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LP
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PSP 1014LP
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"An essential collection from Lee 'Scratch' Perry and his house band of Jamaican music hit makers at the peak of their game. From soulful vocal numbers to pumping instrumental tracks, this record is a must for any reggae, rock steady (or Jamaican music in general) aficionado. A tour de force from a talented bunch of individuals conducted by one of the most legendary producers of all time!"
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LP
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TBL 119LP
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"The Good, the Bad and the Upsetters is a studio album by The Upsetters, released in 1970. Lee Perry had no direct involvement with this album and never considered it an Upsetters album. In response to the album's release, Perry released an album in Jamaica using the Trojan artwork but with a completely different track listing."
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LP
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MOV 1912COL-LP
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"This classic album from 1973 saw its creator, Lee 'Scratch' Perry exploring synths and starting to develop his Black Ark sound -- the enigmatic producer was at the time in the process of building his famous studio and honing his ideas about dub as a musical form. The LP opens with the eerie 'Kentucky Skank,' Perry's ode to KFC, complete with frying chicken sounds, spliced between winding tapes, a ghostly trumpet, and futuristic moog synthesizer, overdubbed at London's Chalk Farm studios. U Roy's 'Double Six' and I Roy's 'High Fashion' & 'Hail Stones' illustrate just how strong The Upsetter's deejay material had become, while versions of the Chi-Lites' 'We Are Neighbours', Sam & Dave's 'Soul Man' and a re-working of Al Green's 'Love and Happiness' (retitled 'Jungle Lion') all betray the funky soul influence that was increasingly shaping his work. The backing tracks illustrate the producer at his best; the audio spectrum is fully differentiated while spatial placement an important component -- something it would take years for him to achieve at the Black Ark. Double Seven is available as a limited edition of 750 individually numbered copies on silver colored vinyl."
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CD
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VP 4239CD
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"Return Of The Super Ape was the final revelation from Lee Perry's Black Art Studio before it closed, a psychedelicized dub journey into uncharted sonic territories. Return Of The Super Ape is the follow-up album to highly acclaimed dub album Super Ape. Just like its predecessor, the album was produced by Lee 'Scratch' Perry. It was the last album by the Upsetters before Perry closed down his Black Ark Studio. The album showcases yet again the prodigious production skills of undisputed dub master Lee 'Scratch' Perry's insanely layered textures and technical wizardry. With the Upsetters providing their musical backing. Now freshly remastered and restored for 2022 with original press artwork. Includes foldout and booklet."
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LP
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VP 4239LP
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Reissue, originally released in 1978. "Return of the Super Ape was the final revelation from Lee Perry's Black Ark Studio before it close, a psychedelicized dub journey into uncharted sonic territories. Return of the Super Ape is the follow-up to the highly acclaimed dub album Super Ape. Just like the predecessor, the album was produced by Lee 'Scratch' Perry. It was the last album by the Upsetters before Perry closed down his Black Ark Studio. The album showcases yet again the prodigious production skills of undisputed dub master Lee "Scratch" Perry's insanely layered textures and technical wizardry, with the Upsetters providing their musical backing. Now freshly remastered and restored for 2022 with original press artwork complete with inner disco sleeve."
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7"
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HSRSS 002EP
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"'Popcorn' is presented on 7" vinyl for the first time ever. Originally released on The Upsetters' 1970 full-length Eastwood Rides Again this Jamaican funk instrumental by Lee 'Scratch' Perry and the Upsetters is an incredible up-tempo breakbeat instrumental, predating everybody else by years, a dancefloor bomb full of syncopated beats, bass and drums. Awesome and absolutely unstoppable! On the B Side, The Upsetters very rare 'Tight Spot' with Dave Barker on the microphone. Another deadly dance floor gem up-tempo proto dub, full of hypnotic organ, sharp guitars, with several layers of sounds completed by Barkers' manic laughs and screams. Do not miss the exotic clarinet somewhere in the background... A truly unique and magical Scratch dance floor creation!!!"
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LP
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MOV 2615B-LP
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"Lee 'Scratch' Perry & The Upsetters' classic Return of Django. Lee Perry had already been making name in the Jamaican music scene for about a decade before Return of Django hit the UK charts in 1969. Soon after, Trojan released a hugely popular collection of Perry's biggest instrumentals. This album is a must for everyone that enjoys that good old vintage reggae sounds. Lee 'Scratch' Perry was a pioneer of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. This legend turned 84! this year and he's still performing and recording music."
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LP
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ASH 708LP
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2021 restock. "'The inventive record producer and vocalist Lee 'Scratch' Perry was involved in every musical shift of note in his native Jamaica, from the rhythm and blues that pre-dated the arrival of ska in the early 1960s through the slower and more spacious rocksteady style that appeared mid-decade and, of course, the frenetic sound of reggae, which he helped to birth as an independent producer during the late 1960s. Operating as 'The Upsetter' from his base in a downtown Kingston record shop, Perry found his greatest success with instrumental music during this phase, the organ and saxophone re-castings of standard vocal issues proving exceptionally popular overseas. Scratch The Upsetter Again surfaced early in 1970 as a largely instrumental set, but with dreamy reverb a hefty feature and keyboards veering away from standard organ motifs. Dave Barker, who was soon to hit the pop charts as part of Dave & Ansel Collins, tackles The Shirelles' 'Will You Still Love Me' in soul reggae mode, only for Perry to shift things towards the emerging dub spectrum with 'Take One.' As Perry inched ever closer to the dub experimentation he would turn into an art form at his own Black Ark studio later in the decade, Scratch The Upsetter Again shows him moving away from the standard approaches of his competitors in his quest to test the very limits of recorded sound. And reggae was all the richer for it.' --David Katz (excerpt from the liner notes)"
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LP
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ASH 709LP
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"Double Seven, released by Trojan in late 1973, was the last album Lee 'Scratch' Perry would release on the label for some considerable time, and it was essentially the final album project he put together before establishing his own Black Ark studio. Opening track 'Kentucky Skank' sets the tone with a slow creeper whose frying sounds underscore its role as a praise song to the Colonel's KFC recipes; the cosmic Moog blips come courtesy of Ken Elliott at Camden's Chalk Farm studio, also prominently featured on U-Roy's double-tracked, stereo-panned gambling ode 'Double Six.' David Isaacs' 'Just Enough' was cut a few years prior, which makes it slightly out of phase with the rest of the set, though the enigmatic 'In The Iaah' sounds mightily fresh, with its uncredited chorus said to come courtesy of the Wailers. Perry's own 'Jungle Lion' has hilarious roars from the maestro at the start, strangely grafted atop a reggae re-make of Al Green's 'Love and Happiness. Overall, Double Seven melds the soul, funk, reggae and dub elements that were constant in Perry's work during this phase. His enhanced audio spectrum and endless reference points would keep his music continually apart from that made by his peers.' --David Katz (excerpt from the liner notes)"
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LP
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GET 57012LP
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"Between the twin pillars of Cloak and Dagger and Blackboard Jungle Dub, the superlative, yet often overlooked, Rhythm Shower album was also released in '73. Originally issued in a very limited Jamaican pressing with no sleeve, it became better known when re-released by the Trojan label as part of its 3 LP, and later 2-CD set, The Upsetter Collection, first issued in 1986. Despite its obscurity, Rhythm Shower is a pivotal album in Perry's career as a producer and bandleader; it finds him beginning to experiment with dub and developing his singular studio sound that would come to full maturity in subsequent years. Whereas earlier albums offered plenty of instrumental versions, on Rhythm Shower, Perry really begins employing the studio sleight of hand that would become part and parcel for what was then the emerging art form of dub -- dropping voices and instruments in and out of the mix to create a trippy, hypnotic effect. Not to go unnoticed is the mighty Upsetters themselves, whose revolving crew of musical heavyweights included Bob Marley & The Wailers future rhythm section Aston 'Family Man' Barrett on bass and drummer Carlton Barrett. The powerhouse rhythms they forged give Perry all the space he needs to work his mojo at the mixing desk. With one foot planted firmly in the celebrated sound of the time and the other stepping assuredly into the future, Rhythm Shower is essential listening for any fan of Reggae, Dub or Lee Perry. This is crucial music. This is classic Scratch."
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7"
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GET 777EP
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"This time out, it's The Upsetter Lee Perry with his spaghetti western-inspired 'Return of Django' featuring some great sax work from Val Bennett. The instrumental outing was of course well received in Jamaica when issued in 1969 and hit #5 on the UK charts. The equally impressive 'Dollar In The Teeth' is on the flip. Both selections being favorites in the UK Skinhead subculture and highly influential on the British Two-Tone movement of the later 70s."
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2LP
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SUNSP 010LP
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"Kung Fu Meets the Dragon is a stone cold classic dub album. Recorded at Lee 'Scratch' Perry's Black Ark studio and featuring Augustus Pablo as well the classic Upsetters, this one took dub to the next, other-wordly level in 1975. Now reissued on 180 gram double vinyl with bonus tracks."
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