Æ" is another bronchitis-ridden idea. Slow and low is the tempo with a beat originally inspired by Brian Briggs's "AEO" and melodies beamed in from Wally Badarou. "Æ" is the Norwegian pronounciation of the "A" in acid referring to the 303 screeches. "Ø" gives you the impression Prins might be running out of ideas for track titles. "Lunga Strada" took Prins the longest to complete hence the "long road". "London Til Lisboa" was another idea from a trip on a plane with direction steered by Plaid and Pat Metheny. "Å" was initially the final track and then: Prins scrapped idea for the alphabet soup of Principe Del Norte. The track later evolved into what is here. "Venter på Torske" is the final recorded addition to the album. It was made while Prins was waiting for Bjørn Torske to reply on a text message... "Aske Hermansen" is probably as soppy as it gets with me. Prins made this on the road missing his wife and kids, literally putting tears into his computer keyboard. CD version comes in a digipak.
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12"
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RIF 012EP
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Prins Thomas's Apokalypso marks his return to Rett I Fletta, almost exactly three years after he started it with Blusjketuta (RIF 001EP, 2014) and Åpne Slusa (RIF 002EP, 2014). And following a now famous Winston Churchill saying: "This is not the end, not even the beginning of the end. this ("Apokalypso") is ... the end of the beginning!" And the rest is history. Or simply great tekno not tekno. All available on Full Pupp's "techno not techno" offshoot Rett I Fletta. Includes a rework by Øyvind Morken.
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12"
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FP 059EP
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Prins Thomas tips his imaginary hat to Eddy Grant and his Coach House Rhythm Section on these two, side-long percussion jams.
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12"
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MAMBO 001EP
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Horisontal Mambo is a new sublabel from Full Pupp. The label's concept comes from a history of irregular listening sessions in Norway with an "open-minded music policy." The first release is Prins Thomas reinterpreted by Norwegian jazz virtuoso Bugge Wesseltoft. The artwork is done by Eirik Seu Stokkmo. Mastering done at Schnittstelle. HQ limited 12″ with translucent PP sleeve, black inner and 30x30 cm poster inlay.
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2x12"
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FP 050EP
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The Full Pupp label revamps its design for its 50th release, which is also the label's first double-12" release. A mixture of new tracks and reworks of tracks from Prins Thomas's 2014 III album, plus a chunky Chmmr rework of "Stockholm Express."
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2x12"
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ESK 507408
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This double-12" set contains previously unreleased Prins Thomas versions of tracks used in his 2015 Paradise Goulash mix (ESK 507275/507378). Includes tracks by Actress, Blacknecks, Box Saga, Joachim Holm & Alejandro Mosso, Hieroglyphic Being, and Ü, each of which received a special individual treatment from Prins Thomas.
"Dear Vinyl Enthusiast / DJ, Thank you for purchasing this grand finale of my recent Paradise Goulash mix cd. The tracks on this 2 X 12" received some special individual treatment which I hope you'll enjoy listening to or playing in your local disco as much as I did making them. Box Saga has been a firm favourite of mine for a good 20 years already and although its baggy pants and loose groove is exactly why I love it so much I thought it would be fun to do a slightly different take on it. Ü is a recent fave of mine but as the record is super long and has a very DJ-unfriendly ambient intro, I gave it a couple of chops and hope you're brave enough to bring it to the dancefloor where it belongs. The tracks by Joachim Holm & Alejandro Mosso, Actress, Hieroglyphic Being and Blacknecks are all quite sparse to begin with and with the approval of all involved you can now smile or cringe at these 'Versions' where I 'join the band' on some of my recent favourite records. Thanks to the artists and labels involved for letting me use their music." --Prins Thomas, August 28, 2015
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12"
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ESK 507410
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"Dear vinyl enthusiast, thank you for purchasing this individual Paradise Goulash (ESK 507275/507378) sampler 12". I've cherrypicked four very special songs, edited them slightly where I thought they could benefit from it, quality-checked the mastering personally, and made sure only the highest-quality virgin vinyl was used in the pressing. All audio has been sourced from the highest-quality formats available to use and they can (should) be played loud on big club rigs as well as on your home stereo." --Prins Thomas, July 28, 2015
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3LP
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ESK 507378
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This triple LP contains a selection of tracks used in Prins Thomas's 2015 three-CD mix Paradise Goulash (ESK 507275). Includes tracks by Il Guardiano del Faro, Gábor Szabó, Claude Speeed, Brian Bennett Band, Young Marco, Actress, C Cat Trance, Mistral, Richard Schneider Jr., Wally Badarou, Jan Akkerman, Siriusmo, Blacknecks, Johanna Billing, Krater, and Kurt Vile. "Dear Listener, Thank you for purchasing this trio of vinyl records. The music contained within is a delightfully diverse collection that I hope you will find pleasing to your ears. Much like a bowl of goulash, not all the ingredients may be to your liking. It is undeniably more rustic roadside tavern than refined dining, but I hope you trust me behind the pots and pans. I have been spoilt for choice by the many fine ingredients available to me and have become somewhat blinded in compiling the final tracklist. However, the end result has now been tested on my nearest and dearest for approval. And with that I present to you my own special Paradise Goulash." --Prins Thomas, July 28, 2015
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3CD
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ESK 507275
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Prins Thomas tips his cap to Paradise Garage, the original New York nightclub, with this three-disc compendium, a marathon adventure into his ingenious and groundbreaking style mischievously titled Paradise Goulash. One of Norway's most renowned musical exports, Prins Thomas has fashioned a fresh direction for dance music. As with his peers Todd Terje, Hans-Peter Lindstrøm, and some of Oslo's legendary characters like the mysterious DJ Strangefruit, he has created an ongoing global fascination with retro-futurism and cosmic oddities. He indulges heavily in his unending eclecticism on Paradise Goulash, each disc gently wandering through his musical mind with tracks from Robert Hood, Actress, Marcellus Pittman, Young Marco, I:Cube, Hieroglyphic Being, and many more, as well as wholly obscure material unlikely to have been heard before. Also includes tracks by Turns, Gábor Szabó, Brian Bennett Band, Aqua Bassino, Claude Speeed, Sun Araw, Richard Schneider Jr., Mistral, The Durian Brothers, Zazou Bikaye & CY1, Berliner Ring, C Cat Trance, A Split - Second, TM404, RVDS, Len Leise, nsi., Wally Badarou, Jan Akkerman, Bjørn Torske, Son.sine, Hakimonu, Donato Dozzy & Tin Man, Forever Sound, Odd Numbers, Dreamatic remixed by Enzo Elia, SW., Pev & Kowton, Joachim Holm & Alejandro Mosso, Abdulla Rashim, Dirty Jesus remixed by RV Cock, Marcos Cabral, Box Saga, Les Big Byrd, Ü, Petar Dundov, Louis Haiman, Evigt Mörker, Morphosis, Sebbo remixed by Moritz von Oswald, Luke Abbott, Ricardo Villalobos, Zadig, Stefan Vincent, Blacknecks, Siriusmo, Il Guardiano del Faro, Johanna Billing, Krater, and Kurt Vile.
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12"
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EF 066EP
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Norwegian disco king Prins Thomas presents Rainbow Disco. The track lives up to its name, and is backed by a remix from Japanese disco kings Force of Nature.
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CD
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EF 013CD
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Prins Thomas jumped on the mixing decks and prepared a sonic trip for Endless Flight records and the Japanese festival "Rainbow Disco Club." The man from the Norwegian woods has been a guest at the top-notch Tokyo-based festival twice already. In 2014 he did not only play alongside edgy colleagues like Moodymann, DJ Koze and Kuniyuki, he also conceived with the festival organizers and Endless Flight man-of-action Toshiya Kawasaki the plan to do a mix CD that mirrors his current state of mind behind the wheels of steel. Those who are familiar with the work of the Scandinavian free-spirited producer, label-maker, and DJ will know that he does not like to repeat himself. As a liberal artist, he is always willing to enter new territories to reach a higher state of mind. There is house here, there is techno, dub sneaks around the corner, as well as flawless electronic sounds, some jacking Hi-NRG exultation and breezes of dark acid-laden electro. Thomas presents some signals from outta space by producers such as the dreamy techno one-of-a-kind Donato Dozzy, Chile-based sound scientist Atom TM and Berlin techno-kid Shed. He manages to also incorporate playful remixes and tracks by people such as Detroit's freaky jazz-head Theo Parrish, his musically-libertine fellow countryman Bjørn Torske and Birmingham's techno original Surgeon. There is also a ray of post-punk represented by a Crash Course In Science song that comes in a twisted Ricardo Villalobos remix. You hear a message delivered by the label's co-founder DJ Fett Burger and his mysterious buddy Speckgürtel. Furthermore, Glasgow's hottest new band export on the crossroad of jamming funk-punk and free-wheeling electronics Golden Teacher are included here as well as the neo-psychedelic Moon Duo, who is remixed by UK-based producer Tom Furse. Finally, the unpredictable mix waves good-bye with an uplifting Gerd remix of the piano house gem "Do You Feel Me," originally released in 1993 by NY's Finest. Other artists include: Floating Points, The Shookt, Krystal Klear, Deepchord, Mike Huckaby, Marcellus Pittman, Anstam, Helium Robots, Bee Mask, Silent Servant, Margot, Edmundy, Skatebård, Kevin Starke, Mark Du Mosch, Nukubus, Private Prod, Dimitri & Jaimy, and General Ludd.
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12"
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RIF 002EP
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"Second release on my brand-new label Rett I Fletta. 'Lang Versjon' of 'Åpne Slusa' found on my new album III (FP 011CD/LP) and a truly psychedelic remix by masters of such things Margot from Italy and two cool tools for DJ fools." --Prins Thomas
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12"
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RIF 001EP
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"First release on my brand-new label Rett I Fletta. All exclusive stuff, no tracks found on my new album III (FP 011CD/LP)." --Prins Thomas; "From previous conversations I know that Thomas mentioned this to be his 'tekno' label. Which is, listening to the first releases, not too far off the beaten track. Pretty cool and sturdy bass-lined boogie (rather than bluesy) techno with a fantastic Neanderthalistic ebb, flow and break scenery, chunky, wonkly, wombat-y, and oh-so-tasty." --Kai Fraeger
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2CD
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FP 010CD
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Full Pupp, the undisputed home of Oslo's more unknown, unspoiled and untouchable jeunesse, proudly presents you 10 Years of Full Pupp, a compilation dedicated to their first decade, 2004-2014. But the label is not only looking back on those years, overseeing what they have done and shedding some tears of what was then, they're also making room for what is now a bright outlook to the near future. Both CDs together comprise 32 tracks of beautiful music, hand-selected, picked and packed, edited and mixed by Prins Thomas himself. Includes 16 exclusive and previously-unreleased tracks that were recorded especially for this compilation. This mix was recorded by Prins Thomas at home on a cloudy afternoon using vinyl only, two Technics 1210's, Rane MP2016 + XP2016 and Alpha Recording System 3 band isolator. Additional overdubs, fx and edits done @K16 Studios, Oslo. Artists include: Frisvold & Lindbæk, Marius Våreid, Blackbelt Andersen, Magnus International, Ytre Rymden Dansskola, Erik Skantze, Casiokids, Andre Bratten, Tarjei Nygård, Jarle Bråthen, Diskjokke, Øyvind Morken, Skatebård, Lindstrøm, Dølle Jølle, Omar V, DJ Sotofett, Marius Circus, Lionheart Brothers, M.Øby & PT, Sommerstad, Telephones, and Randaberg Ego Ensemble.
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