Search Result for Genre SOUNDTRACK
viewing 1 To 25 of 1098 items
Next >>
|
|
|
|
|
|
|
|
|
|
LP
|
|
ENTRLP 001LP
|
$28.00
PREORDER
RELEASE DATE: 4/11/2025
The first release on Entire Records, in the shape of the soundtrack score to Academy-nominated 1976 documentary about the Bakhtiari tribe composed and performed by G.T. Moore and Shusha Guppy. Available on vinyl for the first time since its original release. Musically encompassing Persian-flavored and folk-tinged instrumentals and Farsi-language acapellas. G.T. Moore is a singer and songwriter whose career stretches back to the late '60s when he was a member of folk band Heron. In the mid-'70s he formed G.T. Moore and the Reggae Guitars. Later in his career, he would work with the likes of Lee Perry, Johnny Nash, and Poly Styrene. After 50 years in the music business, Gerald (G.T.) is still effortless bridging musical genres. Shusha Guppy, born in Tehran, was a talented writer, editor, songwriter, and singer. Between 1971 and 1995, she recorded over ten albums of both Persian and Western folk songs. She passed away in 2008.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SME 087LP
|
$42.00
PREORDER
RELEASE DATE: 3/21/2025
Sonor Music Editions presents the vinyl reissue of Riz Ortolani's iconic soundtrack to the 1969 Giallo thriller Così Dolce Così Perversa (So Sweet, So Perverse). This highly sought-after score composed by the legendary maestro who scored over 200 films, including Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, perfectly captures the atmosphere of suspense, eroticism, and deception found in this obscure film. Directed by Umberto Lenzi and starring Carroll Baker and Jean-Louis Trintignant, Così Dolce Così Perversa" is a stylish and thrilling masterpiece from the golden era of Italian Giallo films. Ortolani's score is a crucial element in the film's success, featuring haunting melodies, driving rhythms, and the unforgettable main theme, "Why?" sung by British singer J. Vincent Edwards, with lyrics by Norman Newell. Twenty-four years after its initial vinyl release, this lost Italian soundtrack has been revitalized with fully remastered sound sourced from the original master tapes from the legendary Sermi Records vaults. This new reissue is available in a limited edition of 500 copies and mark the first ever digital release of the soundtrack.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SUBEX 173LP
|
$28.00
PREORDER
RELEASE DATE: 3/7/2025
Take A Look At God's Face is the soundtrack to the 2022 acclaimed film of the same name by award winning writer/director Jack Laurance: a short and true story about revenge, lost love and exotic animals. Sulk Rooms is the musical project of prolific composer/producer and live performer Thomas Ragsdale. Thomas' brand of "luminescent electronica" soars majestically through a wide range of much-loved electronic albums, including equally excellent work under the moniker Ffion. Thomas also runs the influential label Frosti, as well as scoring many film and TV soundtracks, including work for BBC's Panorama, HBO, and Netflix. Thomas is based Honley in Yorkshire and has a lovely dog called Ezra.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TRILPFR 068LP
|
$31.50
PREORDER
RELEASE DATE: 2/28/2025
Tricatel is releasing on gatefold vinyl a selection of tracks composed by Bertrand Burgalat for Ça, c'est Paris! the series directed by Marc Fitoussi, starring Alex Lutz, Nicolas Maury, and Monica Bellucci. Marc Fitoussi (extract from the sleeve notes): "After collaborating on my film Les Apparences, I knew he'd be the ideal man for this series. Someone who could make real revue music, like you'd hear at the Paradis Latin or the Alcazar, and who could also be resolutely contemporary, like when the troupe relaxes and dances in a bar to a hit of the moment." Stéphane Lerouge (extract from the sleeve notes): "It's a genre that dates back to the thirties, that of the backstage musical, a genre with well-defined codes: the struggle of a collective, a troupe of singers and dancers, to put on a show that, despite a tsunami of obstacles, will end in triumph and reveal a new star. A broad spectrum of films can be linked to this, from Quarante-deuxième rue to Tous en scène, from Chorus Line to Trois places pour le vingt-six. And today, the original link in this long chain is the series Ça, c'est Paris!, in which Marc Fitoussi strips away this tradition, reenchanting it, making it crackle with new energy. In the end, his mission is almost the same as that of his main character, Gaspard Berthille (Alex Lutz), heir to a cabaret, the Tout-Paris, for whom he must invent a present, or rather, a future. To carry out this delicate task, Gaspard Berthille needed an accomplice, invisible on screen: Bertrand Burgalat. His freedom, the way he juggles harmony and tonality, shines through in every measure, as if Marc Fitoussi's subject had triggered something decisive and essential in him."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RBL 068CD
|
$22.00
PREORDER
RELEASE DATE: 2/28/2025
"30th Anniversary edition of this soundtrack from Michele Soavi's Italian cult horror film, Dellamorte Dellamore (Cemetery Man). Music composed by Manuel De Sica. De Sica nails the tone of the film, allowing the music to somehow walk the line of sinister and mundane without coming off as forced. Gothic atmospheres with electronic grooves and jazz tapestries."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LPDM 034LP
|
Digitmovies presents Bruno Nicolai's The Case Of The Scorpion's Tail (aka La coda dello scorpione), The Case Of The Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors Of The Dark (aka Tutti i colori del buio), and Your Vice Is A Locked Room And Only I Have The Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave) OSTs on LP. This limited-edition double vinyl record presents a selection of the best themes of the four OSTs, one for each side of the records. The Case Of The Scorpion's Tail: Maestro Bruno Nicolai knew how to put in music the macabre homicides of that event, writing a dissonant music soaked with elements of avant-garde and jazz. The soundtrack is enriched by two romantic yet nostalgic themes, as background of the love story of the protagonists. For this publication Digitmovies used every take found in the original masters. Your Vice Is A Locked Room And Only I Have A Key: Maestro Bruno Nicolai wrote a monothematic score based on variations of a nostalgic and romantic classical adagio for strings and harpsichord. All the horrifying aspects of this story are described through a series of dramatic and atonal themes, alternated to the classic adagio. All The Colors Of The Dark: Bruno Nicolai wrote and directed one of his best soundtracks for thriller genre. The soundtrack is mainly based on orchestral dark passages, sometimes rhythmic, sometimes atmospheric, which give a great sense of constant stress. Other than the romantic love theme, the soundtrack includes another very important theme: that for the "Sabba" in coral version and lounge-psychedelic version with Beat arrangements, performed by Alessandroni's Modern Cantors. It also contains the sitar execution of the great Alessandro Alessandroni. The Case Of The Bloody Iris: Bruno Nicolai wrote a romantic theme for Jennifer, which is re-taken in various versions during the whole soundtrack. The main theme has dark and dissonant strings passages, which make the listener feel tense and distressed.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5CD
|
|
SPDM 021CD
|
Five OSTs from Francesco De Masi, Luis Bacalov, Piero Umiliani, and Stelvio Cipriani. Per Un Pugno Nell'occhio: De Masi composed and conducted an orchestral comment alternating between dramatic and comical passages enriched with delicious Morriconian citations typical for the cult Leone movies. The record opens with gun shoots (reprising the opening credits style characteristic for some Leone westerns) that introduce "Titoli", a funny theme with the great harmonica sound of Franco De Gemini accompanied by Jewish's harp, bell tolls, organ, harpsichord and fast vibe passages. A masterpiece from the Silver Age of the Italian Film Music, luckily rescued. 2 Samurai Per 100 Geishe: This unprecedented OST was written by Nico Fidenco and Luis Bacalov. Despite the humor in the film, the OST is very orchestral and dramatic as it develops, with a recurring oriental feel. The authors put together a mystical holy melody which is contrasted with many battle motifs. Digitmovies used the mono master tapes from the original recording session. I Due Sanculotti: The soundtrack of the film was entrusted to Maestro Umiliani, (1956-1984) a prolific author of soundtracks who was active from 1958 to 1984. He made his debut as a musical composer for film, in 1958 thanks to Mario Monicelli, who called him to compose the musical score for the movie I soliti ignoti. Given the success of the film, in the following years Umiliani was called by the great and good of Italian cinema. From comedies starring Totò or Franco and Ciccio to espionage, from westerns to thrillers, from documentaries to drama all the way up to horror. I Due Parà: Maestro Umiliani composed a funny circus theme for "Head credits" alternating with the music of the atmosphere with an Arab flavor, to western-style Deguello music, Waltz, Mexican Mariachi, American march, a wild South American dance music for trumpet, and suspense. I Due Della Formula 1 Alla Corsa Piu' Pazza, Pazza Del Mondo: Stelvio Cipriani composed a brilliant OST with an amusing recurring main score with a touch of beat style. The author recalls the score in different versions and alternates it with a love theme in Bossa tempo, and with adventure-style music with harp interventions for the gang of bandits who try to make life difficult for Franco and Ciccio.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5CD
|
|
SPDM 024CD
|
Five OSTs from Luciano Michelini, Franco Micalizzi, and Manuel De Sica.La Polizia Accusa: Il Servizio Segreto Uccide: Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. This CD opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. Da Corleone A Brooklyn: Franco Micalizzi composed and conducted an OST which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor that we hear in a version sung by a male voice with an orchestral accompaniment and guitar accompaniment which is reprised in several fast and slow orchestral versions. For this CD, the stereo master tapes of the original recording session were used. Genova A Mano Armata: Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one. The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. For this CD, the master tapes of the recording session were used. La Banda Del Gobbo: Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. Camorra: Manuel De Sica wrote an orchestral comment based on a recurring symphonic tarantella, which is the main theme retaken in symphonic version or with a solo guitar, alternated with lounge tracks like "Rough", sung by De Sica himself, who was 23 years old. RCA printed a promo LP, put together by De Sica, 30:30 minutes long. In 1994 the same material was printed on CD, paired with "The Garden of the Finzi-Continis" Digitmovies were able to have access to the original session mono masters, which brought the label to discover some unpublished material.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5CD
|
|
SPDM 023CD
|
Five OSTs from Renzo Rossellini, Piero Umiliani, Carlo Savina, Gianni Ferrio, and Riz Ortolani. Il Segno Di Venere: The mono master tapes of the original recording session have survived in excellent condition. Digitmovies has used every note recorded to assemble the entire OST. The main score is cheerful, but also vaguely contemporary in orchestration. The music reflects a Roman setting and the relationships between the characters involving love, jealousy and loneliness. Il Vigile: At that time, RCA had issued an extended-play in mono with four selections. For this CD Digitmovies was able to access the original recording session in mono which allowed the label to create a CD containing the complete OST as well as material from the extremely rare LP. Maestro Umiliani composed a very pleasing OST which, in its various musical nuances, perfectly embodies the comic vein of the great Alberto Sordi. Il Moralista: Only a 45rpm EP was recorded for this film, with the main score written by Franco Migliacci and Carlo Savina and performed by Fred Buscaglione. Nothing had been previously released from the instrumental OST, but thanks to the mono master tapes it was possible to release all of Savina's background music. This CD contains the song from the opening credits, and a single with a different intro. Travolto Dagli Affetti Familiari/Il Vizio Di Famiglia: Gianni Ferrio is without a doubt one of the biggest names in film music. He used his immense talent to create music for Gialli films, Westerns and erotic comedies and also left an unforgettable mark in Italian television and pop music. For this film, Gianni Ferrio composed an enjoyable score where the recurring main melody is happy and carefree for the male protagonist and is alternated with romantic orchestral phrases. For Il Vizio Di Famiglia, unfortunately a country style song is missing, which is played during the scene where Edwige Fenech is on a motorcycle (but it could also be archive material). The composer created spirited and funny background music played by an orchestra and synthesizer, which is alternated with lounge music with sounds of pop music as well as the mysterious moods of giallo films. Gegè Bellavita: Riz Ortolani composed "Nun me scuccià," the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. This is another CD that enriches the discography of one of the most beloved composers in the world.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5CD
|
|
SPDM 022CD
|
Five OSTs from Carlo Franci, Francesco De Masi, Roberto Nicolosi, Marcello Giombini, and Bruno Canfora. Il Gladiatore Invincibile: Carlo Franci, also known under the pseudonym Francis Clark, studied in Rome with Goffredo Petrassi. He is an orchestra conductor and a composer for theatre productions. For this film the composer wrote a symphonic score to describe the heroic endeavors, where dramatic and violent passages for the battle scenes are alternated with a romantic and nostalgic love theme which is gloriously reprised in the finale. For the realization of this CD, Digitmovies used the mono master tapes of the recording session which took place over half a century ago and have been kept in good condition until now. Gli Schiavi Più Forti Del Mondo: Francesco De Masi composed and conducted a symphonic OST with heroic tones alternating with robust action music and a sweet love theme along with cheerful and comical passages. For this CD, Digitmovies used the master tape that half a century ago was assembled for the release of the original LP, and have added new previously unreleased material, including a rare stereo mix which has been properly restored and remastered. A dutiful homage to artistic music by the unforgettable Maestro Francesco De Masi. La Regina Delle Amazzoni: This CD was made possible thanks to the mono master tapes from the recording session which were kept in excellent condition. Robert Nicolosi composed and directed a symphonic OST containing all the classical elements of Peplum, but with an interesting idea. The main score is modern (for that time period), but there are hints of blues, jazz and swing, which the composer dances between again and again. This creates a soundtrack with two dimensions. Le Sette Fatiche Di Ali' Babà: For this CD Digitmovies was able to use the mono master tapes of the original recording. The author composed a recurring main score in a Middle Eastern Arabian Nights style, alternating between suspenseful music and music with violent and dramatic motifs for the battle scenes. Giombini transforms the main melody into a delicate and exotic love theme, contrasting with the exciting action scenes. La Regina Dei Tartari: For this CD, Digitmovies used every note contained in the mono master tapes of the original recording session. Maestro Canfora, for this particular OST removed the strings and used only the brass, woodwind and percussion. These create atmospheres with an ancient flavor, between heroic and mysterious, alternating with vigorous music for battle, and the recurring presence of a delicate love theme.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MOVATM 378G-LP
|
$54.00
PREORDER
RELEASE DATE: 2/21/2025
Green color vinyl version. "Hereditary is a 2018 American psychological horror film written and directed by Ari Aster in his feature directorial debut. He later went on to direct Midsommar (2019) and Beau Is Afraid (2023). The movie stars Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne. When Ellen, the matriarch of the Graham family, passes away, her daughter's family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. The soundtrack for the movie was written, arranged, and produced by Colin Stetson. Aster tried to keep it simple for Stetson regarding the music, but he wanted one thing to be apparent: the music had to 'feel evil.' Stetson explained that he tried to look at the score as though it was a character in the film, the character of the unfolding narrative. With this score, he tried to avoid certain ubiquitous tropes found in film scoring and used sound sources to accomplish different ends. Stetson wanted that the music developed as the narrative progressed. Hereditary is available as a limited edition of 500 numbered copies on translucent green colored vinyl. This 2LP is housed in a gatefold sleeve that includes liner notes by the director, Ari Aster."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MOVATM 423LP
|
$38.00
PREORDER
RELEASE DATE: 2/21/2025
"Will Butler, known for his work with Arcade Fire, has composed the original score for the Broadway play Stereophonic. The play, set in the 1970s, explores the dynamics of a rock band on the brink of success or collapse. Butler's score authentically captures the era, using period-specific instruments and recording techniques to evoke the raw energy of 1970s rock. His compositions range from high-energy anthems to introspective pieces, enhancing the emotional depth of the narrative. Critics have praised Butler's work for its authenticity and emotional impact, noting how it drives the story and deepens audience connection. He recorded the parts with the original cast from Stereophonic, including Will Brill, Andrew R. Butler, Juliana Canfield, Eli Gelb, Tom Pecinka, Sarah Pidgeon, and Chris Stack. The production received acclaim from critics and no less than 13 nominations at the 77th Tony Awards, taking home five, including Best New Play. Stereophonic now holds the record for the most Tony nominations by a play. Stereophonic is available as a limited edition on translucent red colored vinyl and includes an insert."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WWSLP 084LP
|
LP version. Wewantsounds presents the sought-after soundtrack for cult 1980 French film Clara Et Les Chics Types, featuring Isabelle Adjani, Daniel Auteuil, and the Splendid troupe actors. The jazz-funk soundtrack, composed by Michel Jonasz and featuring Manu Katché and Sylvin Marc, has never been reissued since 1980. Remastered from the original master tapes, the release includes two never-released bonus tracks and a four-page booklet with liner notes by French music expert and musician Guido Minisky (also a member of Acid Arab) who interviewed Michel Jonasz and actor Christophe Bourseiller for the occasion. A gifted singer songwriter, Jonasz had had a few hits in the '70s and had also teamed up with Gabriel Yared to write a couple of albums for Francoise Hardy, Musique Saoule (1978) and Gin Tonic (1979). This was the background that saw the film Clara Et Les Chics Types come together. The brainchild of famed screenwriter Jean-Loup Dabadie who had risen to fame screenwriting smash hits for directors Claude Sautet and Yves Robert in the '70s, the bittersweet comedy followed a group of friends who have an amateur group dealing with the vicissitudes of everyday life at the dawn of the '80s. For the soundtrack, Michel Jonasz was hired and gathered some of the best session musicians including drummer Manu Katché (in one of his first sessions) and bassist Sylvin Marc (who had recorded a couple of albums for Jef Gilson's Palm label in the early '70s). Together they weaved a mainly instrumental blend of jazz funk, reggae, and pop which matched the narrative perfectly. Although all the ingredients were there for a success, the film unfortunately stalled and so did the soundtrack. Jonasz went on to become a huge star in France shortly after, but strangely, the Clara soundtrack was never reissued, not even on CD. Teaming up with the artist and Warner Music France, Wewantsounds has dug out the original master tapes to reissue the album including two bonus tracks. The audio has been remastered by Colorsound in Paris.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SVVRCH 064CV-LP
|
$22.50
PREORDER
RELEASE DATE: 2/21/2025
Another side of Serge Gainsbourg permeates this 1963 film soundtrack about "a stripper lost in the nocturnal world" of Paris, according to director Jacques Poitrenaud, who cast Nico in the lead role (after her appearance in La Dolce Vita and just prior to the single she cut with Jimmy Page for Andrew Loog Oldham). Created by Gainsbourg with arranger and longstanding collaborator Alain Gourager, the music is fittingly the cool jazz of dingy nightclubs and seedy bordellos, with Gainsbourg on piano, and there's the sultry title track, delivered breathlessly by Juliette Greco. Another lost gem for all serious Gainsbourg fans.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MOVATM 378Y-LP
|
$54.00
PREORDER
RELEASE DATE: 2/21/2025
Yellow color vinyl version. "Hereditary is a 2018 American psychological horror film written and directed by Ari Aster in his feature directorial debut. He later went on to direct Midsommar (2019) and Beau Is Afraid (2023). The movie stars Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne. When Ellen, the matriarch of the Graham family, passes away, her daughter's family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. The soundtrack for the movie was written, arranged, and produced by Colin Stetson. Aster tried to keep it simple for Stetson regarding the music, but he wanted one thing to be apparent: the music had to 'feel evil.' Stetson explained that he tried to look at the score as though it was a character in the film, the character of the unfolding narrative. With this score, he tried to avoid certain ubiquitous tropes found in film scoring and used sound sources to accomplish different ends. Stetson wanted that the music developed as the narrative progressed. Hereditary is available as a limited edition of 500 numbered copies on translucent green colored vinyl. This 2LP is housed in a gatefold sleeve that includes liner notes by the director, Ari Aster."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WRWTFWW 091LP
|
WRWTFWW Records presents the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lost-then-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes. Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox) and released by Charles Band's infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is '80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes. The haunting score comes from master Fuzzbee Morse who composed it in Richard Band's garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky's The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives, and Eleanor Rigby.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JBH 096LP
|
The first ever commercial vinyl release of the classic folk horror score, presented in an incredible pop-up Witchfinder sleeve. For many, this is the long-awaited score that completes the "holy trinity" of folk horror: The Wicker Man (1973), Blood On Satan's Claw (1971), Witchfinder General (1968). And all these albums were first commercially found and released by Jonny Trunk. This is the first time Witchfinder General has been commercially released on LP (previously only available as a mega rare 1973 library LP or withdrawn CD). As well as the superb Matthew Hopkins/Vincent Price pop-up, the gatefold sleeves feature stills from the classic film, plus comprehensive notes about the film production history and the music. This is just the package the folk horror fans really want. Classic pastoral, melodic and scary music.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GRAM 901CD
|
Movie from France, music from Germany, CD from Poland -- it was the second time, when Tarwater release a special CD exclusively for Gusstaff Rec. In 2001 they released the album Not The Wheel, which contains unreleased material for movies, theatre and some other special songs. The record was distributed world-wide and had very good reviews in international and polish press. In 2009, they presented the original soundtrack for a French movie Donne-moi la main ("Give me your hand"). The movie was shown on cinemas across Europe since February 2009. Guests on this album: Stefan Schneider (Mapstation, To Rococo Rot, September Collective): banjo and bass; Robert Lippok (To Rococo Rot): additional production and effects.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MOVATM 396LP
|
$38.00
PREORDER
RELEASE DATE: 2/14/2025
"Gwendoline (1984) is an American adventure-fantasy thriller directed by Just Jaeckin. The story follows a beautiful young woman (played by Tawny Kitaen) who travels to an exotic and dangerous land in search of her missing father. Accompanied by her loyal friend Beth and a mercenary named Willard (Brent Huff), Gwendoline's journey takes her into the mysterious and perilous Land of the Yik-Yak. Along the journey, they encounter cannibals, a tribe of Amazonian warriors, and other classic perils of the unexplored jungle. A decade after Emmanuelle, one of the most iconic French films, Just Jaeckin teamed up again with composer Pierre Bachelet (Emmanuelle, Histoire D'O, Les Bronzes font du ski, Coup de tete) for their final film collaboration on Gwendoline. Inspired by John Willie's notorious S&M comic strip, the movie blends action, fantasy, and eroticism, with a visual style reminiscent of pulp comics and old-fashioned adventure serials. Its campy tone, exotic settings, and daring costumes made it a cult classic. The soundtrack, highlighted by 'Willard's Theme,' is a dreamy fusion of synthesizers, baroque influences, and '80s flair, blending traditional orchestral elements with contemporary electronic sounds. To honor Pierre Bachelet's legacy 20 years after his passing, this special edition presents the original LP program, previously released by RCA, remastered from Sony Music's pristine stereo master tapes. Limited to 500 individually numbered copies, the album is pressed on silver-and-black marbled vinyl."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BELLA 9623026CD
|
Immerse yourself in the incomparable world of funk and soul with the compilation Rare Grooves: A Funk And Soul Era. This unique collection of 16 hand-picked tracks from the '60s, '70s, and '80s brings back the vibrant influence of funk and soul to the European musical landscape of the time. This CD is a musical time capsule that brings long-forgotten treasures back to life. Many of the songs included were originally only released as vinyl singles and are now available on CD for the first time. Look forward to a fascinating mix of disco, krautrock, pop, Afrobeat and jazz songs, which gets its very own charm with a healthy dose of funk and soul. Let yourself be carried away by the creative diversity and unbridled groove of this era. Rare Grooves: A Funk And Soul Era is more than just a CD -- it is an essential piece of music history for collectors and lovers who appreciate the authentic sound of the funk and soul era. Featuring Atlas, Abadie, Ganymed, Charly And The Diamonds, Bill Gabo, The Jaguars, Stonewall, Epsilon, Lee Reed, MC London, Wolfgang Ambros, and Christian Kolonovits.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GFR 009LP
|
Manic fuzzed out instrumentals, mind blowing high-energy rock´n`roll, mysterious exotica, and more in this wild compilation of ass-kicking biker movie soundtracks. 14 gems taken from 14 greasy biker movies filmed between 1966 and 1971. An eye-opening collection of mostly forgotten treasures. Get ready for a wild ride with this compilation gathering a bunch of amazing '60s/early '70s biker movie soundtracks. Starting with the classic that defined the whole genre (Davie Allan & the Arrow´s "Blues Theme") this record is, of course, drenched in delicious fuzz madness, but it doesn´t stop there: from the mind-blowing high-energy bust that is "Changes" by the East-West Pipeline, to none other than the king of exotica, Les Baxter, this is a fascinating and roaring trip filled to the top with gasoline fueled hits! Featuring Mike Curb, The Man-Eaters, The Sidewalk Sounds, Simon Stokes And The Nighthawks, Jeff Simmons, Eddie And The Stompers, Lenny Stack, Harley Hatcher, The Sunrays, The Other Side, and Stu Phillips.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIFE 057LP
|
More Japanese lysergic madness! The 1972 soundtrack for Shuji Terayama's visionary movie of the same name contains all the elements necessary to reach composer and theatre producer J.A. Caesar's intended pleasure-centers. Disturbing, but in the end truly innovative, this soundtrack is a certified gateway to the underworld in the vein of classic by Faust, Cosmic Jokers, or early Amon Düül.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WWSCD 084CD
|
$16.00
PREORDER
RELEASE DATE: 2/7/2025
Wewantsounds presents the sought-after soundtrack for cult 1980 French film Clara Et Les Chics Types, featuring Isabelle Adjani, Daniel Auteuil, and the Splendid troupe actors. The jazz-funk soundtrack, composed by Michel Jonasz and featuring Manu Katché and Sylvin Marc, has never been reissued since 1980. Remastered from the original master tapes, the release includes two never-released bonus tracks and a four-page booklet with liner notes by French music expert and musician Guido Minisky (also a member of Acid Arab) who interviewed Michel Jonasz and actor Christophe Bourseiller for the occasion. A gifted singer songwriter, Jonasz had had a few hits in the '70s and had also teamed up with Gabriel Yared to write a couple of albums for Francoise Hardy, Musique Saoule (1978) and Gin Tonic (1979). This was the background that saw the film Clara Et Les Chics Types come together. The brainchild of famed screenwriter Jean-Loup Dabadie who had risen to fame screenwriting smash hits for directors Claude Sautet and Yves Robert in the '70s, the bittersweet comedy followed a group of friends who have an amateur group dealing with the vicissitudes of everyday life at the dawn of the '80s. For the soundtrack, Michel Jonasz was hired and gathered some of the best session musicians including drummer Manu Katché (in one of his first sessions) and bassist Sylvin Marc (who had recorded a couple of albums for Jef Gilson's Palm label in the early '70s). Together they weaved a mainly instrumental blend of jazz funk, reggae, and pop which matched the narrative perfectly. Although all the ingredients were there for a success, the film unfortunately stalled and so did the soundtrack. Jonasz went on to become a huge star in France shortly after, but strangely, the Clara soundtrack was never reissued, not even on CD. Teaming up with the artist and Warner Music France, Wewantsounds has dug out the original master tapes to reissue the album including two bonus tracks. The audio has been remastered by Colorsound in Paris.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ELE 038LP
|
$30.50
PREORDER
RELEASE DATE: 1/31/2025
The award-winning film Vengeance Is Mine, All Others Pay Cash (2021) is romantic drama set in a working-class neighborhood of Indonesia's West Java. Although the story was set in the 1980s, the film's music director Dave Lumenta didn't want to use music from that period. He didn't want to automatically go with dangdut, the musical genre, a mix of Malay, Indian and modern pop music, the music of choice for majority Indonesia's working class. He simply didn't want the film to be stuck in the time setting and the social class. The film's scoring is richer, inspired not only by dangdut, but also by rock. In order for his imagination to be free of that time and social context, he decided to make music that was based on the film's characters. Lumenta was interested in vulnerability, because it's something the audience finds in the main character Ajo Kawir, an impotent who is unable to have an erection. Iteung, on the other hand, is someone who is very liberal in terms of her sexuality, but she also struggles with a traumatic past. The film successfully portrays the clash of these two characters. And from identifying these two characters, the composer creates a melody or leitmotif that represents each character. The use of analogue instruments is consistent with the film's spirit, which is shot using analogue camera. Lumenta created the music using acoustic instruments, such as the recorder, along with other sounds from an analogue synthesizer. The sound produced may not be perfect, similar to the grainy quality of an analogue film. But it is precisely due to that imperfection that the eyes and ears are compelled to watch and listen actively; listeners must squint to catch something more perfect, or listen closely to filter out imperfections in the sound. Consuming art created with analogue tools requires a different method of listening, watching, and working process.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPF 097LP
|
"Almost 20 years ago I was a cinema producer overloaded with engagements. A very adventurous period of my life, always taking off for a different cinematic set, leaving behind a trail of adrenaline which was giving me a lot, but the time for a pause came. I needed some time for myself and music, as it happened many times in my life, helped me. In that moment of great introspection, I had the idea of this album dedicated to the songs which faithfully accompanied me, for all my life, a tribute to my favorite cues performed through my emotional filter. Tenco, Gaber, Armstrong, Baglioni, De André, Paoli, Brel, Battisti, and Guido & Maurizio. I spent many nights in studio in order to give life to this selection to which now I'm really fond of, through it I relive a life of musical emotions with a first-person interpretation. I still remember the sound of silence, nighttime when going back home from the studio, full of emotions. My emotions, nothing more than feelings, for a dreamer." --Guido De Angelis
|
viewing 1 To 25 of 1098 items
Next >>
|
|